Lesson for Cortney

By CORTNEY LAMAR CHARLESTON

after Lewis Holt

Those are traffic lights. They help stop people from
driving into each other. That’s a crescent moon and star
on top of that building. It means the people inside are part
of The Nation. That’s a gas station. That’s a McDonald’s.
That’s a Burger King. That’s a fried fish and chicken joint.
This blue thing is a mailbox. It’s for letters. You use it when
you have someone to write to who left. You’re right, that’s
an old car. The window broke so they use a trash bag to keep
the heat in or keep the cold out. This looks like a paper cut,
son. That’s a drop of blood. It’s warm because you’re warm
inside. That’s an ambulance for taking people to the hospital
when they’re hurt or losing blood. Not like you did, but a lot
more than that. That’s a police officer. That’s a gun on his hip.
Those are dangerous. That’s a fire truck and those people riding
on the side of it are firefighters. That’s really a church, they just
put it inside an old store. Yes, that’s a painting of Jesus. His skin
is different colors in different people’s houses sometimes. That’s
a bad school. Those metal bars keep bad people out. That’s where
grown-ups get their alcohol. Yes, kids can get candy there. This is
money and this is money, too. Not everyone has that. Don’t pick that
up. No, I’m not quite sure what that is. That’s a tree, son. No, I’ve never
climbed one or wanted to. Those are probably pigeons. C’mon, you know
that’s a belt. No, belts aren’t only for when kids are bad. This is a good school.
This is why you’re here. This is your uniform, a blue shirt and black pants. Yes,
that’s a picture of Jesus hanging over there. Remember what I told you about that.

 

[Purchase Issue 13 here]

Cortney Lamar Charleston is a Cave Canem Fellow and the author of Telepathologies (Saturnalia Books, 2017). His poems appear in Beloit Poetry Journal, Gulf Coast, New England Review, Poetry, River Styx, and elsewhere.

Lesson for Cortney

Related Posts

Caroline M. Mar Headshot

Waters of Reclamation: Raychelle Heath Interviews Caroline M. Mar

CAROLINE M. MAR
That's a reconciliation that I'm often grappling with, which is about positionality. What am I responsible for? What's coming up for me; who am I in all of this? How can I be my authentic self and also how do I maybe take some responsibility?

October 2024 Poetry Feature: New Poems By Our Contributors

NATHANIEL PERRY
Words can contain their opposite, / pleasure at once a freedom and a ploy— / a garden something bound and original / where anything, but certain things, should thrive; / the difference between loving-kindness and loving / like the vowel shift from olive to alive.

Image of laundry hanging on a line.

Real Estate for the Blended Family (or What I Learned from Zillow)

ELIZABETH HAZEN
Sometimes I dream of gardens— // that same dirt they kick from their cleats could feed us, / grow something to sustain us. But it’s winter. // The ground is cold, and I dare not leave this room; / I want to want to fix this—to love them // after all—but in here I am safe.