Love Song (1)

By MARCUS MYERS

If our bodies are vessels, hers sailed away.
I am sunken eleven months deep, away from her
hazel eyes like aulos pipers for my oarsmen,
           away from her
sun-warmed sides and bronze-sheathed prow.
Before she sank me, we rowed a while together
and she seemed to like the wake we made.
She said I was always too heavy, though.
She said, Where’s the levity?
She said when we talked, we dove too deep,
           too fast,
into the abyssal zone
where things get weird.
The bottom of what I feel for her: a fleet ship
weighted centuries-deep
with the wine- and honey-laden amphora
           we once carried together.
The weight of what I feel for her, the cedar-
pitch timber of it, will never surface
           to lift the bright air
pushing against our sails again.

 

Marcus Myers lives in Kansas City, where he teaches and serves as co-founding editor of Bear Review. His poems have appeared in or are forthcoming from The Cortland ReviewThe Florida ReviewHunger MountainLaurel ReviewMid-American ReviewThe National Poetry ReviewRHINOSalt HillTar River Poetry, and elsewhere.

 

[Purchase Issue 19 here.]

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Love Song (1)

Related Posts

A window on the side of a white building in Temple, New Hampshire

Dispatches from Søgne, Ditmas Park, and Temple

JULIA TORO
Sitting around the white painted wood and metal table / that hosted the best dinners of my childhood / my uncle is sharing / his many theories of the world / the complexities of his thoughts are / reserved for Norwegian, with some words here and there / to keep his English-speaking audience engaged

November 2025 Poetry Feature: My Wallonia: Welcoming Dylan Carpenter

DYLAN CARPENTER
I have heard the symptoms play upon world’s corroded lyre, / Pictured my Wallonia and seen the waterfall afire. // I have seen us pitifully surrender, one by one, the Wish, / Frowning at a technocrat who stammers—Hör auf, ich warne dich! // Footless footmen, goatless goatherds, songless sirens, to the last, Privately remark—