Ice Cave, Late March

By AURORA SHIMSHAK

Vernon County, Wisconsin

I create an occasion for my grandmother. I don’t call it anything, but it’s an occasion nonetheless. For the occasion we travel in her car to the park she shared with me when I was small, a little piece of valley we call the ice cave. For the occasion she chooses her blue flannel and a white fleece hat with flaps that would shield her eyes from the sun, except it’s misting. I wear one of her old coats, a black jacket with Mayan floral weave on the chest, a jacket I haven’t seen in decades. One of the effects of Grandma’s dementia: all of her coats are equally unknown to her now—one is not younger or older, one is not her good coat, none remind her of that fight she had with her son or her husband’s beer drunk resentment. Her husband is the reason for our occasion. Because he is not here. He is in a nursing home she cannot enter due to a highly contagious and sometimes deadly virus she calls the Corawhatever. He is stranded—cramped room, Fall Risk band on wrist—and she should be able to get to him, should be able to help. It’s all she can think about. And so, we go to the ice cave. Do you know how to get there? she asks. I think I do. I drive her car. I tell her at the top of a ridge that feels like my entire childhood, I used to be afraid of this hill. It’s still pretty scary, she says. At the bottom, the bridge is wider than it used to be, but it still bumps us, and in the valley, we pass the schoolhouse where, for a few years, my sister and I lived with our dad, putting scratch-and-sniff stickers on tooth-brushing charts. They painted it red, I say. Sure enough. Pine trees grown up on the hill where we used to sled, the last bend in the road, and we’re there. Small gravel lot by the sagging faces of sandstone and rushing creek. I don’t know if Grandma can make the mile-long trek, but I tell myself it doesn’t hurt to try. We go slow, notice the shape of the land without ferns and foliage for cover. I bend down and touch the lace of white fungi on a rain-soaked log. The warm days have brought the cranes back and melted all snow from the hollows, but ice in the cave is still possible. We won’t know until the end, until we’ve crested the hill obscuring the mouth. Is this it? Grandma asks. I can tell she’s tired, but I say, No, it’s a little bit further. I speed up on the last incline of rust-colored pine needles. White. Ice! I say. 

Ice Cave, Late March
Read more...

Excerpt from Private Means

By CREE LeFAVOUR 

Private Means book cover

The wine finally whittling at the burr of her thoughts, Alice read descriptions and assessed fabric content before selecting her size. Partial to leafy green and navy blue, cautious of dressing as a lamb when she knew she was close to mutton and yet not ready for Eileen Fisher–baggy old lady, her fifty-one years compounded the shopping challenge her considerable height posed. Even if she wasn’t actually buying, the clothes must potentially fit if the process were to give her any satisfaction. The virtual acquisition required less than possession but more than pure abstraction. The clothes and shoes and bags must be plausible purchases were she to decide to purchase them—always a possibility. But not even wine, an empty apartment, the tiresome BBC drama of Brexit unpardonably mixed with the devastating news of another Ebola outbreak overlain with repeated clicks of not-quite-complete acquisition could keep her from thinking about the dog.

Excerpt from Private Means
Read more...

Friday Reads: August 2020

Curated by ISABEL MEYERS

Welcome back to Friday Reads! After a brief hiatus, we are returning with books that have educated and entertained our former TC interns during quarantine. To find out what our former editorial assistants have been doing to pass the long days inside, read on. 

Recommendations: The Tree and the Vine by Dola de Jong; Such a Fun Age by Kiley Reid; Pizza Girl by Jean Kyoung Frazier

Friday Reads: August 2020
Read more...

Amplifying Black Voices on TC Online II

This is the second installment of an online series highlighting work by Black authors published in The Common. To read  The Common’s statement in support of the nationwide protests against anti-Black racism, white supremacy, and police brutality, click here.

 

Amplifying Black Voices on TC Online II
Read more...

Statue

By LISA WILLIAMSON ROSENBERG

The Upper West Side, Manhattan, New York 

On a crisp fall day in 1974, you are walking with your third-grade class up Central Park West to the museum. You smell the hot pretzels just before the statue comes into view. You want to pass by quickly in an effort to avoid the poop from flocking pigeons, but your best friend and partner for the trip, who is white and blond, slows your pace and squeezes your hand. She is frowning up at the statue, red-cheeked, the way she gets when she is angry.

“How come the Black man and the Indian man don’t get horses too? They’re just as good as the white guy.”

Statue
Read more...

Reading Black Voices: TC Staff Picks III

This is the third in a series of features highlighting the Black writers our editors and staff have been reading. To read The Common’s statement in support of the nationwide protests against anti-Black racism, white supremacy, and police brutality, click here.

Recommendations:  Newcomer Can’t Swim by Renee Gladman, The Book of Delights by Ross Gay, White Girls by Hilton Als512TQkciryL.jpg

Newcomer Can’t Swim by Renee Gladman

Recommended by Elizabeth Witte, Associate Editor

Renee Gladman’s Newcomer Can’t Swim is a sort of linguo-geographical exploration of place (cityscape, restaurant, beach, etc.,) and of the characters, the voices that populate these places, that move through, and act or are acted upon within each scene. 

Reading Black Voices: TC Staff Picks III
Read more...

Notes on Camp: 2020

By VAL WANG

“John jumped.”

I had no idea what the short sentence meant, only that it came from the Bible and when I said it, all the other campers in my Bible study group laughed and I was off the hook for answering any more questions about God, Jesus, Matthew, Mark, Luke, or John, none of which I knew anything about.

Notes on Camp: 2020
Read more...

Amplifying Black Voices on TC Online

This is the first installment of an online series highlighting work by Black authors published in The Common. To read  The Common’s statement in support of the nationwide protests against anti-Black racism, white supremacy, and police brutality, click here.

Amplifying Black Voices on TC Online
Read more...

July 2020 Poetry Feature: Loren Goodman

New poems by LOREN GOODMAN

Please welcome back long-time TC contributor Loren Goodman.

Table of Contents:

—G-d in a Cup

—Dear Jeremy

—Due to the Light

—Dolphin Facts

Loren Goodman was born in Kansas and studied in New York, Tucson, Buffalo and Kobe. He is the author of Famous Americans, selected by W.S. Merwin for the 2002 Yale Series of Younger Poets, and Non-Existent Facts (otata’s bookshelf, 2018), as well as the chapbooks Suppository Writing (The Chuckwagon, 2008), New Products (Proper Tales Press, 2010) and, with Pirooz Kalayeh, Shitting on Elves & Other Poems (New Michigan Press, 2020). A Professor of Creative Writing and English Literature at Yonsei University/Underwood International College in Seoul, Korea, he serves as the Chair of Comparative Literature and Culture and Creative Writing Director.

July 2020 Poetry Feature: Loren Goodman
Read more...