After Watching the Changing of the Guard at Arlington National Cemetery

By DONOVAN BORGER

 

I.

My father plods around our small apartment, the rooms arranged in a square, the center of which is the staircase up from the garage below. He’s 72 and has taken to wearing only boxer briefs anytime he is at home, stripping his other clothes off moments after he gets through the door. He still works 40 hours a week on graveyard shifts. Seven years have passed since he started fighting cancer. He’s singing the words Life’s a bitch, and then you die at a high volume because he’s going deaf and he wants to hear his own reaffirmations. He told me and my brother he’s done living once we move out. He wasn’t threatening us. He wants us to flourish and move out, stepping into our own lives. He wants us to love him enough to let him shoot himself.

After Watching the Changing of the Guard at Arlington National Cemetery
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Trousseau

By ROWAN BEAIRD

In all the early photos of my life, you are wearing a long skirt. It is pleated, with an elastic waistband, patterned with purple and red Japanese flowers. I imagine you purchased it from one of the consignment stores in Lincoln Square, their window displays nothing more than dresses and shirts hung on latticed wood wound with fake ivy. I imagine you kept wearing it because the polyester didn’t need to be dry-cleaned and you preferred not to shave your legs.

Outside, on my grandparents’ back lawn, which rolled off into an alleyway, I would crawl between your ankles. I did not want to be near the dog, or my cousins with their large chins and black eyes. My father would tell me to run through the sprinkler, or to play with the peeling block puzzle that had been scattered across the grass, the same one he had played with as a child. But I wanted to be inside, on the quiet, humming floor of our kitchen, so I tried instead to hide beneath your skirt.

Trousseau
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Malibu Beach

By JENNIFER JEAN


 
—for my brother Joey

What if there were no light, he wondered. Just sound & scent owning the night, without the invasive

Surf Shop green neon, or PCH streetlamps glowering at everyone.
Their glint was wrong, false, while the waves sounded
like aloe on a burn, a quick fix.
Some blue & some red lights also flooded the water—flashed

Malibu Beach
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Silence

By ODAI AL ZOUBI
Translated by ROBIN MOGER

A sticky patch 

1 

Tamara says that I am constantly on edge; she says that for people like me, meditation can help. “Meditate on what?” “On yourself,” she replies. “Look inside yourself.” There’s nothing there, Tamara, nothing to see; everything that crosses my mind lies outside me: Goya’s caprichos, the appalling translation of Bertrand Russell’s essays on epistemology I was reading yesterday, the over-vinegared salad I ate today. Perhaps this is my self, Tamara: nothing worth contemplating. 

Silence
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Horses

By MATTHEW GELLMAN

 

Sitting in her mother’s white wooden chair

my mother eyes me up and down, tells me

the medication I’m taking is making me fat

but yes, I know you need it. Like lipstick

smudged on a glass, she studies my hairline,

my father’s nose. I will never be her daughter.

Horses
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