Friday Reads: February 2018

Curated by SARAH WHELAN

Once again, The Common and Amherst College are honored to welcome a selection of visionary authors to our third annual LitFest–a weekend long series of events celebrating literary brilliance and nuanced expression. The talks, workshops, and panels will include, among other voices, 2017 National Book Award Finalists. This month, our staff and interns have chosen their reading in anticipation of our guests, and we present here our thoughts on just a few of these dazzling works. For more information on LitFest, please visit the Amherst College website.

Recommendations: The Brief Wondrous Life of Oscar Wao by Junot Díaz, Pachinko by Min Jin Lee, This is How You Lose Her by Junot Díaz.

Friday Reads: February 2018
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Pulitzer Prize-Winner Junot Díaz Headlines Amherst College LitFest 2018

Featured authors include Masha Gessen, Ngũgĩ wa Thiong’o, Carmen Maria Machado, and Min Jin Lee

"LitFest 2018" in white font on a purple background

Amherst College will host LitFest 2018, its third annual literary festival celebrating fiction, nonfiction, poetry and spoken-word performance, on March 1–3. The event, co-hosted by The Common, features readings and conversations with Pulitzer Prize-winning author Junot Díaz, 2017 National Book Award winner and Amherst College professor Masha Gessen, acclaimed Kenyan author Ngũgĩ wa Thiong’o, and 2017 National Book Award finalists Carmen Maria Machado and Min Jin Lee, among others. All events are free and open to the public. All author events will take place in Johnson Chapel on the College’s campus and most will include an audience Q&A and author book-signings.

Pulitzer Prize-Winner Junot Díaz Headlines Amherst College LitFest 2018
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Winterscape

By AMANDA GIBSON

Winterscape

The day is drab and cloud-soaked, the sky a quilt of gray. I take the dog to walk on a path beneath the power lines near our house. Although it’s the first of February, there’s no snow. Everywhere I see brown, tan, dull green. Overhead the lines buzz and pop, the towers that carry them straddling undulating hills.

Winterscape
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Novel Excerpt: Pachinko

By MIN JIN LEE

Come hear 2017 National Book Award finalist Min Jin Lee speak at LitFest 2018 on Thursday, March 1st at Amherst College. For more event details, click here!

 

History has failed us, but no matter.

At the turn of the century, an aging fisherman and his wife decided to take in lodgers for extra money. Both were born and raised in the fishing village of Yeongdo—a five-mile-wide islet beside the port city of Busan. In their long marriage, the wife gave birth to three sons, but only Hoonie, the eldest and the weakest one, survived. Hoonie was born with a cleft palate and a twisted foot; he was, however, endowed with hefty shoulders, a squat build, and a golden complexion. Even as a young man, he retained the mild, thoughtful temperament he’d had as a child. When Hoonie covered his misshapen mouth with his hands, something he did out of habit meeting strangers, he resembled his nice-looking father, both having the same large, smiling eyes. Inky eyebrows graced his broad forehead, perpetually tanned from outdoor work. Like his parents, Hoonie was not a nimble talker, and some made the mistake of thinking that because he could not speak quickly there was something wrong with his mind, but that was not true.

Novel Excerpt: Pachinko
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Inventory

By CARMEN MARIA MACHADO

Come hear 2017 National Book Award finalist Carmen Maria Machado speak as part of LitFest 2018 on Thursday, March 1st at Amherst College. For more event details, click here!

Cover of "Her Body and Other Parties" by Carmen Machado
One girl. We lay down next to each other on the musty rug in her basement. Her parents were upstairs; we told them we were watching Jurassic Park. “I’m the dad, and you’re the mom,” she said. I pulled up my shirt, she pulled up hers, and we just stared at each other. My heart fluttered below my belly button, but I worried about daddy longlegs and her parents finding us. I still have never seen Jurassic Park. I suppose I never will, now.

Inventory
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The Thing That Would Unmake You: an Interview with Carmen Maria Machado

HILARY LEICHTER interviews CARMEN MARIA MACHADO 

Carmen Machado Headshot

Carmen Maria Machado’s debut short story collection, Her Body and Other Parties, was a finalist for the 2017 National Book Award, the Kirkus Prize, and the PEN/Robert W. Bingham Prize for Debut Fiction, and the winner of the Bard Fiction Prize and the National Book Critics Circle’s John Leonard Prize. She holds an MFA from the Iowa Writers’ Workshop and has been awarded numerous fellowships and residencies from organizations that include the Michener-Copernicus Foundation, the Yaddo Corporation, Hedgebrook, and the Millay Colony for the Arts. Her memoir, House in Indiana, is forthcoming in 2019 from Graywolf Press. Carmen Maria Machado will be at Amherst College on March 1st at 7:30 for a National Book Awards on Campus Conversation, which is a part of LitFest 2018.

This summer Hilary Leichter met with Machado at her home in Philadelphia, where Machado is the Writer in Residence at the University of Pennsylvania.

The Thing That Would Unmake You: an Interview with Carmen Maria Machado
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The Common Receives $10,000 Grant from the National Endowment for the Arts

big NEA logo
The Common will receive its third grant from the National Endowment for the Arts in 2018. The Art Works grant of $10,000 will be awarded to The Common to help publish more and diverse writers, expand its readership, and also support The Common in the Classroom initiatives.

“We are thrilled to receive our third NEA grant as The Common heads into its 8th year of publication. The grant will go a long way to increase the diversity of authors and literary works published on our website and in print,” says Founder and Editor in Chief Jennifer Acker. “It will also support teachers and students who use The Common in the Classroom by expanding the library of online tools and resources.”

The Common Staff

The Common staff and interns. Left to right, standing Debbie Wen, Flavia Martinez, Managing Editor Emily Everett, Isabel Meyers. Seated Sunna Juhn, Editor in Chief Jennifer Acker, Madeline Ruoff. Not pictured: Julia Pike, Nayereh Doosti.

The Common Receives $10,000 Grant from the National Endowment for the Arts
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Plot vs. Story

By SUSAN SCARF MERRELL

Susan Scarf Merrell stands in front of a table covered with pieces of paper with writing on it

I think in words, not images, which I imagine is a form of dementia rarely studied by brain scientists—it’s a disadvantage when looking at a map or a set of architectural plans, and I have long believed it also to be a disadvantage when building the big complex geography of even the most pared-down fictional world.

Plot vs. Story
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The Common’s Nominations for the Pushcart Prize

We at The Common are proud to announce our nominations for the 2018 Pushcart Prize: Best of the Small Presses series, an accolade bestowed upon small-press writers for works of outstanding writing and literary talent. Each of our nominations represents this culmination of talent and ingenuity alongside the celebration of a daring and modern sense of place.

The Common’s Nominations for the Pushcart Prize
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January 2018 Poetry Feature

NEW POETS FOR THE NEW YEAR
This month we welcome poets new to our pages: JESSICA LANAY and MARLIN M. JENKINS

 

JESSICA LANAY

Harriet Hemings Meets Red Peter at The Russian Tea Room

“[…] as uniformly as is the preference of the Oranootan for the black women over those of his own species.” — Thomas Jefferson, Notes on the State of Virginia

“It is now nearly five years since I was an ape, a short space of time, perhaps, according to the calendar…” — Red Peter, from “A Report to an Academy” by Franz Kafka

Red Peter, it is so nice to meet you—I mean, you have to know how awful online dating can be. My father set us up—I think, based on your preferences in women, he thought we would have a lot in common. I must admit, I was excited to come to this restaurant. It is an excellent choice; the banana pudding is fabulous—the best in the city. I too love frequenting Paris, although I missed your performances with Hagenbeck. He also brought the world Otta Benga, did he not? I believe Mr. Benga resided in the same state where my father wrote his Notes. You are such a kind gentleman, compared to others. Here, let me adjust your bowtie; you’ve learned to be more human than most. Now, tell me, in your report to an academy, did you address your desires? Your dating preferences? Is the preference of the oranootan, in fact, for the black woman over his own species? Red Peter, my father would be very happy to hear about this date, if your preference is as such—I mean, for a woman like myself.

January 2018 Poetry Feature
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