“Widening the World: Editors and Writers Discuss the Art of Bringing Far-Flung Places to Readers’ Fingertips”

Event Date: 
Saturday, March 9, 2013 – 10:30am11:45am
Location: 
AWP Conference, Boston, MA

This panel features Jennifer Acker, Curtis Bauer, Susan Harris, Aviya Kushner, and Anne McPeak in conversation about strategies for bringing international perspectives to the readers.  Located in Room 103, Plaza Level.

“Widening the World: Editors and Writers Discuss the Art of Bringing Far-Flung Places to Readers’ Fingertips”
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“Bored Board: Rethinking Your Most Important Volunteers”

Event Date: 
Saturday, March 9, 2013 – 9:00am10:15am
Location: 
AWP Conference, Boston, MA

Join Jennifer Acker alongside Jeffrey Lependorf, David Lynn, and Anna Moschovakis for a discussion on building and utilizing boards.  Located in Room 102, Plaza Level.

“Bored Board: Rethinking Your Most Important Volunteers”
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2013 AWP Conference & Bookfair

Event Date: 
Wednesday, March 6, 2013 (All day)Saturday, March 9, 2013 (All day)
Location: 
Boston, MA

We’re excited to take part in the annual AWP Conference & Bookfair.  Please stop by The Common, space AA19, to chat and check out our wares.  This year’s conference will take place in Boston at the Hynes Convention Center and Sheraton Boston Hotel.

2013 AWP Conference & Bookfair
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From In the Time of Rat

By NORMAN LOCK

The Common is pleased to present the opening pages of Norman Lock’s book-length poem, In the Time of Rat, which will be published by Ravenna Press this winter (2013). In a “narrow measure” muscular as Skelton’s but with the wit, precision, and grace of bonsai, Lock delivers the story of Nicolaas Jansen, “soldier/deserter,” insurgent subject and celebrant of Rat. Not since Ted Hughes’ Crow have we encountered a figure with this much disturbing gravity and charisma, and Rat is the more cunning and mercurial of the two. By the book’s end he has become God’s mimic and shadow, double to soldier and state, patron and incarnation of the impulse to war, that force relentlessly “turning/ what is human into/ meat.”

From In the Time of Rat
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The Road to Thunder Bay, Pt. 3

By JAMES A. GILL

This is the final installment part of a three-part dispatch. Pt. 1 and Pt. 2 can be found on The Common’s website. 

 

The first order of business was to find the source of the leak. I went downstairs to the parking lot and started the car. Water pooled on the ground in the time it took me to get out and raise the hood. Finally, I nailed it down to a blown intake gasket. A spot about six inches long between the engine head and the intake manifold that bled water and antifreeze.

The Road to Thunder Bay, Pt. 3
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Arlington House, Maitland, Florida

By VANESSA BLAKESLEE

My writing room faces the backyard of my condo, and a steep embankment lined with lush, subtropical vegetation. Hidden beneath the embankment runs a stream—sometimes the water is churning and alive, rushing toward the lake a hundred yards distant. In the warmer months, ibis, herons, and other gawky water birds wade and dive, the stream their hunting ground; through the plantation shutters, I’ll pause from typing to glimpse one of these tall creatures perched patiently atop the bank, surveying its lunch prospects.

Arlington House, Maitland, Florida
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Changing Places: The New Siberia

By MELODY NIXON

Many Anglo-Westerners think of Siberia in terms of its weather (freezing), its animals (tigers and woolly dogs), its history (gruesome and gulag-filled), or the distances it encompasses (gargantuan). In their conceptions of Russia’s east, twenty-first century writers don’t stray from received stereotypes. Siberia is described in one piece in The Rumpus as the junk drawer below the kitchen radio to which you send unwanted things; in another recent selection of writings “on the near and far,” Siberia is the “far” place, down from which cold winds slither.

Changing Places: The New Siberia
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The Photographs of Rachel Barrett

Photographs by RACHEL BARRETT
Curated by JEFF BERGMAN

woman lying down in red light

In every family, traditional portraits are hung up or carried around: cousins arrayed before a monument, parents holding their grandchildren, long-gone ancestors smiling from a black and white beyond. Though we cherish their aura, the faces and places remain static.

The Photographs of Rachel Barrett
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Backlit Harbor

Sampling Thoreau

Part 1Economy

Inspired by rereading Thoreau’s Walden for the first time in 30 years, I am writing a series of essays—an attempt to sample Thoreau, and swing the rhythm. I want to honor the young idealist with echoes of his aphoristic style and, at the same time, challenge his lofty ideals with the experience of an older woman. Click here to read part 2.

 

When I turned 50, my mother gave me $200 for my birthday. I bid it all on a black leather doctor’s bag I found on e-bay and very quickly received an email saying I’d “won” it. My husband Andy and I still refer to the bag as the German seller listed it: “doktorattache.” At the time, I imagined myself using it as what my mother would call a day bag to carry on the train to New York. Now, every Friday night we load the car with my doktorattache, and Andy’s shopping bags full of clothes and tools, and head southeast toward the New Bedford Harbor.  When the road splits south of Boston, we stay right and are soon up to speed. I feel an intimacy with those on the road with us, as I do with strangers speeding down the track with me on the last outbound subway until morning—the anonymity; the neither here-nor thereness; the strange desire to overshoot my stop and keep traveling—not quiet desperation, just a sense of direction. When we finally turn on the harbor bridge, we have been on the road just over an hour.

Backlit Harbor
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Brother, Three Steps from Cipro

By OPHELIA HU

Shick-a-shawing down Linea A, three stops from Cipro, Rome, I overheard a violin poorly played. Now and again, I curse my perfect pitch. A quarter tone drawled between D and D#, pulled headlong from a heavy-held bow like a dead rabbit from a hat. It was a nuisance. But I looked over to behold a blue-eyed boy crowned with thick brown hair and matching freckles.

Brother, Three Steps from Cipro
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