New poems from our print contributors in the U.S. and abroad.
Under the Skin
Saturday, December 20
When I first meet my mother-in-law Nora, she is naked and skeletal, with a head-to-toe case of scabies. We don’t know yet about the scabies, but standing in the room at the nursing home, we can tell something’s wrong. Arline, my partner, hasn’t seen her mother in ten years.
An attendant brushes in past us. She had instructed us to wait in the entrance, but Arline’s friend Alma, sensing deception, led us down the front hallway and along a corridor until she found Nora’s room. The attendant waves us out; she will get Nora ready. The room holds a dresser with missing drawers and three single beds; they have dirty bedspreads and no sheets. A small print of a lily hangs near the ceiling on a wall as scarred as Nora’s legs.
The Common in the City 2013

Join The Common’s boards, benefit committee, editors, writers, artists, and many friends for an evening of literature, art, music, food, and drink.
Review: Playing for Thrills
Book by WANG SHUO
Reviewed by
“Even after the train had pulled up alongside the long platform and come to a complete stop, I couldn’t be sure if this was the city I’d wanted to travel to, even though it looked like it.”—Wang Shuo, Playing for Thrills
I discovered Wang Shuo in a fitting location: an unpaved alleyway outside Beijing University’s east gate, barely wide enough for two bicycles to pass, the shadows steeply angled in late afternoon. The year was 2000. I was a regular at the hutongcafé, Sculpting in Time (long since bulldozed), spending afternoons sipping Chinese-style iced cappuccinos (overly iced and foamed) and reviewing Chinese texts on U.S.-China relations. A few storefronts down, a Tibetan man studying at Minzu (Minority) University ran an independent film store. One day, I wandered his shop’s cardboard boxes of pirated VCDs (the predecessor to DVDs), looking for something interesting.
Dordrecht
A Loophole in Time (Part 2)
Click here to read Part 1 of this essay.
In Taiwan I taught English at an evening college. I’d dress up in my suit and pumps and teach business English to office workers and software engineers. But in the daytime, I’d put on my hiking clothes, tie my infant daughter in her baby-carrier on my belly, and hike up the cemetery mountains near our apartment. The cemeteries formed a large island of green amidst the urban sprawl of Taipei. After just a few minutes of hiking, the city noises would fade away. The blare of car horns, the rumble of trucks speeding over highway bridges, and the squeaking of metro carts were muffled by the bamboo forest. Blue iridescent butterflies as big as my hand rested on red hibiscus flowers, and I could imagine I had entered a secret world hidden within the city. I rarely met other people. When the dead are unhappy, they are said to turn into hungry ghosts. So the Chinese stay away from cemeteries. But I’m not afraid of the dead. In the stillness among the graves, where tree roots envelop old bones and flesh turns into earth, death doesn’t seem so terrible.
Annals of Mobility
From the 17th Floor: Rajasthan, For Example
To reach Kumbhalgarh, one drives two hours north from the charming lake city of Udaipur through the Aravalli Mountains. Until the end, the climb is gradual, and the countryside is rock-strewn and brown, save for the flames of the forest, the shocking orange flowers blooming from dead-looking branches. (When the rains come, the flowers will fall, and the trees’ wide green leaves will be used for plates.) But just when the roadside rhythms have slowed to match the bullock-pulled wheels drawing water from the wells, a throng of pink and orange and yellow saris jump into the road and halt the car. It’s the week of Holi, the Hindu festival of colors, and these women extract a few rupees in exchange for a fierce bit of dancing.
Review: The Gods of Heavenly Punishment
Book by JENNIFER CODY EPSTEIN
Reviewed by
Jennifer Cody Epstein’s The Gods of Heavenly Punishment is a sprawling novel, traversing the era of World War II from 1935 to the air-attack of mainland Japan in 1945, with an epilogue set in the early sixties. The time frame of the story is large, as are many of its scenes, such as Tokyo being firebombed or in the cockpit of a B-25 during Doolittle’s raid. This is a generous novel with heart. Epstein uses the simple device of a ring with a green stone to pull together the lives of characters from two sides of the Pacific Ocean, but the ring symbolizes a hope for a broader reconciliation. Though the two main combatants in the war for the Pacific have been allies for many decades, neither the U.S. or Japan have ever fully accounted for the devastation they wrought on each other: the U.S. decisions to firebomb and, ultimately, to drop atomic bombs on the civilian population of Japan and force its capitulation, as well as Japan’s choice to attack Pearl Harbor and commit war crimes in the Philippines and Manchuria.
Lines Regarding the Black Feathers on Canton
By CURTIS BAUER

Grackles foraging outside of a Whataburger near North Lake Park.
Soon enough the grackles will truth
the yard out back beneath the wires,
the sidewalk cracks, the live oak roots.
They will lose their dying feathers, now glossed