By HOLLIE HARDY
First you have to have hair. This trend toward baldness negates the problem.
Once you have grown a luscious mane, gather images on your lion tongue: ripe peaches, sizzle of bacon, crisp campfire scent of an almost winter night, handful of rain or feathers or marbles, the details of sunset, and and fast cars. Weave your materials carefully. Remember that birds like shiny things. The colors and flavors you choose may affect the type of bird you lure into your hair-nest.
By LAUREN GROFF
Once upon a time, I believed that writing was the same thing as being a writer. This was before I understood that scribbling a messy sentence in a notebook was not actual writing, a time when I bought gamely into the self-sparked romance of becoming a writer: a life of moonlit walks beside rivers, bare apartments dancing with light, foreign languages drifting through a window full of geraniums. Being a writer meant being somewhere else, anywhere that promised architecture and meaningful encounters with sophisticated natives and a chilly, ascetic version of me pinned like an anchorite to my pages. I knew I could never be a writer in the place where I was born, small, cold Cooperstown with its mysterious lake. Laughable idea, that!
Book by TÉA OBREHT
Reviewed by
For most of us, the war and subsequent breakup of Yugoslavia in the 1990s conjures memories of shaky news footage and the echoes of faraway landmine explosions. For the narrator of The Tiger’s Wife, a young doctor who grew up during the seemingly endless violence, those years were her childhood, defined not by what was lost, but by the simple ritual she shared with her grandfather: visiting the tiger at the zoo.
Author Téa Obreht infuses her first novel with everydayness, what people who haven’t lived through a war might call survival. The novel opens in the present with the news of Natalia’s grandfather’s sudden death. On her way to an aid mission at an orphanage across the border, Natalia receives a page from her grandmother with the news, and an accusation: “He was going to meet you.” But Natalia hadn’t heard from him and didn’t know anything about the supposed plan to meet, so the news comes as a double loss—grief, confusion, and a sense of betrayal. Where was her grandfather going and why did he lie?
Event Date:
Thursday, March 31st, 2011 – 8:00 pm
Location:
Amherst, MA
Issue 01 of The Common ships to subscribers.
I grew up in a suburb. Sub-: substitute, subservient, suboptimal, subordinate, substandard. Suburb: aesthetically, morally, culturally beneath the urb. Suburb: lesser than, not quite, almost, near but far. Suburb: the middle sibling of American municipalities, the generic neighborhood, where sidewalks and landscaped parks abound, where street widths reflect the dimensions of the average minivan, where children wander through barometrically-controlled environments, ogling the mass-produced outfits from The Limited and The Gap, concocting fantasies about their future, properly-attired selves, when they will no longer dwell in such a substandard place, but will graduate to the real life, the unsubordinate life: the life of the city, the life of the urb.
By ROLF POTTS
By the time I arrived at the Guacara Taina nightclub, it was just short of midnight. The club was mostly empty, though this is a relative term when the disco in question sits in a huge underground cave that can comfortably fit 2,000 revelers. The subterranean climate proved a cool respite from the smothering June humidity of Santo Domingo, and there was a certain charm in the occasional flutter of bats while waiting in line for the toilet, or the ever-present danger of stumbling over stalagmites while fetching beers. I had been in the Dominican Republic taking dance lessons for just over two weeks, but this was the first time I’d ventured out to try my new skills in public.
Richard Wilbur, Pulitzer Prize winner, former Poet Laureate, and Editorial Board member for The Common, celebrated his 90th birthday on March 1. Here are photos from his birthday celebration at Amherst College.
I bend to earth. My fingers trace woodworm tracks along a beach log. I hold a frog in my hands and see patterns of mottled green. I’m looking for patterns. My Southeast Alaska landscape is woven on spruce baskets. On my walks, I’m like the ancient weaver who noticed a tree’s shadow reflecting on water. She moved her hands as if she weaved air. Later, with spruce roots between her fingers, she weaved the-shadow-of-a-little-tree on her basket. In her ancient Tlingit belief, the shadow of a tree is evidence of the spirit inhabiting the tree. The spirit is woven in shadow pattern, which becomes the “spirit of the basket.” The Lingít word aas daayí means tree bark, yet also describes the physical shell of a human being—aas daayí. In the Tlingit worldview, personhood is connected to the spirit of the trees, that is, people and trees share the same skin.
Five miles north of the town of White Heath, Illinois, some houses have clustered close enough together to be called a neighborhood. Each is set on no less than two acres; most have five or more. Blacktop roads dip and curve through the land, bubbling with tar in the summer, buckling into washboards after the breaking cold of winter. Here, twenty-five miles west of Champaign, a few shallow hills wrinkle the land, which stretches out flat on every side in one-mile grids of corn and soybeans.
One of several names given to a ghost island that appeared in July 1831
When the buried volcano erupted,
sulfuric smoke leapt from the Sicilian sea,
seeped through locked, felt-lined chests,
blackening the silverware.
Don’t miss an issue! Subscribe to The Common.