News & Events | Page 4 | The Common | A Modern Sense of Place: Stories, Poems, Essays & Images

Wedding Vows

October 21, 2024 Issue 28, Issue 28 Poetry, Poetry

By WYATT TOWNLEY

Falling is an art. No one, not even the preacher,
can tell you the way to your knees in the night.

Watch the rain. It practices its landing
on everything, drumming the roof, the car,

the pond. Watch the leaves, each a teacher
of twirl, the dance from branch to grass.

From window to pavement, the man was laughing
all the way down. However he landed, it was

hardly over. Now he’s called wise.
Walking is falling forward. Running

is falling faster. Watch the dark. It falls
so slowly while the sun yanks the rug

out from under you. At night some fall over
a book into a story. Some fall

for each other. We have fallen all the way
here. We could do it in our sleep. And we do. We do.

Wyatt Townley is Poet Laureate of Kansas Emerita. Her work has been read on NPR and published in journals of all stripes, from New Letters to Newsweek, North American Review to The Paris Review, Yoga Journal to Scientific American. Her latest book of poems is Rewriting the Body. More at WyattTownley.com

[Purchase Issue 28 here.]

Solitude

October 21, 2024 Issue 28, Issue 28 Poetry, Poetry

By ADRIENNE SU

I had had my fill,
but I kept devoting more
days, then weeks to it,

buying books, making
no plans, as if empty slots
would well up with rain,

pushing anyone
who might edge into my space
away as if by

natural forces.
I never pledged anything
permanent to it,

Return of the Puffin

October 21, 2024 Essays, Issue 28, Issue 28 Art, Issue 28 Essays, Studio

By JAMES K. BOYCE

Photos by TIANNE STROMBECK

Forever Red

October 21, 2024 Catalan Portfolio, Fiction, Issue 28, Issue 28 Fiction, Translation

By TINA VALLÈS
Translated by SAMANTHA MATEO

Whenever there’s any discussion of the hunger that marked the years following the Spanish Civil War, I’m reminded of the story about my paternal great-grandmother and the apple. My father says her name, halting at that g that separated her from all the other Annas. Maria Agna. No family dinner passed without mention of that apple. But, after so many years, I can’t quite remember if it’s an apple or a peach. My father always said the basket his grandmother carried back from the field emitted a potent scent, but I don’t think apples smell strongly enough that you could pick them out while driving in a truck a couple of meters away.

A Day Revisited

October 21, 2024 Issue 28, Issue 28 Poetry, Poetry

By ROBERT CORDING

I’m standing in the exact spot
of this photograph, looking at the past—
my middle son, still alive, lying on the rug
at my feet in my oldest son’s house.
On his wide chest, his niece, weeks old,
sleeps, adrift perhaps in the familiarity
of the heart’s steady beat, her memory
of him formed mostly by this photograph.

The Window

October 21, 2024 Catalan Portfolio, Fiction, Issue 28, Issue 28 Fiction, Translation

By IMMA MONSÓ
Translated by MARLENA GITTLEMAN

Lisa

Morning after morning, Lisa would wake up with an easily achievable aspiration: to eat breakfast while contemplating the house at the bottom of the valley, which stood in the distance amidst the fog. When the fog started to fade, she could make out frost-covered shingles and smoke rising from the chimney. She could glimpse the narrow ribbon of water that divided the field behind the house, until it disappeared into the darkness of the impenetrable forest. And she could, above all, train her gaze on a hypnotizing point: the only lit window, the window of an attic room, a room Lisa guessed was a study.

Dominus

October 21, 2024 Issue 28, Issue 28 Poetry, Poetry

By ANGIE MACRI

Danger, as in strangers, men or women;
as in twisters at night when you couldn’t
see them coming; as in the machines
that made work so easy you forgot
to watch what you were doing,

Akoloute (Sequi Me)

October 21, 2024 Issue 28, Issue 28 Poetry, Poetry

By ELIZABETH L. HODGES

Tracing dusty footprints, you can be led
to fornix, to tombs, the circus and bars,
to my lupan, my cell, my earthen bed;
what waits is not secret—see what I are?
I’m not a barmaid, an actor or slave;
I’m not being cursed because I had sinned—
I’m earning my keep in this grisly trade.
For that I am traif, but come along in.
I’ll lead you to places you’ve never had;
to hell in a basket: one bloody as.

Zoraida Burgos: Poems

October 21, 2024 Catalan Portfolio, Issue 28, Issue 28 Poetry, Poetry, Translation

By ZORAIDA BURGOS
Translated by PETER BUSH

OUR VERY OWN EQUILIBRIUM
Wearily, but firmly, we twisted
our feeble trunks
around a stump
alone but not sad amid other trees,
entangled roots
clinging till the last
to our rough stony ground.
We grow two shoots
bringing hope to our landscape
when a ruddy wing on the bare
mountain horizon
heralds a threatening wind downstream.
Thoughtfully, carefully,
we’ve been turning our mud,
our clay, bare-fingered,
with the strength of truth,
of harsh truth dead reborn,
our hands tightly clasped.
And nothing, no wind, no clouds, no rain, no threats
will shake
the stump, clay or mud, and these shoots,
for wearily,
but firmly,
we’ve made them our own.

Ponderosa

October 21, 2024 Fiction, Issue 28, Issue 28 Fiction

By SHANE CASTLE

Laughlin learned to hear on the hobby farm in Montana. One late afternoon, the summer he and Cassie bought the five hillside acres outside Helena, he was setting wood posts for the new corral when he heard a sound among the ponderosas toward the top of their property. It was like nothing he’d heard before. He walked up the drive toward it. A breeze was swaying the tops of the trees, and he heard it again and imagined some kind of Mylar weather balloon, blown off course, deflated, stuck in a tree. That’s what the sound was like: someone blowing a taut edge. He remembered being a kid, his family visiting Meema and Peepa at their old place on Animas Creek. He remembered Peepa teaching him and his little brother, Tyler, to blow blades of grass like kazoos. Laughlin looked and looked but found nothing. He walked a while among the tall ponderosas, at times certain he was right under it, only to look up and see nothing, and it went on this way until that moment when dusk turned to dark, when, abruptly, the sound stopped.