Ex Situ

By LIZ DEWOLF

The buzzer rattles the empty room. Nearly empty—there’s the bed behind the wooden screen, the couch where Laurel sits in her underwear. Since Arda’s text that afternoon, she’s waited restlessly for him to arrive, imagining his route from where she lived with him on the Asian side of Istanbul to her new apartment on the European side: the narrow streets down to the ferry station, the boat churning through silver water, the near-vertical climb to her sixth-floor walkup in Beyoğlu. She presses the button that unlocks the building’s entrance and decides not to get dressed.

Arda enters her apartment without knocking. “Mutlu yıllar,” he says, though it’s now several weeks into 2013. For the first time since Laurel’s lived in Turkey, they didn’t celebrate the New Year together.

Ex Situ
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Naow’s Boutique

By RO SKELTON

The first apartment that I lived in in Dakar was brand new and backed onto the far end of the airport runway, so that from my bedroom window I had a distant view of the ocean and of a vast baobab tree silhouetted against the hazy Saharan sky. The neighborhood––modest two-story family homes and the occasional new building like mine––was as far out of town as taxis would go, and even then they would refuse to take me the whole way, grumbling as they dropped me at the entrance to the neighborhood, so that I had to walk the rest of the way to my apartment along a potholed, sandy road.

Naow squatting by a pot in front of a turquoise building.

Naow’s Boutique
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*** 

By J. J. STARR 

in faith             i pray for you… 
i wasn’t            aware of you 

i think of you free 
a song     a night           you… 

pieces, i can share  
just some with you… 

*** 
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April 2026 Poetry Feature #2: Sharon Dolin, Kerry James Evans, Andrew Hudgins, and Maria Terrone

April brings new poems by our contributors: SHARON DOLIN, KERRY JAMES EVANS, ANDREW HUDGINS, AND MARIA TERRONE!

Headshots of poets Sharon Dolin, Kerry James Evans, Andrew Hudgins, and Maria Terrone

Sharon Dolin, Kerry James Evans, Andrew Hudgins, Maria Terrone (from left to right)

 

Table of Contents:

—Sharon Dolin, “Savor”

—Kerry James Evans, “Smoky”

—Andrew Hudgins, “After Death”

—Maria Terrone, “Alchemy”

April 2026 Poetry Feature #2: Sharon Dolin, Kerry James Evans, Andrew Hudgins, and Maria Terrone
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Book Review: Exemplary Humans

By JULIANA LEITE
Translated by ZOË PERRY

Reviewed by JAY BOSS RUBIN

Book cover of Exemplary Humans

In the opening chapter of this subtle epic, the centenarian narrator Natalia confides: “At this point in life, I’d say that going on forever or for too long is a bad decision, a very bad one; what’s nice is to exist and then stop existing, to exist for a while and then be able to change the subject.” In other words, if the transition between life and death is an abrupt one, then so be it. “[L]et’s be done with it,” she says, “though it would be nice to have the time to spritz on some perfume beforehand.”

When I first encountered this sentiment in Juliana Leite’s Exemplary Humans, translated from the Portuguese by Zoë Perry, I took it be a bit of a bluff. It reminded me of a bumper sticker I saw a couple of years ago in Portland, Oregon, that read: “I ♥ AGING & DYING” (which I interpreted as an existentialist rejoinder to proclamations of commercial allegiance—“I ♥ Mr Plywood” and so on—so common in my hometown). But by the end of Leite’s novel, which takes place primarily in Rio de Janeiro and Petrópolis, Brazil, and spans that country’s lengthy dictatorship, I was convinced that Natalia’s breezy acceptance of her own mortality was absolutely serious. It is not only possible, but strongly advised to love aging and dying. It isn’t easy, though. To transcend dread, and transform it into something more palatable, a unique kind of emotional intelligence is required, and so is a talent for adjusting one’s perspectives. Natalia is the novel’s exemplar of both these qualities.

Book Review: Exemplary Humans
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“The Hare” and “Inês” Win O. Henry Prize 2026

Book Cover of "The Best Short Stories 2026" edited by Tommy Orange

We are thrilled to announce that “The Hare,” written by Ismael Ramos and translated from the Galician by Jacob Rogers, and “Inês” by Joāo Pedro Vala have been selected for the O. Henry Prize for Short Fiction for 2026. Both stories were originally published in The Common Online in 2025. An anthology of the winning stories, edited by Tommy Orange, will be released this September from Vintage. 

In the prize announcement, series editor Jenny Minton Quigley writes, “Many of this year’s O. Henry Prize winners manifest a youthful, new way of seeing in their stories. If our world is to be saved it will be by the genius of the next generations.

View the full list of winners and read more about the prize at LitHub.

Congratulations to Ismael Ramos, Jacob Rogers, Joāo Pedro Vala, and all the winners! 

 

“The Hare” and “Inês” Win O. Henry Prize 2026
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The Constancy of Ocean Sounds

By JOHN T. HOWARDCoastal pool and a shadowNew Harbor, Maine

From the porch of the cabin, we can see the waters off Maine’s Midcoast region down below, the audible crash of waves constant. We can also hear the dunting of the bell buoy, and, through a wispy cover of fog, we can see the spectral presence of certain small islands and headlands in closer waters. The fog, further out, is thick enough to make the furthest remnants of land invisible. A second thought: the closer strips look as if they are cut from age-faded pieces of colored paper once the color of blue. Beyond these blanched scraps of an atomic hue, I look through the deep stretch of fog and think stone and wood, think bone and sinew. Far from here, there are wars raging. Bombs being dropped, civilians dead, dying. Government as we expect it to function is dismantling. Or being dismantled. I peer even further into that stretch of nothingness and contemplate the recent departure of my father, my mother, my brother the day before. All of these familial connections with their complicated histories, long arms of trauma stretching back decades, well before my first year in this cabin in Maine three years ago.

The Constancy of Ocean Sounds
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Searching for Meaning: Chukwuebuka Ibeh interviews David Emeka

DAVID EMEKA and CHUKWUEBUKA IBEH first connected in 2020, after Emeka read Ibeh’s Gerald Kraak-shortlisted story, The Ache of Longing. Emeka had raved about it to a mutual friend, who encouraged him to send Ibeh a DM. He did, and they continued messaging on Twitter about shared goals and interests. Later, Emeka was accepted into the Washington University MFA program in St. Louis, where Chukwuebuka was enrolled. Ibeh didn’t know then, but Emeka applied to the program with a story Ibeh had provided feedback on. They’ve continued to share work since, and enjoyed many adventures as well.

For this interview, Emeka and Ibeh spoke over two days when Ibeh visited St. Louis for Christmas. Their initial conversation unfolded in Ibeh’s wonderfully warm apartment, and they continued connecting over email after Ibeh’s return to Lewisburg, PA, where he currently teaches. 

David Emeka (left) and Chukwuebuka Ibeh (right)

David Emeka (left) and Chukwuebuka Ibeh (right)

Chukwuebuka Ibeh (CI): Congratulations on your Outpost residency! How did you feel coming out of it? What was your routine like?

David Emeka (DE): Thank you so much, Ebuka. Vermont was wonderful, and the Outpost residency even more so. I keep thinking about the meals, the warmth I felt from everyone there. The grounds—the trees, the cornfields, the mountains in the distance—were spectacular. I do some of my best thinking when walking, so I’d swaddle myself in a blanket and pace among the trees, just meditating. And then there was this hammock—that was my favorite spot. When my ideas had collected to supersaturation, I’d go into the hammock and cover myself with the blanket and write. I’m a morning person, but I love to write in the dark. Every day I woke up at dawn to write, had breakfast, paced and wrote and read, jogged around the neighborhood, then returned for dinner. Sometimes we cooked for each other—I would make sourdough bread, or D’mani Thomas, the other fellow, would make tacos. We took walks under the stunning sunsets. It was a splendid time.

CI: It truly sounds beautiful. How did this process translate when you returned home?

Searching for Meaning: Chukwuebuka Ibeh interviews David Emeka
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Podcast: Casey Walker on “Islands”

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Listen on Apple Podcasts.

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Listen on Spotify.

Transcript: Casey Walker

CASEY WALKER speaks to EMILY EVERETT about his story “Islands,” which appears in The Common’s fall issue. Set at an old lake house rife with unresolved family tensions, the story explores the dynamics between three orphaned brothers, and between the narrator and his pregnant wife. Casey discusses how the piece evolved over more than a decade, and how he always hopes a story will take on a life of its own during the writing process. Also discussed is his forthcoming novel Mexicali, set in the US-Mexico borderlands during the first half of the 20th century.

Portrait of Casey Walker in front of a bookshelf spliced next to the cover page of Issue 30

Podcast: Casey Walker on “Islands”
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