Ropa Usada

By FERNANDO A. FLORES

 

Cassie knew she could make extra money selling vintage clothing on the internet, so in her first semester out of grad school, she drove to Chulas Fronteras Ropa Usada, down by the border in the maquiladora district. The bouncer at the door weighed Cassie on a scale as a shoplifting precaution, and handed her a ticket, along with a map of the enormous warehouse. She was originally from the border, and so she said “No, thanks” to the map, since she knew her way around well, and walked inside. There were hills of denim, with polyester, wool, and old jeans compacted, forming different roads. Fans as tall as Cassie were blowing everywhere like electric windmills, creating metallic cyclones that howled over the exclamations of people—mostly brown women like her, but many with young children—picking through the used clothing.

Ropa Usada
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April 2022 Poetry Feature

New work from our contributors: ARVIND KRISHNA MEHROTRA, DAVID LEHMAN, and MATT DONOVAN.

Arvind Krishna Mehrotra  |  “The Walk”

David Lehman  |  “Just a Couple of Mugs”

Matt Donovan  |  “Portrait of America as a Philadelphia Derringer Abraham Lincoln Assassination Box Set Replica”

 

The Walk
By Arvind Krishna Mehrotra

In a tree hollow like a cave mouth,
in which you and your partner
selfied yourselves, is a trash bag
oozing trash juice.

April 2022 Poetry Feature
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The Common Young Writers Program Opens Applications for Summer 2022

Students with issues of The Common

Applications are now open for The Common Young Writers Program, which offers two two-week, fully virtual summer classes for high school students (rising 9-12). Students will be introduced to the building blocks of fiction and learn to read with a writer’s gaze. Taught by the editors and editorial assistants of Amherst College’s literary magazine, the summer courses (Level I and Level II) run Monday-Friday and are open to all high school students (rising 9-12). The program runs July 25-August 5.

The cost of the two-week program is $725 for Level I, and $875 for Level II. Full and partial need-based tuition waivers are available for both levels; we hope that no student will let financial difficulty prevent them from applying. Tuition waivers will be awarded to students with strong applications who cannot attend the program without financial assistance. In the application, students will have the opportunity to briefly describe their financial circumstances and state the amount they could afford to pay, if any, if accepted into the program. No tax returns or other documentation is required.

Click here for more information and details on how to apply.

The Common Young Writers Program Opens Applications for Summer 2022
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Breaking the Rules of Time Travel: A Film Review of Celine Sciamma’s Petite Maman

Film by CÉLINE SCIAMMA

Review by HANNAH GERSEN

cover of petite maman. shows two girls hugging each other

Petite Maman, Céline Sciamma’s fifth feature-length film, following 2019’s critically acclaimed Portrait of a Lady on Fire, is a time travel story that reminded me of one of my favorite movies from childhood: Back to the Future. Aesthetically, the two have very little in common—one is an art house movie with unknown child actors, the other a somewhat goofy studio feature starring Michael J. Fox—but at the narrative core of both films is a deep psychological wish that many children harbor: to know their parents when they were younger. In Back to the Future, a teenage Marty McFly accidentally travels back in time to meet his parents at the beginning of their high school romance. In Petite Maman, eight-year-old Nelly stumbles into a kind of woodland passageway through which she can visit her mother’s childhood and play with her mother as an eight-year-old girl. In this alternate reality, Nelly also interacts with her maternal grandmother who, in Nelly’s present-day timeline, has recently passed away. 

Breaking the Rules of Time Travel: A Film Review of Celine Sciamma’s Petite Maman
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Podcast: Romeo Oriogun on “The Sea Dreams of Us”

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Listen on Spotify.

Transcript: Romeo Oriogun Podcast.


Romeo Oriogun speaks to managing editor Emily Everett about his poem “The Sea Dreams of Us,” which appears in The Common’s fall issue. In this conversation, Romeo talks about his life as a poet in exile from Nigeria, and how that experience of exile appears in his poetry. He also discusses his writing process, the themes he often returns to in his work, and how growing up in Nigeria affects his use of language in poetry.

Image of Romeo Oriogun and the Issue 22 cover (pink seashell on light blue background),

Podcast: Romeo Oriogun on “The Sea Dreams of Us”
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The Bridge of Sorrows: An Excerpt From Thin Places

By KERRI NÍ DOCHARTAIGH

The following is an excerpt from the memoir Thin Places: A Natural History of Healing and Home by Kerri ní Dochartaigh, out now from Milkweed Editions. Click here to learn more.

Thin Places book cover

Even as a child, I could see no way of staying in my hometown. The edges of the broken and breaking city never quite held themselves in place, and my own family life mirrored those fractures. There was just so much loss all around me. Everywhere I turned seemed stabbed right through, constantly punctured by the outside world. The past, present and future all seemed to blend into one, and every single part of the story held sorrow that I couldn’t get rid of, no matter how deep I tried to bury it. So many different things—situations, times of year, people—made the bad things rise up from inside to bite me again. Triggers, I know that now. It left me feeling scared, hollowed out and with no control over any of it, not really knowing how to make it—any of it—stop.

The Bridge of Sorrows: An Excerpt From Thin Places
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Issue 23 Virtual Launch Party

The Common Spring Launch Party

Wednesday, May 4, 2022Image of Issue 23 cover (piece of toast on turquoise background).
5:00 pm
Via Zoom

On May 4th at 5pm EDT, join The Common for the virtual celebration of Issue 23! We welcome fiction writer Fernando Flores, poet Tina Cane, Palestinian writer Eyad Barghuthy, and Arabic translator Nashwa Gowanlock for brief readings and conversation about place, culture, and translation. The event will be hosted by the magazine’s editor in chief Jennifer Acker, in partnership with the Amherst College Creative Writing Center and Arts at Amherst Initiative. 

Please Register in Advance for the Virtual Event. After registering, you will receive a confirmation email containing information about joining the event.

Register Here

 

Issue 23 Virtual Launch Party
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