Podcast: Shubha Sunder on “A Very Full Day”

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Transcript: Shubha Sunder Podcast.

Shubha Sunder speaks to managing editor Emily Everett about her story “A Very Full Day,” which appears in The Common’s fall issue. In this conversation, Shubha talks about writing stories set in India, and how she built out the insular world of Indian retirees that “A Very Full Day” centers on. She also discusses teaching creative writing to undergrads, her revision process, and her forthcoming collection of stories Boomtown Girl, which won the St. Lawrence Book Award.

Image of Shubha Sunder's headshot and the Issue 22 cover (pink seashell on light-blue background).

Podcast: Shubha Sunder on “A Very Full Day”
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Before: An Excerpt from Here Lies

By OLIVIA CLARE FRIEDMAN

The following is an excerpt from Here Lies by Oliva Clare Friedman, out now from Grove Press. Click here to purchase.

cover the book here lies

From before I began, I loved her. This was what I knew. Before the beginning, before I was born from her, before bones and blood and body, before egg.

My mother Naomi was dead and not buried. Dead in fact for half a year. Her body burned to ashes by the state, bones, heart, feet, eyes burned to dust, against her wish, against mine, and that was that. I was trying to understand. 

 

Before: An Excerpt from Here Lies
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Craft Masterclasses: Fiction, Nonfiction, Poetry & Translation

Blue image with title CRAFT MASTERCLASSES with THE COMMON with group headshots 

Give your writing a boost this spring. Join The Common for a series of craft classes with these literary luminaries.
 

    • Bruna Dantas Lobato: No Two Snowflakes Are Alike: How to Translate Style [register]

    • Karen Shepard on Fiction: The Children’s Hour [register]

    • Willie Perdomo on Poetry: The City and the Poet, the Street and the Poem [register]

    • Suketu Mehta on Nonfiction: Writing the City [register]

 
Each class includes a craft talk and Q&A with the guest author, generative exercises and discussion, and a take-home list of readings and writing prompts. Recordings will be available after the fact for participants who cannot attend the live event.
 
Each class is $125, or $85 for current subscribers or current and past Weekly Writes participants. 

 

Craft Masterclasses: Fiction, Nonfiction, Poetry & Translation
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We Insist on a Godliness, a Mystery, a Laughter: An Interview with Patrick Rosal

PATRICK ROSAL interviewed by WILLIE PERDOMO

Photographic portrait of Patrick Rosal, a middle-aged Filipno American man. Rosal wears a black crewneck sweater and black pants. He is sitting on a stool, looking to his left, and is captured mid-laugh.

Patrick Rosal is an interdisciplinary artist and author of five full-length collections of poetry. Former Interviews Editor Willie Perdomo connected with Patrick over email this winter, and in this lively exchange, they discuss the spirit realm and its ability to breathe life into writing. Rosal shares his perspective on music and performance in his work, as well as the importance of honoring rituals, ancestors, and legacy.

We Insist on a Godliness, a Mystery, a Laughter: An Interview with Patrick Rosal
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Podcast: Tom Sleigh on “Last Cigarette” and “Apology to My Daughter”

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Transcript: Tom Sleigh Podcast

Tom Sleigh speaks to managing editor Emily Everett about his poems “Last Cigarette” and “Apology to My Daughter,” which appear in The Common’s fall issue. In this conversation, Tom talks about his time as a journalist in Syria, Lebanon, Somalia, Kenya, Iraq, and Libya, and how that experience comes out in his poetry. He also discusses the process of putting together his new poetry collection from Graywolf, The King’s Touch, and how he sees the current Ukrainian refugee crisis playing out differently than crises in other parts of the world with less established infrastructure.

Image of Tom Sleigh's headshot and the Issue 22 cover (light blue background and pink seashell).

Podcast: Tom Sleigh on “Last Cigarette” and “Apology to My Daughter”
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Is Poetry Possible at the Moment History Stirs: Poets of Ukraine

I ask
Half-awake
Is poetry possible
At the moment history stirs
Once its steps
Reverberate through every heart?

— From “Can there be poetry after” by Anastasia Afanasieva, translated by Kevin Vaughn and Maria Khotimsky

 

With the current Russian invasion of Ukraine, we at The Common have been reflecting on the powerful words of many Ukrainian poets who have appeared in our pages. In recent years their work has been rooted in conflict, as the country struggled first with self-determination and later with the Russian annexation of Crimea and, since 2014, with a Russian-incited war in the East. This focus lends a feeling of prescience and timeliness to their work now, even though most of these poems are not new. We hope you’ll make time to read and reflect on the work of these poets, as we all keep Ukraine and the Ukrainian people in our thoughts.

Is Poetry Possible at the Moment History Stirs: Poets of Ukraine
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They Say You Are Everywhere

By KRISTA J.H. LEAHY

colorado from car

Unincorporated Arapahoe County, Colorado

 

Through mantle, earth, gender, air
                        through false stories and true
undistracted by pectin, pucker, time
                         scale, sugar, seed, dripped rainbow of
oil, prism, crushed berry residue,
                         om of home, acid, oxygen song—
I grip jelly jars to my eyes
                         mock binocular my way to You—

They Say You Are Everywhere
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Where Light Travels, Catherine

By SONYA GILDEA

Irish shore
When Catherine woke and turned the light on, she was shaking, her whole body was cold. This, she thought, is aftershock. She had been fine all afternoon: a little sleepy, but fine. Now she was trembling. Her feet were freezing.

She put on a cardigan, found warm socks and turned the central heating on. It was still dark and too early to let the dogs out. She made coffee, stronger than usual, and sat at the kitchen table without putting on the main light. She liked this time of day. If the tide was coming in, the air was salty and fresh, and you could watch daylight starting out on the water past the rocks. 

Where Light Travels, Catherine
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Friday Reads: March 2022

Curated by ELLY HONG

This month’s round of Friday Reads features two unforgettable collections of short fiction recommended by the TC team. Read on for a sparkling exploration of sapphic love, and dark tales where Japanese folklore is given new life.

Recommendations: Amora by Natalia Borges Polesso, translated by Julia Sanches and Where We Go When All We Were Is Gone by Sequoia Nagamatsu

Friday Reads: March 2022
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