nigrescence

By RICARDO WILSON

She is on her knees in the garden. The sun, as of yesterday, an hour early. There are no dead snails in the saucers of beer, though she has finally seen the pale-yellow cabbage butterfly. Searching the half-eaten mustards and turnips, she looks for the caterpillars and their eggs as if she were inspecting a child for lice. Extracts the first, hiding along the stem of the most mature start. Studying its curl on her finger for a breath, perhaps peering its translucence to judge it female, before she presses. Leaf by leaf plant by plant until her fingertips are dirty with the mess. 

A car has downshifted to work its way up the private road below. She raises on her knees, wipes the mulch-stained sweat from her temple with the knuckle of her thumb. She may have seen the leather he keeps on his wrist. In any case, she has seen enough to trot the steps to the kitchen door without exhale, wash the stick from her hands at the utility sink.

 

[Purchase Issue 21 here.] 

 

Ricardo Wilson is an assistant professor of English at Williams College and the author of An Apparent Horizon and Other Stories and The Nigrescent Beyond: Mexico, the United States, and the Psychic Vanishing of Blackness. His fiction and critical writing can be found in, among other spaces, 3:AM Magazine, Black Renaissance / Renaissance Noire, Callaloo, CR: The New Centennial Review, Crazyhorse, and Stirring.

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

nigrescence

Related Posts

Image of a tomato seedling

Talks with the Besieged: Documentary Poetry from Occupied Ukraine  

ALEX AVERBUCH
Russians are already in Starobilsk / what nonsense / Dmytrovka and Zhukivka – who is there? / half a hundred bears went past in the / direction of Oleksiivka / write more clearly / what’s the situation in Novoaidar? / the bridge by café Natalie got blown up / according to unconfirmed reports

A Tour of America

MORIEL ROTHMAN-ZECHER
This afternoon I am well, thank you. / Walking down Main Street in Danville, KY. / The heavy wind so sensuous. / Last night I fell- / ated four different men back in / Philadelphia season lush and slippery / with time and leaves. / Keep your eyes to yourself, yid. / As a kid, I pledged only to engage / in onanism on special holidays.

cover for "True Mistakes" by Lena Moses-Schmitt

Giving the Poem a Body: Megan Pinto interviews Lena Moses-Schmitt

LENA MOSES-SCHMITT
I think sometimes movement can be used to show how thought is made manifest outside the body. And also just more generally: when you leave the house, when you are walking, your thoughts change because your environment changes, and your body is changing. Moving is a way of your consciousness interacting with the world.