On Ice

By NATHANIEL PERRY 

 

The dogwood makes a second

skin of winter rain.

The form’s the thing, the sky

is saying as it drains

 

our language of descriptors:

crystalline? No, not glassy

either, or prismatic

or delicate or flashy

 

(not showing off or making

a beacon of the day’s

small sun) or fragile, or mine,

or ours. There are only the ways

 

it mimics what it itself

can’t say, but re-covers instead

in clarity—the way

the world gets locked in our heads.

 

[Purchase Issue 13 here]

Nathaniel Perry is the author of Nine Acres, winner of the APR/Honickman First Book Prize. He is the editor of The Hampden-Sydney Poetry Review and lives with his family in rural Southside Virginia.

On Ice

Related Posts

portrait of henry james

What We’re Reading: April 2025

DAVID LEHMAN
His sentences are labyrinthine, and you soon realize how little happens in a story ... Yet we keep reading, not only for the syntactical journey but for the author’s subtle understanding of the artist’s psyche—and the thousand natural and artificial shocks that flesh and brain are heir to.

Glass: Five Sonnets

MONIKA CASSEL
In ’87 I see guardsmen walk their AK-47s / on the platforms. The trains slow down but never stop. I think, / my mother was born in such a different Germany, but this is true for everyone / —so why can’t I stop looking?

cover of "Civilians"

On Civilians: Victoria Kelly Interviews Jehanne Dubrow

JEHANNE DUBROW
Now we live in North Texas, hours away from the nearest shore. And yet, the massive amounts of open space—all the prairie, marsh, and plains that we have here—started to feel like another kind of vast water, another great expanse of distance and isolation.