Silence of The Lambs: A Starling Is Born

By REILLY D. COX

CLARICE
All his victims are women…
His obsession is women, he lives to hunt women.
But not one woman is hunting him—except me.
I can walk into a woman’s room
and know three times as much about her as a man would.

 

A starling catches me in a dress
and pierces my chest two times,
deeply, and I cannot blame her.

She’s right:
I was such an ugly bird.

She says that any bird raised as a boy
is conditioned as a boy and cannot ever
change that, and I don’t correct her.

If boyhood is a circle of boys above me
stomping purple flowers into me,
then I’ve known such a wondrous boyhood.

And if I say, I did not ask to be born a bird,
she wouldn’t hear me anyway.

There’s already a flock of them,
reducing my nest to sticks again.

And they will call me by a name,
but it won’t be mine.

 

Reilly D. Cox is an MFA candidate at the University of Alabama in Tuscaloosa, where they served as design editor for Black Warrior Review. They attended Washington College and the Bucknell Seminar for Younger Poets. They have work available or forthcoming in Nat. Brut, Always Crashing, Juked, Cosmonauts Avenue, Rust + Moth, and elsewhere.

[Purchase Issue 19 here.] 

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Silence of The Lambs: A Starling Is Born

Related Posts

Close-up of a field of rye

April 2026 Poetry Feature #1: Carson Wolfe, Benjamin Paloff, and Jehanne Dubrow

JEHANNE DUBROW
For years, I’ve been drafting a book / about trauma, how words may form / a likeness of the mind that’s torn— / the past tears easily as paper, I write. / And don’t the leaves on the ground / resemble ripped poems, as if the weather / keeps trying to find the right phrase, / all those crumpled revisions of the seasons.

Black and white portrait of a man wearing spectacles.

They Could Have

CONSTANTINE CONTOGENIS
Near destitute, I’m this close to homeless. / This killer of a city, Antioch, / it’s eaten all the money I have, / this killer and its cost of living. // But I’m young, in the best health. / I speak a marvelous Greek / (and I know, I mean “know,” my Aristotle, Plato, / the orators, poets, the—well, you name them).

March 2026 Poetry Feature: Welcome Back Peter Filkins

PETER FILKINS
pissarro is dead cézanne too / swept away like willowed flotsam / that brute degas gone as well / chafing tides the sea of years // long ago battles fought discarded / ballast tossed from fame’s balloon / rising like heat and the unheard prices / feeding straw to the fires of need // for more garden cuttings variants