Snip Hansons from Teen Beat while debating
Taylor versus Zac so passionately a curl escapes
its barrette and your best friend tucks it behind
The fifth child of Jorge Primavera and Deolinda Oliveira Primavera was born with a hole in his heart. The doctors said: There is nothing we can do.
His father worries about his newborn boy being afraid of darkness.
1.
Simon Marshall (interning tour guide, Art History, ABD) stands in the empty gravel yard of Donald Judd’s museum in Marfa, Texas. The sun dips below the high walls of the compound, illuminating a perfect half of the courtyard. Behind Simon a wide expanse stretches, interrupted only by Donald’s outdoor dining table, still holding two copper pots, as if the artist has just stepped inside to catch a call and has not been dead for decades. Simon, having shooed away the final tourist of the day, crosses the courtyard to lock the gates. The gate rears far above his head, solid wood aged to black and buttressed by iron. He feels medieval whenever he does this—who else but a feudal lord would need such protection? Tonight, there’s a moment of resistance before the door shuts and a figure, shadowed and slightly blurred around the edges, pushes through him. Literally right through him.
Dear friend, take me to where they dragged you.
Show me the plaza flanked by homes made
of hollow blocks, plywood, rusty tin sheets—
anything to keep rain and flies out.
Point to me the CCTV that followed you
across the basketball court with its torn nets
and kids scrambling home to screaming mothers.
“It has a god structure. I think it will resist a long time.”
—Customer review of the Uniqlo Beauty Light bra, $19.99
O keep me up, keep me going. Keep it together. Smooth me. Reduce
excess movement. There is a heaviness. There is around me a
God Structure. It helps me organize my thoughts. It has laid out
plans, I think, for various eventualities, and the existence of plans,
All summer, I sit on the porch, my son appearing, disappearing. Walls of rain or night, of larkspur, bleeding heart. The stone floor long ago lifted from the lion’s den.
Translator’s note: Having children is a way of remaking oneself.
By AFUA ANSONG
Praise this Saturday which permits me to wash with my hands (I detest this).
Praise my dirty clothes, the ones I leave for my grandmother who starts the cycle with cold soapy water.
Praise the rinse, the rush upstairs to the open roof. There, the clouds open as I hang and hide my American jeans from my neighbors who don’t even trust the wooden pins to work.
Neither pretty nor homely, fat nor thin, Bernice Gardener was a middling girl, all her fenders straight but no chrome or pinstripes. With a few ounces of vinegar, some colored powders or a curling iron, she might have done well with boys. Bernice, though, didn’t alter her pale skin and left her brown hair straight, aside from an occasional colored hairband. She wore jeans and print blouses or modest dresses her mother constructed from dime-store patterns. Though she tripled the outside reading assignment and earned the highest score in her English class, her teachers dismissed her as a mind of no consequence because she read The Thorn Birds, Peyton Place, and Gone with the Wind. She had pondered the term “making love” until she bought Valley of the Dolls in a used bookstore because she wondered why the girl on the cover seemed so pleased to be in a martini glass.
By AMA CODJOE
for Betty Shabazz
Who, when they killed her husband, was carrying
twin girls—not in her arms, but in an armless
sea, with bits of blood as food. She covered
1.
Now, the Grundig in this dealer’s window screaming,
the silent oval speaker like a Munch,
and I hear it on a Sunday as I best recall:
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