All posts tagged: 2021

An Orient Free of Orientalism: Magic, the square, and women in Moroccan short fiction

By HISHAM BUSTANI
Translated by MADELINE EDWARDS

 

Morocco has long been associated in the Arab imagination with magic and superstition, casting off mystical curses and exorcising jinn from the body. The word “al-Moghrabi” (“the Moroccan”) has itself become yet another qualification claimed by those who work in this parallel world, adding it to their names, some going so far as to christen themselves “Sheikh from Morocco.”  These are the men one hears about from time to time, those who help ancient treasure-seekers get their hands on spell-protected troves, perhaps of the sort guarded by serpents.

An Orient Free of Orientalism: Magic, the square, and women in Moroccan short fiction
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May 2021 Friday Reads: Issue 21 Contributors

Curated by ISABEL MEYERS

We’re celebrating a successful spring issue launch by showcasing book recommendations from our Issue 21 contributors. Their picks, which range from a poetry collection exploring Latino identity to a memoir documenting incarceration in the 1850s, are diverse in form yet collectively poignant and timely. Make sure to read the April installment of Friday Reads, featuring more picks from our Issue 21 contributors, and pick up a copy of the spring issue.

May 2021 Friday Reads: Issue 21 Contributors
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Petrol

By MELANIE BRODER

Gyumri, Armenia

With about 15 kilometers to go before Gyumri, we start having car trouble. Moments earlier, the taxi driver was passing other cars like a madman passing for sane. Now the tiny, rusted Opel is making a humming and stalling noise whenever he adjusts the gear. Each time, he tosses up his right hand in a “What can I do?” gesture.

Petrol
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Hold the Mirror up to Nature: An Interview with Matt Miller

KERRIN MCCADDEN interviews MATT W. MILLER

Matt Miller headshot

Selected by Major Jackson as the 2012 Vassar Miller Poetry Prize winner for his sophomore collection, Club Icarus, and a former Wallace Stegner Fellow, Matt Miller published Tender the River this year with Texas Review Press. He is the winner of the 2019 Nimrod International Review’s Pablo Neruda Prize and has published poems in the Harvard Review, The Rumpus, and SouthwestReview. Miller also wrote The Wounded for the Water and Cameo Diner: Poems. He currently teaches at Phillips Exeter Academy.

In this interview conducted by Kerrin McCadden, you’ll find a poet engaged in an exploration of rivers as national symbols of disparity, dispossession, hope, and boundaries. The meaning of “being from somewhere,” or “home” is thoroughly examined in Miller’s responses, as it is in his poetry. McCadden’s inquiry ignites the discussion until it becomes a lesson on craft, self-reflection, the history of a place, and the biography of a country as told by a poet who can make cobblestone and metal dance, who can teach us how to listen when memory tries to speak.
 


Hold the Mirror up to Nature: An Interview with Matt Miller
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Podcast: Deborah Lindsay Williams

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Deborah Lindsay Williams speaks to managing editor Emily Everett about her essay “‘You Like to Have Some Cup of Tea?’ and Other Questions About Complicity and Place,” which appears in Issue 20 of The Common magazine. In this conversation, Williams talks about living and writing in Abu Dhabi, traveling to South Africa with her family, and how narrow the western view of these places can be, often simplifying very complex issues of racial hierarchy, economics, culture, and history. She also discusses her novel-in-progress, The Corset and the Veil, based on the life of Lady Hester Stanhope, who fled England in 1809 in search of alternatives to her life as an impoverished aristocrat.

Deborah Lindsay Wiliams headshot and Issue 20 cover

Podcast: Deborah Lindsay Williams
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Misdirection

By AMALIA GLADHART 

For years, I have tried to describe the light: the dry, dry gold; the purple peaks of our horizon; the long-armed valleys sliding off the peaks. Craters tinseled after frost, glaciers before the recent years of drought. Late-afternoon glow over brown dirt walls, valley floors blasting green with sugar, and the black volcanic rock of the single mountain without snow. Light like liquid gold against the brown, radiant gold drizzled across the ridges. 

And then I try to name a lack of light, the mist that isn’t gray and isn’t white and isn’t rain. Light through fog, light instead of fog, fog instead of light. The sparkle of dew along a leaf, even when it seems there isn’t any light at all. Light, and not-light, that you can get lost in. Light that misleads you, leads you on. The flicker of a flashlight through tent walls. 

Misdirection
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A Journey Up The Exe

By DAVID H. LYNN

 

From across the Atlantic, I’m helplessly, compulsively watching videos on the BBC and other news sites. It’s early February 2014, and an unusually powerful storm—in truth a sequence of fierce winter gales—has been raking the south coast of Devon, like a wave of marauding bombers. The storm has conspired with the moon and spring tides (nothing seasonal in the term—these “spring forth” each lunar month), to batter a path of old stone and brick known as the Goat Walk. The path runs south from the small town of Topsham and along the bank of the River Exe, a distinguishing feature here for generations.

A Journey Up The Exe
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First

By KEITH LEONARD

 

I fell in love and became        like those men in Plato’s Republic
who heard music for the first time        and began singing,
and sang beyond reason,         beyond dinner, beyond sleep,
and even died without noticing it,      without wavering.

First
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Ode to a California Neck Tattoo

By JOSE HERNANDEZ DIAZ

A man in a Chicano Batman shirt got a tattoo of the state of California on his neck. He rode his longboard to the tattoo parlor early in the morning. This was going to be his third tattoo. He also had a tattoo of palm trees on his chest and a skeleton on a surfboard on his calf. He smoked a cigarette as he arrived at the shop.

Ode to a California Neck Tattoo
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