By LEI HU
A Good Girl
When she stepped outside and closed the door, the iron handle was so cold, it felt like it was burning. With the basket on her arm, Fu Rong slipped her hands into a pair of cotton mittens her mother had made. She knew she would warm up once she started walking. The stone lane in the village was slippery with ice; someone must have spilled water carrying it from the village well to their house. She slowed down and kept her pace steady, leaving the village behind her.
As our new year of publishing and programming picks up speed, we at The Common wanted to reflect on the pieces that made last year such a great one! We published over 200 pieces online and in print in 2023. Below, you can browse a list of the six most-read pieces of 2023 to see which stories, essays, and poems left an impact on readers.
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Two Poems from The Spring of Plagues by Ana Carolina Assis, translated by Heath Wing
“i wish I could / prevent your death / and bury your body alive / in the puny damp / earth
we tended / so that it kept on living / mandioca corn banana / would not sprout forth /
but instead / acerola cherry blackberry pitanga hog plum.”
January 2023 Poetry Feature, with work by Tina Cane, Myronn Hardy, and Marc Vincenz
“Sheila had IHOP delivered to her apartment in El Alto, NY / on January 6th
so she could kick back self-proclaimed terrorist / that she is and eat pancakes
while watching white supremacists / storm the Capital.”
Leo Ríos speaks to managing editor Emily Everett about his story “Lencho,” which appears in The Common’s most recent issue, in a portfolio from the immigrant farmworker community. Leo talks about the process of writing and revising this story, which explores the friendship between two high school seniors in a rural community in California’s Central Valley. Leo also discusses his family’s generations-long history in farm labor, and how a class on reading poetry made him rethink prose writing on the sentence level.
Vix Gutierrez speaks to managing editor Emily Everett about her essay “Don’t Step Off the Path,” which appears in The Common’s most recent issue. Vix talks about writing this essay, a coming of age story about her teenage years spent in the Balkans immediately after the Yugoslav Wars, where she lived with a very small humanitarian aid organization. The essay is a fascinating look at a rarely-explored moment in time, and probes the doubts, dangers, and power that come from being a young woman in a postwar landscape of men. Vix also discusses her formative time spent at the DISQUIET International Program in Lisbon, Portugal, and in the MFA program at the University of Florida.
New poems by our contributors CHRISTOPHER BAKKEN, CYRUS CASSELLS, JAMES RICHARDSON, CATIE ROSEMURGY
Table of Contents:
By CHRISTINE LAI
Reviewed by S. ELIZABETH SIGLER
But after the divorce, he moved back to Belleville. To his old neighborhood, the neighborhood of his youth.
His wife—now ex-wife—hated Belleville. It reminded her of the poor Polish girl she had been. All the years they were together, they lived in Boulogne-Billancourt.
He has a small apartment on the rue du Jourdain. It’s just a few steps from the tabac where he used to buy cigarettes for his father. And it’s practically around the corner from the primary school he attended, on the rue Olivier Métra.
New poems by our contributors NATHALIE HANDAL and ZACK STRAIT
Table of Contents:
Nathalie Handal:
Zack Strait:
Translated from the German by STEVEN CRAMER
Translator’s Note:
“Night Drive” is from Departures from Rilke (Arrowsmith Press, 2023), poems that repurpose, update, or upend lyrics from Rainer Maria Rilke’s New Poems (1907/08), often leaving Rilke’s premises almost altogether.
— Steven Cramer
Vertigo
Santiago, Chile
For over a month now, my wife and I have dangled extension cords
from our 26th-floor balcony to the neighbors’ apartment
because their landlord collects rent but refuses to pay the utility monopoly.
The girls cry when we have to disconnect, but we’ll be gone for a while,
plus there’s a chance of rain, and therefore, an electrical fire
in our 1000-person highrise. We saw one just last week. The all-volunteer
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