Translated by ROBIN MOGER
From early morning, Arrayga had been smoking ravenously, cigarette after cigarette, staring blankly at the bedroom ceiling. When she opened the third packet, Kultouma came over and, eyes welling with tears, anxiously inquired: “Arrayga, calm down. What is it, sister? You’re going like a train: puff puff puff. Speak to me, Arrayga. What’s upset you?”
Translated from the Arabic by ROBIN MOGER
The zaar concluded on the tenth day. With a small retinue, Sara went down to the Nile.
On this, the last day, she had to wash every inch of her body in the river’s sacred waters, and then the celebrations could begin. She stepped quickly, her body weightless now all the years of waiting and false promises were set aside. Face shining, renewed, it was as though three decades of dread had swirled up and away with the incense smoke and the dust raised by the devil’s music. Purged of its frustrations, her mind could usher in thoughts of hope, and it seemed to her now, as she stepped out of the house and back into the world outside, that divine care had granted her its protection; was shielding her from time, against oblivion.
By BWADER BASHEER
Translated by ROBIN MOGER
Mehret,
Your father died. We buried him yesterday in the new cemetery by the cliff. The priest spoke about him in Amharic and the imam spoke in Arabic and then we all prayed, each in our own language and religion. And in the evening Debrezeyt thronged with your father’s gypsy friends. They sang and danced until morning broke over them.
How can I console you when you’re so far away? But nor do I wish you to come home. Everything has changed. Debrezeyt is not as you left it. So much has happened, and in no time at all. The town exploded, became so crowded you cannot breathe, and we are no longer able to walk here in safety.
On every corner there’s a tourist grinning like an idiot and taking photographs of our lives, like our lives are something remarkable. The town’s lost the soul we loved.
Translated by ROBIN MOGER
Not many of us knew Sharif. He had been gone from the village for more than thirty years, and the few times his name came up, the person in question would glance around and lower their voice almost to a whisper. Men’s heads would cluster together in brief and hasty conference. And should his father, Sheikh Abdennabi Wadd Saleh, appear at the head of the alley and walk their way, or his mother, Hagga Amina Bint Suleiman, approach the store, they would fall silent or change the conversation.
Mohammad Ibrahim Nawaya’s story “To Be Led from Behind,” translated from the Arabic by Robin Moger, has been chosen to appear in Sonder Press’s 2020 award anthology The Best Small Fictions. The anthology, now in its sixth year, presents one hundred and twenty-six pristinely crafted pieces from an array of authors. It features micro fiction, flash fiction, haibun stories, and prose poetry.
The Bath Flash Fiction Award writes “[T]he beauty of an anthology such as this, pulling together the best of the form, is that you will always encounter something new, something different, something that pushes the boundaries of flash further than before. If this anthology proves nothing else, it is that small fiction in all its forms continues to go from strength to strength, as does the series itself.”
Congrats to Mohammad! Read “To Be Led from Behind” here, or check out other pieces from our Issue 17 portfolio of Arabic stories from Syria,.
Browse more of The Common’s prize-winning pieces here.
Essay by HISHAM BUSTANI
English translation by ROBIN MOGER
Essay appears in the original Arabic here.
An introductory essay to Stories from Syria, a portfolio published in English by The Common and in Arabic by Akhbar Al Adab (Egypt).
Today, in the second installment of a transatlantic literary collaboration which I hope will last for many years to come, Akhbar Al Adab publishes the original Arabic texts of stories by Syrian writers whose English translations appear in a special portfolio in Issue 17 of The Common, a literary magazine based at Amherst College. The first portfolio in the series contained stories by Jordanian writers and was published in Issue 15 of The Common, which followed the collaboration’s inaugural project: an issue of the magazine (Issue 11, Spring 2016) entirely dedicated to contemporary Arabic literature in translation entitled Tajdeed (Renewal), in which editor-in-chief Jennifer Acker and I selected stories and artworks by twenty-six writers and five artists from fifteen Arabic-speaking countries, with eighteen translators bringing the work into English.
By MOHAMMAD IBRAHIM NAWAYA
Translated by ROBIN MOGER
Seige
I sprinted towards them as they battered away. Tried, but could not open the bolted door. I shouted out, called at the top of my voice for those around me to help, but to no avail. And when at last I despaired, and turned my back to come away, my head knocked against the wall of a water tank, greater still, shut fast against me.
Translated by ROBIN MOGER
Once I’d been stripped and forced to stand naked before the gaze of the military medical examination board, for the purposes of identifying any defects that might prevent me receiving the honor of being conscripted, the examiner seated on the right-hand end of the bench rose, approached me, and circled me three times, inspecting every inch of the body before him, then turned back to his fellow board members and, stroking my ear with a disconcerting delicacy, said, “Sound. Big ears.”
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