There is a long history of artists going out into the natural world to portray its beauty and learn its secrets. Among the most well known are artists like Claude Monet, who painted from his Giverny garden in France, depicting the shifting light and seasonal changes, and naturalists like James Audubon, who created detailed illustrations of American birds that are valued both as works of art and as scientific documents. Today, there is a revived en plein air trend among artists who make novel use of natural elements. Three artists working in this mode are Peter Matthews and the collaborative team formed by Paul Bartow and Richard Metzgar. By utilizing ocean water and the movement of trees, respectively, these artists relinquish control of their compositions to environmental processes, allowing nature to become not only the subject of their work but also the agent of its production.
All posts tagged: Art
Tatiana Garmendia
Artist: TATIANA GARMENDIA
Curated by AMY SANDE-FRIEDMAN
Tatiana Garmendia was inspired to create this series of work, which includes both embroideries stitched into military netting and drawings on paper, by a conversation she had with a veteran who had recently returned from serving in Iraq. Marrying poses from Michelangelo’s The Last Judgment, the altar fresco in the Sistine Chapel at the Vatican, with portraits of soldiers in contemporary military uniforms, she created scenes that refer both to the landscape of present day war and an artistic interpretation of heaven.
Studies
By AMELIA GRAY
Not enough snow to stick, Mother says. A pissing thin layer of the saddest slick. Even the road made visible underneath. Used to be you could die in a winter, wander right off the road and dead in a field before you had your second thought, but these days everyone gets to their destination. Have you ever arrived in a springtime with your entire family intact?
On and Off the Map
Maps are one way humans make sense of their environment. In this age of Google Earth, where a few mouse clicks call up a satellite image of almost any inch of the globe, it can be difficult to imagine a time when maps were often based as much on hearsay and guesswork as scientific surveying.
Ingres at the Morgan
By ESTHER BELL
From September 9 to November 27, 2011, The Morgan Library & Museum presents seventeen exquisite drawings and some letters by French master Jean-Auguste-Dominique Ingres. In this issue, The Common publishes four drawings from the exhibition.
Read an interview between editor Jennifer Acker and curator Esther Bell about these drawings and the artist’s refined sense of place here.
Moonscapes
From the very dawn of the new technology, photographers sought to capture images of the heavens. In 1839 Louis-Jacques-Mandé Daguerre—inventor of the daguerreotype—attempted to shoot the moon, with little success. As photographic technology developed throughout the nineteenth century, it became an important tool in many branches of scientific inquiry. James Nasmyth’s book, The Moon: Considered as a Planet, a World, and a Satellite, is one of the most curious examples of Victorian scientific publishing.
Over the River and Down with the Woods?
The year is 1972, and as you’re driving along the highway in Rifle, Colorado, a giant orange curtain appears, looming vibrantly over a distant valley. Or, maybe it’s 1997 and you’re in Switzerland. You’ve decided it’s a nice day for a walk in Berrower Park when you notice there’s something different about the trees—namely that they’re covered in gargantuan sheets of polyester fabric.