This is the fifth in a series of features highlighting the Black writers our editors and staff have been reading. To read The Common’s statement in support of the nationwide protests against anti-Black racism, white supremacy, and police brutality, click here.
Recommendations: semiautomatic by Evie Shockley, Wandering in Strange Lands by Morgan Jerkins, and How Are You Going to Save Yourself by J.M. Holmes
This is the third installment of an online series highlighting work by Black authors published in The Common. To read The Common’s statement in support of the nationwide protests against anti-Black racism, white supremacy, and police brutality, click here.
This is the fourth in a series of features highlighting the Black writers our editors and staff have been reading. To read The Common’s statement in support of the nationwide protests against anti-Black racism, white supremacy, and police brutality, click here.
Recommendations: Memorial Drive: A Daughter’s Memoir by Natasha Trethewey, The Vanishing Half by Brit Bennett, This is Major: Notes on Diana Ross, Dark Girls, and Being Dope by Shayla Lawson
Memorial Drive: A Daughter’s Memoir by Natasha Trethewey
Recommended by W. Ralph Eubanks, Contributing Editor
The first chapter of Natasha Trethewey’s memoir Memorial Drive is called “Another Country,” a title that mirrors James Baldwin’s novel of Black alienation of the same name. Baldwin’s other country was Greenwich Village, while Trethewey’s is Mississippi. While these two places could not be more different, the feeling of isolation elicited by both is the same.
This is the second installment of an online series highlighting work by Black authors published in The Common. To read The Common’s statement in support of the nationwide protests against anti-Black racism, white supremacy, and police brutality, click here.
This is the third in a series of features highlighting the Black writers our editors and staff have been reading. To read The Common’s statement in support of the nationwide protests against anti-Black racism, white supremacy, and police brutality, click here.
Recommendations: Newcomer Can’t Swim by Renee Gladman, The Book of Delights by Ross Gay, White Girls by Hilton Als
Newcomer Can’t Swim by Renee Gladman
Recommended by Elizabeth Witte, Associate Editor
Renee Gladman’s Newcomer Can’t Swim is a sort of linguo-geographical exploration of place (cityscape, restaurant, beach, etc.,) and of the characters, the voices that populate these places, that move through, and act or are acted upon within each scene.
This is the first installment of an online series highlighting work by Black authors published in The Common. To read The Common’s statement in support of the nationwide protests against anti-Black racism, white supremacy, and police brutality, click here.
This is the second in a series of features highlighting the Black writers our editors and staff have been reading. To read The Common’s statement in support of the nationwide protests against anti-Black racism, white supremacy, and police brutality, click here.
Recommendations: Kingdom Animalia by Aracelis Girmay, Neon Vernacular by Yusef Komunyakaa, I Can’t Talk About the Trees Without the Blood by Tiana Clark.
This is the first in a series of features highlighting the Black writers our editors and staff have been reading. To read The Common’s statement in support of the nationwide protests against anti-Black racism, white supremacy, and police brutality, click here.
Recommendations: water & power by Steven Dunn, King Me by Roger Reeves, and An American Marriage by Tayari Jones
water & power by Steven Dunn
Recommended by Elly Hong, Thomas E. Wood ’61 Fellow
The cover of water & power calls it a novel. Both author Steven Dunn and the book’s narrator describe it as a “fictional ethnography,” and this broader term is perhaps a more fitting description of a book that defies classification. Most of water & power resembles a novella in flash, written in prose that comes in bursts no longer than a page. Yet there are also moments of poetry, as well as photographs, found documents, and collages. The book’s dynamic structure was immediately striking, and both its form and its content continued to stun me as I read.
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