All posts tagged: Sam Spratford

What We’re Reading: November 2024

Curated by SAM SPRATFORD

With the holidays coming up, many of us turn to books for company on cold nights, or a respite from the stress of the season. If you’re craving an escape into the world of ideas, look no further! This month, our contributors DOUGLAS KOZIOL, CARSON WOLFE, and ANGIE MACRI deliver an eclectic mix of nonfiction and poetry recommendations sure to satisfy and inspire the curious reader.

Cover of "Goodbye, Dragon Inn": the title appears in a golden serif font against a royal purple background.

Nick Pinkerton’s Goodbye, Dragon Inn; recommended by Issue 28 contributor Douglas Koziol

Tsai Ming-liang’s 2003 film Goodbye, Dragon Inn is, in one sense, an elegy to a type of moviegoing no longer possible. Set in a single-screen Taipei theater on its final night, as it plays the 1967 wuxia (a Chinese martial arts subgenre) classic, Dragon Inn, to a handful of people, it would be easy to read the film as overly sentimental or nostalgic. But Nick Pinkerton resists this temptation in his book on the film, which treats the concerns of Goodbye, Dragon Inn with a wonderfully discursive and prismatic critical eye.

What We’re Reading: November 2024
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What We’re Reading: October 2024

Curated by SAM SPRATFORD

This month, our online contributors CHRIS JOHN POOLE, JULES FITZ GERALD, and LAURA NAGLE recommend three inventive, deeply human books with stories that traverse two oceans—from Japan, to Mexico, to Norway. 

Cover of This is Not Miami: The title is spelled out in colorful lights, appearing soft and out-of-focus against a navy-blue background. Below, the author's name is penned in narrow, wobbly script.

Fernanda Melchor’s This Is Not Miami (trans. Sophie Hughes); recommended by TC Online Contributor Chris John Poole

In her author’s note to This Is Not Miami, Fernanda Melchor writes that “to live in a city is to live among stories.” The city in question is Veracruz, Melchor’s birthplace, a city of cartel violence and political corruption; ritual magic and cold, hard truth. Veracruz’s stories, meanwhile, are those which are gleaned from—and imposed onto—its grim realities.

The stories in This Is Not Miami are crónicas, a genre with no direct equivalent in the Anglophone canon. Crónicas mix reportage and fiction, in a manner akin to gonzo journalism. They favour subjective accounts and firsthand experience over hard data and rigid chronology. Melchor’s crónicas collate rumours, folk myths, and personal narratives, injecting reportage where necessary.

What We’re Reading: October 2024
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Announcing The Common’s Fifth Literary Editorial Fellow

(Amherst, Mass. August 19, 2024)— The Common has announced Sam Spratford ’24 as the 2024-25 Literary Editorial Fellow, marking the fifth year of the fellowship at Amherst College’s award-winning, open-access literary journal.

Launched in 2020 with the generous support of the Whiting Foundation and sustained by Amherst College alumni donors, the Literary Editorial Fellowship (LEF) was introduced with three goals in mind: to strengthen the bridge between The Common’s existing Literary Publishing Internship (LPI) for undergraduates and the professional publishing world; to provide real-world literary experience for an Amherst graduate, transferable to a wide range of fields; and to increase the capacity of The Common’s publishing and programming operations.

Announcing The Common’s Fifth Literary Editorial Fellow
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What We’re Reading: July 2024

Curated by SAM SPRATFORD

July in Western Massachusetts is a month of heightened sensation. Perceptions are focused by the burning and buzzing heat, until it bursts in its own excess, dripping or pouring from the sky. It is an excess that ferments rather than rots, and it is what makes July so intoxicating. The onset of climate change, bringing merciless humidity and monsoon weather patterns, has deepened and darkened this character. Amid this, our Editorial Assistants AIDAN COOPER, CIGAN VALENTINE, and SIANI AMMONS have been reading books that match the month’s potency: storytelling that dazzles, prose that floods and sweeps away the sane, and historical truths delivered in lightning-bolt cracks. 

What We’re Reading: July 2024
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Introducing the David Applefield ’78 Fellowship

By SAM SPRATFORD

Before I learned about his utopian philosophy of expat writing or his scrappy resistance to publishing-market forces, I knew David Applefield as the marketer of the HAPPY CAP—the world’s first mess-free way to cover a toothpaste tube. This was, of course, completely by chance. 

I was thumbing through his papers in the Amherst College archives as The Common’s inaugural holder of the David Applefield ’78 Fellowship, an Amherst College student internship endowed in Applefield’s honor by his friends and family. Tucked among sheets of poetry, reviews of Applefield’s two novels, and other literary artifacts, I was surprised to find a series of letters typed on the official stationery of “A.R.A. Industries.  

Introducing the David Applefield ’78 Fellowship
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Friday Reads: July 2023

Curated by SOFIA BELIMOVA and OLIVE AMDUR

The fireworks have finally quieted down, but July has just begun to heat up! Whether you are looking for a book to help you forget the hot weather or a book filled with just as many vivid sensations as the summer season is, keep on reading. In this month’s Friday Reads feature, three of our interns recommend dynamic stories about the nightclubs of the Midwest, a boarding school in coastal Rhode Island, and the tangled relationships of a young person’s body and spirits.

Friday Reads: July 2023
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