The Syrophoenician Woman

By MARIAM WILLIAMS

And I remember the first slap that followed the slur, how soft
were the fingertips, so slick with oil and sweat the burning mark
seemed to reassure both ‘Know your place’ and ‘This, too, shall pass.’

And I remember my daughter’s night thrashing in morning
for a fortnight now, rooster’s call never signaling mercy.
How demons use her eight-year-old hands to pluck
the hair from her head in clumps, how she feeds the possessed
shredded curls to rats.

He who is without sin cannot call me a dog
and mean it, so Master, use me for your lesson. Slay
me with the hate of your people. I will play the role,
stay bowed at your feet, breathing their unearthly dust
as I say, ‘But even the dogs eat the crumbs
that fall from their master’s table.’

And I remember my daughter’s kicking in my womb,
first suckle like new lover’s tongue, first smile
my salvation.

And my faith is great.

 

MARIAM WILLIAMS is a Kentucky writer living in Philadelphia. She recently completed her MFA in creative writing and a certificate in public history from Rutgers University-Camden. Her poetry has been published in Ninth Letter, The Feminist Wire, Cosmonauts Avenue, and bozalta. Mariam is currently working on a chapbook that retells stories of silenced and condemned women of the Bible, and on a memoir that explores intersections of faith, family, and feminism in her life. 

Purchase Issue 14 here.

The Syrophoenician Woman

Related Posts

heart orchids

December 2024 Poetry Feature #1: New Work from our Contributors

JEN JABAILY-BLACKBURN
What do I know / about us? One of us / was called Velvel, / little wolf. One of us / raised horses. Someone / was in grain. Six sisters / threw potatoes across / a river in Pennsylvania. / Once at a fair, I met / a horse performing / simple equations / with large dice. / Sure, it was a trick, / but being charmed / costs so little.

November 2024 Poetry Feature: New Work from our Contributors

G. C. WALDREP
I am listening to the slickened sound of the new / wind. It is a true thing. Or, it is true in its falseness. / It is the stuff against which matter’s music breaks. / Mural of the natural, a complicity epic. / The shoals, not quite distant enough to unhear— / Not at all like a war. Or, like a war, in passage, / a friction of consequence.

Caroline M. Mar Headshot

Waters of Reclamation: Raychelle Heath Interviews Caroline M. Mar

CAROLINE M. MAR
That's a reconciliation that I'm often grappling with, which is about positionality. What am I responsible for? What's coming up for me; who am I in all of this? How can I be my authentic self and also how do I maybe take some responsibility?