Three Sunrises to Ouranopolis

By NICHOLAS SAMARAS

 

I rode a slow bus out of blackness.
Five a.m. in northern Greece.
The language, blurry and mumbled.
I paid pastel money for a bus
ticket to Ouranopolis whose name
means “City of Heaven.”

The port window, chilled against
my leaning head. The darker black
of a mountain range, the same side.
The bus journey, a pilgrimage
silently into myself. Light thinning
by my sleepy passage. How I love
to live in this deepest blueness.
The pale sun rose for moments,
only to be lowered again
by the ascending mountain-slope.
A second sunrise two miles further.
Then, the higher, final crags of stone
back into darkness. A third
sunrise finally firming the world
into morning. All I could do was
cover my worn youth and settle
into my new adulthood, traveling
alone to find my place, some
answers, rising slowly into light.

 

Nicholas Samaras is from Patmos, Greece (“Island of the Apocalypse”) and, at the time of the military dictatorship, ended up living in Asia Minor, England, Wales, Brussels, Switzerland, Italy, Austria, Germany, Yugoslavia, Jerusalem, and thirteen states in America, and subsequently writes from a place of permanent exile. Author of Hands of the Saddlemaker and American Psalm, World Psalm, he is currently writing a manuscript on his time as a runaway.

[Purchase Issue 22 here.]

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Three Sunrises to Ouranopolis

Related Posts

Headshot of Stephanie Niu

Phenomenology Study / Elegy for Island Love  

STEPHANIE NIU
The banana plant that thrashed outside my lover’s window / seemed unreal. Our hours together felt like a dream: / how he nudged a spider up the shower tile / with a cupped hand, unwilling to hurt anything / alive. How unlike me, watching the slow turn / of the ceiling fan...

The Month When I Watch Joker Every Day

ERICA DAWSON
This is a fundamental memory. / The signs pointing to doing something right / and failing. Educated and I lost / my job. Bipolar and I cannot lose / my mind. The first responder says I’m safe. / Joaquin Phoenix is in the hospital. / I’m in my bedroom where I’ve tacked a sheet...

Image of glasses atop a black hat

Kaymoor, West Virginia

G. C. WALDREP
According to rule. The terrible safeguard / of the text when placed against the granite / ledge into which our industry inscribed / itself. We were prying choice from the jaws / of poverty, from the laws of poverty. / But what came out was exile.