Yelabuga

By VALZHYNA MORT

Maria does her washing by the wall
so bare that you’d think she shaved it.

The window’s open, anyone can see.
Soap hisses. Air-raid warning rings
like a telephone from the future.
Her dress is nailed onto the laundry line.
From this gray garment, that is either guarding
or attacking the house, three yards of darkness
fall across the floorboards. She stands inside,
like on the bottom of a river, her heart an octopus.

Her hands so big, next to them, her head is a small o,
(the neighbors squint)

stuffed hungrily with stubborn hair.

 

Valzhyna Mort was born in Minsk, Belarus. She is the author two poetry collections, Factory of Tears and Collected Body. A recipient of the Lannan Foundation Fellowship and the Bess Hokin Prize for Poetry, she teaches at Cornell University.

[Purchase your copy of Issue 09 here.]

Yelabuga

Related Posts

Caroline M. Mar Headshot

Waters of Reclamation: Raychelle Heath Interviews Caroline M. Mar

CAROLINE M. MAR
That's a reconciliation that I'm often grappling with, which is about positionality. What am I responsible for? What's coming up for me; who am I in all of this? How can I be my authentic self and also how do I maybe take some responsibility?

October 2024 Poetry Feature: New Poems By Our Contributors

NATHANIEL PERRY
Words can contain their opposite, / pleasure at once a freedom and a ploy— / a garden something bound and original / where anything, but certain things, should thrive; / the difference between loving-kindness and loving / like the vowel shift from olive to alive.

Image of laundry hanging on a line.

Real Estate for the Blended Family (or What I Learned from Zillow)

ELIZABETH HAZEN
Sometimes I dream of gardens— // that same dirt they kick from their cleats could feed us, / grow something to sustain us. But it’s winter. // The ground is cold, and I dare not leave this room; / I want to want to fix this—to love them // after all—but in here I am safe.