You Want Me Daybreak

By ALFONSINA STORNI

Translated by NICHOLAS FRIEDMAN

 

You want me daybreak,
you want me sea-spray,
you want me pearl-like.
You want me lilywhite
and, above all, chaste—
my perfume faint,
my petals shut tight.

Not even the moonlight
gets through with its beam.
No daisy can claim
she’s a sister to me.
You want me snow-bright,
you want me white,
you want me daybreak.

You had all my chalices
well within reach,
your lips empurpled
with fruits and sweets.
You who at the feast,
all covered in vines,
left the meat behind
giving Bacchus your praise.
You who, dressed in red,
ran headlong to Havoc
in the Garden of Tricks.
You whose mere skeleton
keeps him intact—
by way of what miracles
I still don’t know—
you expect me white
(may God forgive you),
you expect me chaste
(may God forgive you),
you expect me daybreak.

Flee for the woods;
go off to the mountains;
wash out your mouth;
go live in a cabin;
touch the wet earth
with your bare hands;
nourish your body
with bitter roots;
drink from the rocks;
sleep on the frost;
restore your cloths
with water and salts;
speak with the birds
and rise with dawn.
And when the flesh
returns to your frame;
and when you’ve returned
your soul to that flesh
which was always enlaced
in the bedroom’s affairs—
then, decent man,
expect me white,
expect me snow-bright,
expect me chaste.

 

 

Alfonsina Storni (born May 29, 1892) was an Argentinean poet of Swiss and Italian descent. Both lauded and criticized during her lifetime for her atypical style, Storni wrote with verve on gender, theology, and depression. Suffering from breast cancer, Storni took her own life in October of 1938.

Nicholas Friedman is the author of Petty Theft, winner of the New Criterion Poetry Prize. He currently teaches at Stanford University.

[Purchase Issue 17 here.]

You Want Me Daybreak

Related Posts

Dispatches from Mullai Nilam, Marutha Nilam, and Neithal Nilam

VIJAYALAKSHMI
There is fire everywhere, / both inside and outside. / Unaware of the intensity of the fire, / they maintain silence / like the serenity of a corpse. / From the burning fire / bursts out a waterfall tainted in red. / All over the shores have bloomed / the flaming lilies of motherhood.

The view out of a car window as it speeds along

The Hare

ISMAEL RAMOS
It’s important to decide whether or not you want to be alone, Valeria says. It has to be a conscious decision, you know? Otherwise, you end up stuck like that, in limbo, not knowing what to do, thinking one day someone’s going to come and tell you exactly what you need to hear.

Gray Davidson Carroll's headshot next to the cover of The Common Issue 28.

Podcast: Gray Davidson Carroll on “Silent Spring”

GRAY DAVIDSON CARROLL
Poet Gray Davidson Carroll speaks to managing editor Emily Everett about their poem “Silent Spring,” which appears in The Common’s fall issue. Gray talks about poetry as a way to witness and observe the world and how we experience it, and how it’s changing.