Jesus and the Herd of Pigs

By SARAH M. WELLS

 

They scampered as if the devil

was herding them off the ledge,

each one following the others,

grass trampled black, muck up

to their perfect hams ready

for the knife, packing salt,

and market. It happened. I saw

the mud spray up their faces,

heard the whole pack panic,

charge, dash, splash and go under,

hooves kicking at the water,

pink snouts squealing and their eyes

rolling white. What will we do

with these two-thousand drowned

hogs, floating now in the twilight’s

silence? We stare over the edge

of the cliff, mud thick, boots

sucking and sinking, look back

at the man with chains and hands

loose along his sides, scars

like tributaries on his body,

standing calm beside the one

who did this. Look how much

this cost me. The meat is ruined

even if we fish it out with our nets.

 

Sarah M. Wells is the author of Pruning Burning Bushes and a chapbook, Acquiesce. Sarah’s poetry has been honored with two Pushcart Prize nominations.

[Click here to purchase your copy of Issue 07]

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Jesus and the Herd of Pigs

Related Posts

Caribbean picture

Self-Portrait in The Caribbean

PAOLA ASSAD BARBARINO
Sometimes I am emboldened, / I decide to stand in the people’s balcony / I decide it is Maundy Thursday I decide to place a priest behind me that can speak to the people behind / my back / I decide to put out the fire and light my throat / scream

Feltspade

ELIAS SADAQ
I serve out my conscription / sleep in a bunk bed / for four cold months / in the engineer regiment at Skive Garrison / in a room with three other men / I fuck the colonel / the only sign that time is passing / is a pile of snow outside the window / that grows smaller

Book cover of Fifty Mothers

Mother is a Kind of Holding: Jenny Qi interviews Preeti Vangani

PREETI VANGANI
With vignettes, I could plumb its narrative arc to become a force propelling the book forward. It also felt haunting yet warm that the mothers kept reappearing throughout the life of this grief. That repetition created a chorus of voices that angers and despairs, yet cradles the speaker.