Bird Man

By MARIA TERRONE

“You were only waiting for this moment to be free.”
                       Lennon/McCartney, “Blackbird”

As a Bronx kid at a homeless shelter, he watched
a peregrine falcon devour a pigeon on the windowsill,

and what began in violence leapt to awe,
and awe begat beauty.

He’s grown to be a birder who shares our passion.
Through the lens, he sights a warbler

and the flash of a goldfinch who’s migrated North,
whispering his excitement. 

And yet he remains apart, that rare species among us, 
for unlike us, when alone

he must take the greatest care removing
binoculars from his backpack,

must handle them slowly, keeping them in full view 
for they are black,

the color and size of a gun. Am I wrong
to think of him as a blackbird—no, a starling,

iridescent, grazing the earth at dusk and dawn 
in city parks but gazing up, not down? 

But he also peers into the dense
hiding places he knows well, 

the shadow-cover where the living
must sometimes take refuge to stay alive.

 

Maria Terrone is the author of the poetry collections Eye to Eye, A Secret Room in Fall, and The Bodies We Were Loaned, and a chapbook, American Gothic, Take 2. Her work, published in French and Farsi, has appeared in such media as Poetry, Ploughshares, Poetry Daily, and The Hudson Review and in more than twenty-five anthologies. At Home in the New World was her creative nonfiction debut. She lives with her husband in Jackson Heights, Queens, one of the most linguistically and ethnically diverse places in the United States. Visit Mariaterrone.com.

[Purchase Issue 21 here.]

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Bird Man

Related Posts

Hitting a Wall and Making a Door: A Conversation between Phillis Levin and Diane Mehta

DIANE MEHTA and PHILLIS LEVIN
This conversation took place over the course of weeks—over daily phone calls and long emails, meals when they were in the same place, and a weekend in the Connecticut countryside. The poets share what they draw from each other’s work, and the work of others, exploring the pleasures of language, geometric movement, and formal constraint.

Anna Malihot and Olena Jenning's headshots

August 2025 Poetry Feature: Anna Malihon, translated by Olena Jennings

ANNA MALIHON
The girl with a bullet in her stomach / runs across the highway to the forest / runs without saying goodbye / through the news, the noble mold of lofty speeches / through history, geography, / curfew, a day, a century / She is so young that the wind carries / her over the long boulevard between bridges

Image of a tomato seedling

Talks with the Besieged: Documentary Poetry from Occupied Ukraine  

ALEX AVERBUCH
Russians are already in Starobilsk / what nonsense / Dmytrovka and Zhukivka – who is there? / half a hundred bears went past in the / direction of Oleksiivka / write more clearly / what’s the situation in Novoaidar? / the bridge by café Natalie got blown up / according to unconfirmed reports