Julia Pike

jpike19

Al-Karadib, Chapter 11, Part I

December 23, 2013 Fiction

Introduction: On Karadib

My first roommate in Riyadh was a French teacher who once tutored an ex-political prisoner. The man was a retired lawyer who had belonged to a Marxist-Leninist network in the sixties, and had been part of a coup attempt against King Faisal. He had been tipped off right before his arrest and had escaped to Paris, where he studied law before coming back to Riyadh much later. Others had less luck.Arrested on intelligence provided by U.S. agents to the Saudi secret police, many of them were tortured or summarily executed. Some were even flown above the Empty Quarter and thrown alive out of helicopters.

Martha Willette Lewis: An Unreal Atlas

December 11, 2013 Studio

Work by MARTHA WILLETTE LEWIS, Curated by JEFF BERGMAN

Our relationship with maps has changed drastically in the last ten years, from the pinpoint ease of Google Maps to global positioning systems rendering us a blinking blue beacon on a grid of streets. Rarely are we explorers in the completed cartography of our planet. Visual artist Martha Willette Lewis has given us new, unreal spaces to explore by combining diagrammatic drawings, biological systems, and topographical forms. These spaces manifest as works on paper that are often folded, crumpled, or bisected. Lewis takes visual cues from systems that are usually not in contact and, in doing so, creates a skewed sense of reality. Hers is a hybridized vision shared by artists and technological innovators. The paper and drawing are real, but the vision is of an impossible place.

Winter Migration

December 6, 2013 Essays

By MARIAN CROTTY

It’s late afternoon on the beach in North Florida. It’s October, the end of a season, and the world is in motion. Monarchs cloud through the sunlight in orange swarms; blooms of jellyfish float along the shoreline; and schools of grouper leap in flustered succession, tails suspended above the ocean, bodies flapping. The air is just cold enough to make us duck our shoulders under water and lift our faces toward the sun, not shivering but not warm.

Writing in Place with Helen Hooper

December 3, 2013 Essays

By HELEN HOOPER

Sometimes I have to leave the house, get out in the world and write among other people. Not that I want anything to do with any of them. I just want to set up among them, the better to hunker down. I’m looking to be anonymous. I’m looking for a place where I can concentrate on my characters while ignoring people. A place where the rest of humanity provides a soothing backdrop, a therapeutic white noise.

November 2013 Poetry Feature

November 23, 2013 Poetry

For this month’s poetry feature, we are publishing a collection of seven new poems by four The Common contributors.

Across Gymnasium Bridge

November 22, 2013 Essays, Studio

By SCOTT GEIGER

“We have the mind, body, and the mind/body all organizing this building,” offers architect Chris McVoy, metaphorically describing the Campbell Sports Center that opened this fall at Columbia University. The building is the outward expression of an athlete’s inner journey. In a short film, McVoy and his partner and mentor, Steven Holl, discuss their design intentions and the character of experience they’ve created.

Believe It

November 19, 2013 Issue 06, Issue 06 Poetry, Poetry

By JOSHUA MEHIGAN

Hard to believe that, after all of it,

in bed for good now, knowing you haven’t done

one thing of any lasting benefit

or grasped how to be happy, or had fun,

They Called It Shooting Then

November 19, 2013 Fiction, Issue 06, Issue 06 Fiction

By TYLER SAGE

1.

He wakes from dreams of killing. Heavy timber. Shaggy forms moving through the rocks, the alpine flowers. A plane passing overhead in his sleep, in his dreams, a silver spot against the sky. He raises the rifle. He wakes and is in the night. The animals fade, the air thickens. He is alone and paralyzed, and he wakes, and she is sleeping next to him.

Well-Armed

November 13, 2013 Essays, Issue 06, Issue 06 Essays

By ROWAN MOORE GERETY

A few months before I moved in, Serge was sitting in his house cleaning an AK-47 when it went off in his lap. Looking down, he found his hands were still intact, and he decided then and there to stop selling weapons. On the French mainland, he’d gone to school for aitiopathy, a form of physical therapy that seeks to provide treatment without pain. Down the line, he still looked forward to opening a private practice; gun running wasn’t worth the risk of losing any fingers. Eventually, Serge’s friends would tell me about his arsenal, though I never saw it myself. Each of them had seen a weapon at his house, and they realized, comparing notes, that the individual guns they’d seen were all different. In fact, Serge seemed to have a very large collection.

Ten Thousand Walks by the Little Pamet River

November 12, 2013 Essays

By BRENDAN GALVIN

Walking will solve it.

— Roman Proverb

Spring and fall, winter and summer for more than half my life, I have gone out walking almost daily on a road that edges a vast Cape Cod salt marsh. This loosens things up before I sit down with my notebook. A stream meanders through the marsh, and where it parallels the road I walk beside it, out to a bay beach parking lot, then down the strand a half mile or so to a stone jetty, one of two that keeps the tide- and wind-mauled sands from closing the entrance to the harbor.