New poems by our contributors NATHALIE HANDAL and ZACK STRAIT
Table of Contents:
Nathalie Handal:
- “Monteverde Vecchio”
- “Piazza Cavour”
Zack Strait:
- “The Fields”
- “Kid Chameleon”
New poems by our contributors NATHALIE HANDAL and ZACK STRAIT
Table of Contents:
Nathalie Handal:
Zack Strait:
By ALONDRA AGUILAR RANGEL
Translated by JENNIFER ACKER
Piece appears below in both English and Spanish.
There are people who express with songs what they can’t express with their own words. My grandfather is one of these people.
Papá José, as we grandchildren call him, is a reserved man, but he has a unique way of talking about his life and expressing his feelings. His hair is now covered in white and his face in lines. He usually wears a pair of gray pants, a flannel shirt, his old sandals and his light brown sombrero. He’s a working man of the countryside.
I visit him only once a year. Like many people from my country, I go to Mexico every December to spend Christmas and New Year’s with my family. It has been twelve years since I left home, the house where I grew up, the dirt streets and brick houses where I spent my childhood on the outskirts of Morelia, the capital of Michoacán. I went to elementary school there, then junior high school, until my family and I moved to the United States. So much time has passed since then. And now I have repeated the family history. Three years ago, I left my parents’ house in California to go study on the other side of the world. I can travel only once a year. The distance and time make me miss my family a lot. I question why we are constantly moving: Why do we keep looking for a better life somewhere else? This is why, for some time now, I have felt the need to talk more with Papá José, to know more about his life. I try to take advantage of every visit to talk to him and listen to his stories.
White women give my father shaded looks.
Bringing babies to do their dirty work,
mumbled in passing.
I am paid in jelly doughnuts
for my day on the boycott.
My dad leads my baby brother
to the front of the grocery store doors
for a meeting with the manager:
two men
and a five-year-old interpreter.
I. Lexapro
Like a booster detached from a shuttle, my body
Ended up in an ocean while fog enshrouded my mind.
Xanax never made me feel that unsteady; it just didn’t
Agree with Lamictal. I was glad my wife could cease
Preparing herself mentally before coming home; I’d been a
Rakshasa for months & appeared to be normal
Overnight, but the low dose made me immune to emotion.
after Jamaica Kincaid
be honest with your psychiatrist about how the meds have kept you from cumming:
even while fantasizing about Priyanka Chopra—her cascading curls,
tumbling down her shoulders; don’t feel ashamed after your lover has suggested
other ways to be intimate: like learning how to speak Urdu so that on sleepless nights
you can recite Ghalib’s ghazals to her while holding hands near the mango tree;
on the rare chance you’re not awake, smash the snooze button;
continue dreaming about a world where you don’t perceive that therapy
is just for white folks; forget what your family says; you can’t shake off suicidal
By AMAR MITRA
Translated by ANISH GUPTA
ONE
Ask Kartik. He will show you.
Ask Kartik how Hrithik Roshan, the film star, sings, how he walks, and Kartik, the neighbourhood tailor, will show you how he sings and how he walks.
Ask him to show you how superstar Shah Rukh Khan proposes to matinee queen Kajol, when and how he delivers those romantic dialogues, and Kartik’s imitation of Khan will make your jaw drop.
There is no time to complain,
only time to move as fast as you can
through the rows of low-lying shrubs,
the tall stalks.
The people of the fields leave
the complaining to the rest of us,
driving by on our way to work,
school,
the gym.
Es de madrugada.
It is dawn always dawn
the sun breaking through
the breaking of the soil.
The faint smell of rain from irrigated dirt
crusts of mud from the crop rows
comes home with my father
on his pants and beneath his fingernails.
By ELLYN GAYDOS
I live on a wooded road posted with NO TRESPASSING PROPERTY OF GEORGE FUDGE signs. In addition to being a large landowner, George Fudge rents out dumpsters, and is rumored to be an ex-con and confirmed to be a minister. When the season is right, he plows snow. He’s plowed my driveway more than once for free. I am surrounded by good intentions. On the wall of the post office there is a note that says, I am an honest girl, written by a customer who took a card costing $2.99 and left $3. The town maintains a free rack of clothing outside the dollar store, kids’ jumpers and XL T-shirts fluttering brightly.
I work on a small vegetable farm carved out of hayfields owned by the local high school and woods owned by the local commune. The other young farmers and I grow food for a hundred families that come each week to get shares of vegetables, which begin in spring as ephemeral greens and end in winter as sacks of beets and potatoes.
Home from work with a heavy trash bag of compost for my pigs, I find the escaped animals locked in the chicken coop. They got out in the unwatchful summer afternoon, their snouts bending up the bottom of the fence to roam undeterred past illegible PRIVATE PROPERTY signs. They were escaping their squalid pen out of pure misery, I think. I had been watching them get shocked trying to push through, seeming genuinely angry, for the past few days, putting off moving the fence out of laziness or a desire to escape the drudgery of what I’d taken on.
This feature is part of our print and online portfolio of writing from the immigrant farmworker community. Read more online or in Issue 26.

Part of a day’s harvest, 1985.
I stood behind the orthopedic specialist and watched the giant monitor where my MRI reports glowed. He traced the contours of my spine, his index finger waving back and forth down the screen. I had gotten his name after a months-long battle with neck and back pain. What started as fire and numbness in my right arm grew into a welter of spasm and neuropathy. This doctor was known as an oracle of back pain. He bragged of being able to guess how people used their bodies just from reading his screens.
The exhaustion of having a nameless, and, therefore, untreatable problem was eroding my spirit. I needed him to find the answer. As he squinted, he rattled off his wins, spotting the bone-wear patterns of golfers, softball players, fiddlers, and software developers. He stopped to identify the small bumps on each vertebra: bone spurs. It felt like he was stalling. Had I stumped him?