Olivia Zheng

Changing Places: Ich Bin Ein Berliner

By MELODY NIXON

We painted lipstick on our lips and watched businessmen in suits flip open Die Welt, grazing the top of the newspaper with their line of sight, conspicuously shy in their observations of two foreign frauen. The train shot into Berlin’s Hauptbanhof with succinct precision, confirming one of our German stereotypes: 7.00pm exactly on Dec 31st, 2003, and not a minute late. My friend and I hoisted backpacks and flowed out of the central station and into a city that was eagerly, furiously rebuilding, was humming with energy, and was dusty and heterogeneous and still could not quite figure out how to contain itself. 2004 seemed like an inauspicious year to welcome.

Changing Places: Ich Bin Ein Berliner
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Review: Everything Begins & Ends at the Kentucky Club

Book by BENJAMIN ALIRE SÁENZ
Reviewed by GINA LUJAN BOUBION

Everything Begins & Ends at the Kentucky Club

If you stand in front of the Kentucky Club bar in Ciudad Juárez and look four blocks north, you see the U.S. and Mexican flags flapping on top of the Santa Fe Bridge to El Paso. Families with roots on both sides of the border once passed fluidly back and forth over that bridge to visit cousins, go to school, grab lunch, get a tooth pulled, or for a night on the town.

The drug wars and immigration crackdowns have radically curtailed that flow, though it’s still possible, albeit scarier, for Americans to pop into the Kentucky Club on the Mexican side for a drink and sit on the same barstools where Al Capone, Elizabeth Taylor, and Marilyn Monroe once perched.

Review: Everything Begins & Ends at the Kentucky Club
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Coastlines

By TEOW LIM GOH

 

The ocean encircles a lone peak.

Rough terrain surrounds this prison.

There are few birds flying over the cold hills.

The wild goose messenger cannot find its way.

In the first half of the twentieth century, a Chinese immigrant carved this poem on the wooden walls of the Angel Island Immigration Station in the San Francisco Bay. It was unsigned, one of many.

Coastlines
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Homage to a Failed Venture: The Chesapeake and Ohio Canal

By JULIA LICHTBLAU

If Washingtonians have a patron saint, it’s the late Supreme Court Justice William O. Douglas. The longest-serving Supreme Court Justice, a famous defender of civil liberties, Douglas was a committed environmentalist, who wanted to be remembered for leaving the earth more beautiful.

In February, Texas A&M University’s Transportation Institute dubbed the Washington, D.C. Metropolitan area Number One in the U.S. for traffic. Local drivers fritter away on average sixty-seven hours and thirty-two gallons of gasoline a year in traffic.

I was born in Washington and spent a good part of my childhood in the area. Though I haven’t lived there in years, each time I go “home,” I feel grateful to Justice Douglas for preventing my favorite Washington place, the Chesapeake & Ohio Canal, from becoming just another congested highway.

Homage to a Failed Venture: The Chesapeake and Ohio Canal
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From the 17th Floor: Second Look

1.

I’ve been watching the Qasr al Hosn. Watching it since I arrived in August. The boarded-up block below my office window withholds this oldest structure in Abu Dhabi—the whitewashed fort—and the arch-studded building of the Cultural Foundation. The block has so much potential, but for months, nothing’s happened. Or, I’ll see a kick up of dust and realize it was the wind.

From the 17th Floor: Second Look
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Review: Her Familiars

Book by JANE SATTERFIELD
Reviewed by CAITLIN DOYLE

Her FamiliarsThroughout her impressive body of work, which includes three collections of poetry and a memoir, Jane Satterfield explores the roles of place and gender in human identity. Born in England and raised in America, she probes what it means to reconcile the legacies of intertwined lineages. Satterfield complicates her inquiry into cultural inheritance by emphasizing female experience. In her first poetry book, Shepherdess with an Automatic, she described her youthful adventures during the 1980s; “going to clubs” in “boots with zip-laces to accelerate the kill” (in contrast to1950s housewives “decked out” like “living dolls”). Her Familiars, Satterfield’s most recent collection, takes us further back in time, to the 1970s. We glimpse her as a girl scout, part of a “troop of girls kitted out in jumpers, cable knee socks, & small green berets,” living “blissful on suburban streets” while “choppers stuttered over Saigon.” Both books, as well as her second poetry collection Assignation at Vanishing Point, combine coming-of-age material with adulthood examinations of love, sex, child rearing, historical influence, and literary ambition. In Her Familiars, Satterfield widens her range of subject matter, tones, and aesthetic approaches, mining the territory between domestic and public life in striking new ways.

Review: Her Familiars
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Discontinuous City

Two weeks ago today, I woke up reading an email that Watertown was closed. The Boston, Cambridge, and Watertown police departments had sealed a perimeter. No entrance, no exit. The office was closed. I had started working for a landscape architecture practice in Watertown that Monday, the morning of the Marathon. After three months on the city’s outskirts, writing full-time, at last I had started traveling around Boston and Cambridge. The Lockdown froze the city in its novelty for me.

Discontinuous City
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Under the Skin, Pt. 2

By ALLISON GREEN

Click here to read Part 1 of this essay.

The sprawling state nursing home is in a dreary area on the edge of the city. Arline tells me that schoolchildren often visit the home to entertain the residents, and the president makes appearances. A nun gives us a tour of the cafeteria, the many patios and balconies, the nursing stations. Although the buildings are institutional, grey walls and grey tile, the home offers tiny single rooms with private baths — Nora wouldn’t have roommates to disturb — and nurses on staff around the clock. The price is right; less than Nora’s pension. Arline tears with relief as she thanks the nun for her help. The nun directs us to the social worker’s office.

Under the Skin, Pt. 2
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Reading Place: Secrets, Poetry, Solace

By HANNAH GERSEN

 

Slate has a new travel blog celebrating strange and beautiful places around the world. Recent entries include a tunnel of flowers, a theater that has been remodeled into a bookstore, and a movie theater that floats in a lagoon.

Speaking of mysterious places, Stonehenge is seeking a general manager. Details at The Atlantic.

In New York City, where I live, I’ve always been fascinated by the High Bridge, a pedestrian bridge that links the Bronx and Manhattan. It’s been closed for decades but will open up next summer. The New York Times profiles the High Bridge neighborhood, in light of these upcoming changes.

Reading Place: Secrets, Poetry, Solace
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Review: Bender: New and Selected Poems

Book by DEAN YOUNG
Reviewed by DREW CALVERT

Bender: New and Selected PoemsDean Young is one of America’s most celebrated poets, the author of ten poetry collections, recipient of numerous national awards, and a fixture of campus bookstores. His poems are tremendously fun to read, and often very funny; for me, his work is distinct in the way it channels the spirit of a stand-up comic. He nests his liberal politics inside a vortex of anxiety; disguises insights as farce; and codes earnest messages in irreverence and transgression. In his latest collection, Bender: New and Selected Poems, this spirit is even more pronounced: His new poems explore the same general territory with a darker, subtler confidence.  Young gives the impression that the blank page inspires him the way an unpredictable audience inspires a comic:

Review: Bender: New and Selected Poems
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