Sarah Wu

Translation: Excerpt from A SPACE BOUNDED BY SHADOWS

By EMINE SEVGI ÖZDAMAR
Translated from the German by YANA ELLIS

Piece appears below in both English and German.

 

Translator’s note

One of the many things that drew me to A Space Bounded by Shadows is the novel’s overarching theme of exile and wandering between worlds — imaginary and real. The narrative weaves the rich tapestry of an artist’s life between art, relationships, and politics and their declaration of love for literature, film, and theatre. As an immigrant myself, the book captured me immediately because it explores how mother tongue and second language can merge, creating a new, enriched language and overcoming speechlessness in exile.

Translation: Excerpt from A SPACE BOUNDED BY SHADOWS
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Podcast: Matt Donovan on “Guy with a Gun”

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Transcript: Matt Donovan Podcast

Matt Donovan speaks to managing editor Emily Everett about his prose poem “Guy with a Gun,” which appeared in The Common’s fall issue. Matt talks about the conversation that inspired the poem—an encounter with a Sandy Hook parent that highlights the complex gray area around guns and gun ownership. He also discusses how his poetry collection about the issue of guns in the US evolved from a nonfiction book proposal, his aims in undertaking the project, and his job running The Boutelle-Day Poetry Center at Smith College.

a picture of matt donovan next to issue 23's cover of buttons

Podcast: Matt Donovan on “Guy with a Gun”
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Slaughterhouse-Vibe

By LISA ROSENBERG

 

an image of a woman among old artifacts. the woman's back is to the photographer and she is facing the open door

 

Hydra, Greece

There are no streetlights between the old slaughterhouse and the edge of town. The road that links them feels longer than its few hundred barren meters, proceeding above a rocky slope that ends in channel water—the former landing place of blood and entrails, arriving by chute while dogfish gathered. Six nights per week, a young woman makes her way along this route, tiny phone-light in hand, walking toward the main village on the Greek island of Hydra. Her name is Marina. I’ve known her since she was a child.

Slaughterhouse-Vibe
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For Acedia

By ROBERT CORDING

Thomas Aquinas prescribed fervent prayer,
and I do pray, but, oddly, a bird has been
my best medicine when I find myself shrunken
and absent, as I do each year as the anniversary
of my son’s death approaches. And so I turn again
to this: a dipper I watched in Zion’s Virgin River.

For Acedia
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Near Murrell’s Inlet

By MORRI CREECH

The flatteries of the surf conspire to make
a stammering innuendo in the reeds.
The sun, splintered by the spume’s refractions,
sinks toward the west where it will disappear
in a violet streak above the evening dunes,
like mind considering the defeat of mind.
A cormorant in the distance breaks the surface
to wrestle a mullet from the sullen depths
farther below which no light penetrates.

Near Murrell’s Inlet
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Invited

By SEAN BERNARD

The city overwhelmed us. We’d moved to it from a smaller part of the country, fairly rural, though it’s true that even rural parts of the country had by that time much in common with urban centers. In our small town there was a Walmart and high-speed internet and a bar that boasted craft beers from across the region. An intimate and well-known musical venue often featured prominent artists, and, as the woman I lived with always found loudness distasteful, I would attend these shows alone. Being at one, the gathered fans swaying together, made it easy for me to feel like there could be nowhere better. But also, circling the edges of the town, fields ran hundreds of miles in all directions, lush with the green stalks of corn and soy undulating over a landscape that, in winter, shriveled and turned dead, brown, and brittled.

Invited
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