Sitting in her mother’s white wooden chair
my mother eyes me up and down, tells me
the medication I’m taking is making me fat
but yes, I know you need it. Like lipstick
smudged on a glass, she studies my hairline,
my father’s nose. I will never be her daughter.
Breaching beyond
the break wall, opening
the open sea like a long polished wound,
baffling the wind
with a force mustered from currents
where free is
two things—
unfathomable as the drowned book,
barnacled as if born and raised
between Aphrodite and the devil’s thumb
a whale heaves out a whale-tail
flaunting sunken love at the sunned earth
Translated by NICHOLAS FRIEDMAN
You want me daybreak,
you want me sea-spray,
you want me pearl-like.
You want me lilywhite
and, above all, chaste—
my perfume faint,
my petals shut tight.
Poetry by KHAL TORABULLY
Translated by NANCY NAOMI CARLSON
Note from the translator:
I first came across Khal Torabully’s work in Patrick Williamson’s The Parley Tree, a bilingual anthology of poets from North Africa, sub-Saharan Africa and the Arab world. I was immediately drawn to Torabully’s lush language and sea imagery, and developed an even greater appreciation of his work when I learned more about the context of these poems—giving voice to the millions of men and women who endured horrific conditions as indentured workers during the years between 1834 and the end of World War I. Sometimes tricked into indenture, these workers, mostly from India and China, were separated from their families and homelands, and were transported to Mauritius in the same ships that had formerly carried slaves. Many were forced to stay and work in Mauritian sugar cane fields, while others were sent to other regions under colonial rule, and subjected to cruel conditions in the cargo hold of ships during transoceanic voyages. Similar to the way Aimé Césaire coined the term “negritude,” Torabully coined the term “coolitude,” imbuing the pejorative word “coolie” with dignity, pride, and a humanity that transcends all geographical, biological, and ethnic divisions.
Movie directed by CIRO GUERRA and CRISTINA GALLEGO
Review by HANNAH GERSEN
From its joyous opening dance sequence to its melancholy ending, Birds of Passage (Pájaros de verano) is unlike any movie you have seen about illegal drug trafficking. It’s a gangster movie that downplays violence, looks closely at attempts at peacemaking, and is centered on the fate of a mother and a daughter. Set in Colombia between the late 1960s and early 1980s, the film is told from the perspective of a Wayúu family who live in the arid, northern region of the country and become significant exporters of marijuana to the U.S. Their success in the drug trade brings wealth, but it also pulls them into a world of violence and greed that engulfs and divides their family and their community.
Featured authors include Jennifer Egan, Elizabeth Kolbert, Jamel Brinkley, Brandon Hobson, and more!
Amherst College’s fourth annual LitFest, a literary festival celebrating fiction, nonfiction, poetry, and spoken-word performance, will be hosted on February 27 – March 2 of this year. Co-hosted by The Common, this year’s events feature panels with 2018 National Book Award Fiction Finalists Jamel Brinkley and Brandon Hobson, Pulitzer Prize-winning novelist Jennifer Egan, Pulitzer Prize-winning nonfiction author Elizabeth Kolbert, award-winning science writer Charles C. Mann, and more. Author events will be taking place in either Frost Library or Johnson Chapel on Amherst College campus, with most being followed by Q&A sessions and book-signings. All events are free and open to the public. Click here for coverage from the Daily Hampshire Gazette.
New Poems by Our Contributors
ELIZABETH METZGER | “Say Nothing”
MATTHEW GELLMAN | “Luna Moth”
PATRICK RIEDY | “Vacant with beauty”
| “To last a lifetime safety begins in the mind”
DENISE DUHAMEL | “Crème de la Femme”
As The Common office continues to anticipate the exciting work we plan to share in 2019 both online and in our next issues, it seems like a great time to reflect on the pieces that made 2018 just as exciting for us. See what resonated with readers the most in 2018 by browsing the list below of our most-read works of the past year: they range from fiction to essays, interviews, and more!
THAÏS MILLER INTERVIEWS COURTNEY KERSTEN
Courtney Kersten’s work been featured in Brevity, The Normal School, River Teeth, Hotel Amerika, DIAGRAM, The Sonora Review, Black Warrior Review, and elsewhere. In 2018, the University of Wisconsin Press published her debut memoir, Daughter in Retrograde.
Thaïs Miller met with Kersten on the campus of the University of California at Santa Cruz, where they are both pursuing PhDs in Literature with a Creative/Critical Writing Concentration. Astrology plays a large role in Kersten’s memoir, so they decided to conduct the interview after a tarot card reading.
The following is a collection of resources for students and teachers exploring The Common’s works in translation; see also: resources focused on Arabic literature in English translation.
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