By the time the apocalypse began, the world had already ended, and still

By LYNNE THOMPSON

they didn’t find us beautiful. The haters  
            let our skin slip, slowly, from our bones, 
            satiated our thirst with sludge and brine water, 
            led us to wrathful prayers offered in caves. 

If they didn’t find us beautiful, it was because the haters  
            forgot white light is a combination 
            of all colors on the chromatic spectrum 
            and those colors are Apache, Massai, Imjin River. 

Because they don’t find us beautiful, haters are surprised by 
            the fires in Australia, Brazil, Siberia, beyond; surprised
            by the gone extinct Chinese paddlefish, the Midway moth,
            glaciers melting in the dead of night so sung the group Muse.  

Why don’t they find us beautiful    even on the page:
            Nobel Morrison scribbling it was a fine cry—loud and  
            long—but it had no bottom and it had no top, just circles  
            and circles of sorrow 

Why don’t they find us beautiful and celebrate our bodies—
            Baryshnikov in full pas de bras because when a body 
            moves, it’s the most revealing thing   dance for me a minute 
            and I’ll tell you who you are 

Why don’t they find us beautiful   when we cut art out of space? 
            I. M. Pei holding his caliper & compass knowing great
            architecture is the result of a collective dream   the expression  
            of a society, a period, a culture  

If haters don’t find us beautiful, why do they woo us? 
If they don’t find us beautiful, why do they plot and plan? 
If the haters don’t find us beautiful, why do they lie, lie, lie, lie, lie…lie? 

 

[Purchase Issue 31 here.]

 

Lynne Thomspon served as Los Angeles’s fourth Poet Laureate. She is the author of four collections of poetry, most recently Blue on a Blue Palette. Recent work can be found in The Georgia Review and The Kenyon Review, among others. Thompson is the president of Cave Canem.

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

By the time the apocalypse began, the world had already ended, and still

Related Posts

Loons in Strandir

JEFFREY WOLF
The fjords sit back and cast their spell. They rise from the ocean like the backs of sleeping beasts. For eons, they’ve waited. Layer after layer, gray upon gray, so deep and infinite that I start to feel afraid. Surely this is where the darkness lives.

May 2026 Poetry Feature: Arielle Hebert, from Bottom Feeders

ARIELLE HEBERT
Home again at the water’s edge, / palms dancing in salt breeze. / I take a too-deep breath / and the air prickles my lungs / like an unfiltered cigarette. / Only the tourists are swimming, / coughing through the algal bloom, / eyes bloodshot and skin burning.

Book cover of Cece

Review of Cécé by by Emmelie Prophète

SAM SPRATFORD
Uncle Frédo lies in the dark, water dripping through the sheet-metal roof. His American Dream crushed by the reality of existence as a non-white, non-citizen in the U.S., he returns to Haiti for the remainder of his life. He rarely speaks and is nearly always drunk. He spends his days in a dreamless twilight zone between sleep and wakefulness.