By the time the apocalypse began, the world had already ended, and still

By LYNNE THOMPSON

they didn’t find us beautiful. The haters  
            let our skin slip, slowly, from our bones, 
            satiated our thirst with sludge and brine water, 
            led us to wrathful prayers offered in caves. 

If they didn’t find us beautiful, it was because the haters  
            forgot white light is a combination 
            of all colors on the chromatic spectrum 
            and those colors are Apache, Massai, Imjin River. 

Because they don’t find us beautiful, haters are surprised by 
            the fires in Australia, Brazil, Siberia, beyond; surprised
            by the gone extinct Chinese paddlefish, the Midway moth,
            glaciers melting in the dead of night so sung the group Muse.  

Why don’t they find us beautiful    even on the page:
            Nobel Morrison scribbling it was a fine cry—loud and  
            long—but it had no bottom and it had no top, just circles  
            and circles of sorrow 

Why don’t they find us beautiful and celebrate our bodies—
            Baryshnikov in full pas de bras because when a body 
            moves, it’s the most revealing thing   dance for me a minute 
            and I’ll tell you who you are 

Why don’t they find us beautiful   when we cut art out of space? 
            I. M. Pei holding his caliper & compass knowing great
            architecture is the result of a collective dream   the expression  
            of a society, a period, a culture  

If haters don’t find us beautiful, why do they woo us? 
If they don’t find us beautiful, why do they plot and plan? 
If the haters don’t find us beautiful, why do they lie, lie, lie, lie, lie…lie? 

 

[Purchase Issue 31 here.]

 

Lynne Thomspon served as Los Angeles’s fourth Poet Laureate. She is the author of four collections of poetry, most recently Blue on a Blue Palette. Recent work can be found in The Georgia Review and The Kenyon Review, among others. Thompson is the president of Cave Canem.

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

By the time the apocalypse began, the world had already ended, and still

Related Posts

Martyrs

CHELSEA BOLAN
I was concentrating on walking. Walking like a normal kid in socialist jeans on his way to school—and trying to ignore the chafing that was happening on my inner thighs. At Šverma Bridge, just past the statue of a man in a suit, I had to stop. Though I couldn’t see the radio tower from

Ro Skelton and Issue 31 of The Common

Podcast: Ro Skelton on “Naow’s Boutique”

RO SKELTON
Ro Skelton speaks to Emily Everett about her essay “Naow’s Boutique,” which appears in The Common’s spring issue. The essay explores Ro’s time living and working in Dakar, where she formed a friendship in her neighborhood that eventually led to a sense of community, and then a community garden, and then a lifelong friendship.

Feltspade

ELIAS SADAQ
I serve out my conscription / sleep in a bunk bed / for four cold months / in the engineer regiment at Skive Garrison / in a room with three other men / I fuck the colonel / the only sign that time is passing / is a pile of snow outside the window / that grows smaller