Ala Fox speaks to managing editor Emily Everett about her essay “Ramadan in Saint-Denis,” which appears in The Common’s most recent issue. Ala talks about weaving together the threads of her experiences living in Paris into an essay that explores a lot of questions but doesn’t try to answer them. The piece dives into the dynamics between neighborhoods, and between native Parisians and immigrant communities, and explores the possibility of creating and sustaining love across language barriers and distance. Ala also discusses why she was nervous about publishing the essay, and how it would be received in the Muslim community.
Podcasts & Audio
Podcast: Matt Donovan on “Guy with a Gun”
Transcript: Matt Donovan Podcast
Matt Donovan speaks to managing editor Emily Everett about his prose poem “Guy with a Gun,” which appeared in The Common’s fall issue. Matt talks about the conversation that inspired the poem—an encounter with a Sandy Hook parent that highlights the complex gray area around guns and gun ownership. He also discusses how his poetry collection about the issue of guns in the US evolved from a nonfiction book proposal, his aims in undertaking the project, and his job running The Boutelle-Day Poetry Center at Smith College.
Podcast: Gerardo Sámano Córdova on “Iceberg, Mine”
Transcript: Gerardo Sámano Córdova Podcast
Gerardo Sámano Córdova speaks to managing editor Emily Everett about his story “Iceberg, Mine,” which appears in The Common’s fall 2022 issue. Gerardo talks about combining the real and the surreal in this story, and using both to show the power of a brief moment of connection. He also discusses the risks and rewards of writing about the fantastical, the process of finding balance through revision, and his debut novel Monstrilio, which is out now from Zando. The novel is about a boy who transforms into a monster, a monster who tries to be a man, and the people who love him in every form he takes.
Podcast: Robin Lee Carlson on “Reading the Ashes”
Transcript: Robin Lee Carlson Podcast
Robin Lee Carlson speaks to managing editor Emily Everett about her essay “Reading the Ashes,” which appears in The Common’s fall 2022 issue. Robin talks about the many-year process of observation, illustration, and writing that went into the essay, which explores the cycle of fire and rebirth in Cold Canyon. She also discusses how her work balances the poetic and artistic with the scientific, how sketching and watercolors help her understand the natural world, and how she hopes her book will encourage readers to observe and question ecological change in their local areas.
Grace’s Folly
When I can’t sleep I drive up to the ski hill and ride around with Tic in his snowcat until all the runs are groomed and my head’s raked clean, just before first light. I bring a Thermos full of hot chocolate mixed with a few shots of Rumple Minz, stale donut holes from Village Foods, and sometimes an uplifting book about how to live a better life that I always end up losing before I can give it back to my sister, Deena. Because it’s almost Christmas, the donut holes are decorated with tiny red and green sprinkles.
Podcast: Sindya Bhanoo on “Tsunami Bride”
Transcript: Sindya Bhanoo Podcast
Sindya Bhanoo speaks to managing editor Emily Everett about her story “Tsunami Bride,” which appears in The Common’s new fall issue. Sindya talks about her experience reporting from India after the 2004 tsunami, and how that experience eventually became a story about a journalist in the same position, told from a local’s perspective. She also discusses how the training and techniques she developed as a journalist have shaped her drafting and revision process for fiction, how food often makes its way into her stories, and how her 2022 story collection Seeking Fortune Elsewhere came together.
Podcast: Meera Nair on “The Desire Tree”
Transcript: Meera Nair Podcast
Meera Nair speaks to managing editor Emily Everett about her essay “The Desire Tree,” which appears in The Common’s new fall issue. Meera talks about the long process of writing this piece, which explores loss and longing through a visit to a banyan tree in Kerala, India that is said to grant prayers. She also discusses writing from memories, finding the right length for a piece, and teaching revision strategies to her creative writing students.
Perfect Storms
The Jungle Cruise
My mother and I are on a chlorinated river that’s somehow simultaneously the Amazon, Congo, and Nile, floating languidly so we don’t run into the boat in front of us and “don’t scare the wildlife”: the kind of joke the Disney guide, in his safari hat and over-pocketed explorer outfit, keeps making.
Which One is the Lifeline?
I could tell you,
If I wanted to,
What makes me
What I am.
But I don’t
Really want to—
And you don’t
Give a damn.
—Langston Hughes, “Impasse”
There are two cops from the Orange County Sheriff’s Department standing in my grandmother’s kitchen. We are all gathered around the kitchen island silently negotiating the power dynamics. Two Black women, two White cops. The cops have come to collect the details for the report, but I’m doing most of the talking. Grammy bears witness.
Reading the Ashes
I walk slowly, each step sinking a little into the ground. With every footfall, a puff of ash curls upward, dusting the top of my boot and disappearing into the soft stillness of the day. It is a clear day with no clouds, but the air around me has a gentle haze, a film that sometimes resolves into particles, pinpoints of ash in a slanting ray of sunlight. It has been two months since the fire, but the rising ash and the smell of smoke are strong, stinging the back of my throat and settling into a familiar ache in my temples.