By ANNA NORTH
I killed a bird in Iowa City. It was lying, dying, on the concrete steps that led to my apartment, a basement lair whose drains sometimes backed up and belched black ooze everywhere. The bird was gasping and twitching and its eyes were shut very tight. It was a titmouse. I stepped over it and went inside.
I tried to work, but I kept thinking about the bird. I decided to call my mom, who lived far away, and ask for her advice.
By ROLAND KELTS
I was looking for a light blue raincoat. The bulbs were dim and the ceilings low. At Heathrow Airport’s Passport Control Center, the line of my fellow arrivals amassed in clumps, passengers slouching and scratching away the hours of cramped flight, fingering their cell phones and sleepily eyeing watches. There were browns, blues and starched whites—sweaters, jerseys, overcoats and t-shirts. But no light blues. Not a raincoat in sight.
Eli Miller, one of the last Brooklyn seltzer men, delivers his syphon bottles when he divines need. Calling ahead isn’t his style. He has a formula that factors days, bottles, weather, holidays. It’s always right, but his timing’s terrible. At five on random weekdays, the bell rings as I face an empty fridge or race out to collect a kid. He’s a walking library of Brooklyn lore, a writer’s dream. But I’m always too pressed to listen. He tactfully ignores my impatience. “Julia, you’re my favorite customer,” he rasps, his impish smile a surprise in his long face.
I already know Gaudi’s phantasmagoria: the commissioned houses that curve like ocean waves or flash in the sun as though they were covered in fish scales, the Art Deco-Gothic cathedral spires that replicate eternity via never-ending construction, the public park that simulates an underwater landscape. I already know the urban legend that Walt Disney, after spending time here as a young man, would forever replicate the fanciful stone gargoyles, arches and spires of the Barri Gotic in his cartoon worlds, and in the Fantasyland of his first theme park in California.
By GAIL FOLKINS
The white horse at the railing stood alone, saddled and loose with no rider on his back. I searched for a person in charge, someone holding the reins and hidden from view behind the horse, but the gelding in the outdoor riding arena faced the morning clouds by himself.
The wind comes warm as breath
and stirs me like laundry
on a line. Then it’s gone. Life
weaves itself together
from next to nothing;
The ants have returned to Carrer Hort. We thought we’d eliminated them, crushing them under the flat rubbery green kitchen sponge in a flurry of destruction. They’re small, these Spanish Mediterranean ants, but they’re tougher than they look, and after five days’ absence during unrelenting rain they’ve returned, arriving from some unknown and undiscoverable place to scurry frantically around the kitchen sink.
Oh to drape my flesh with the rippling silk of a turquoise sari, gold-flecked above a peek of bare midriff, my eyes kohl-rimmed, hair hennaed, feet sandaled now but also in winter because I carry the subcontinent within me, I shimmer its heat as I stroll down the block to the sounds of Punjabi pop from sidewalk speakers.
Mohamid Abdelazim sips tea from the fourth floor of an unfinished apartment building in the Cairo neighborhood of Giza. The building is owned by Mohamid’s father, and from where Mohamid stands, he can see the peaks of the Great Pyramid above a dozen other incomplete red brick apartment complexes. Through empty windows, Mohamid watches cars racing around the curves of Ring Road as it twists away from Giza.
wind over ears we sped along on steel-framed bikes
tracing the profile of the coast
cold north water pulled down warming spring air
and met at the narrow list of pavement we rode on
built up from sea level raised to a peak like a striped mound in a plowed field
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Celebrating 15 Years