We lived in a half-built villa by the sea. It was terrifically gaudy, and the most breathtaking place any of us had ever lived. The two long walls of the rectangular main room rose only to knee height and from there became screen-less windows, which could be closed by winding down shutters. We left them open day and night. To the west we could see the vast cobalt blue of the Indian Ocean all the way to the heat-white horizon, and to the east, Reunion Island rising in boxy pastel-colored buildings and palms to its foggy volcanoes and peaks.
Essays
Reading the Wrong Book on Vacation
What a setting. Anything could happen. An accident, le coup de foudre, a kidnapping. This is Colombia.
Changing Places: The New Siberia
Backlit Harbor
Sampling Thoreau
Part 1: Economy
Inspired by rereading Thoreau’s Walden for the first time in 30 years, I am writing a series of essays—an attempt to sample Thoreau, and swing the rhythm. I want to honor the young idealist with echoes of his aphoristic style and, at the same time, challenge his lofty ideals with the experience of an older woman. Click here to read part 2.
When I turned 50, my mother gave me $200 for my birthday. I bid it all on a black leather doctor’s bag I found on e-bay and very quickly received an email saying I’d “won” it. My husband Andy and I still refer to the bag as the German seller listed it: “doktorattache.” At the time, I imagined myself using it as what my mother would call a day bag to carry on the train to New York. Now, every Friday night we load the car with my doktorattache, and Andy’s shopping bags full of clothes and tools, and head southeast toward the New Bedford Harbor. When the road splits south of Boston, we stay right and are soon up to speed. I feel an intimacy with those on the road with us, as I do with strangers speeding down the track with me on the last outbound subway until morning—the anonymity; the neither here-nor thereness; the strange desire to overshoot my stop and keep traveling—not quiet desperation, just a sense of direction. When we finally turn on the harbor bridge, we have been on the road just over an hour.
Annals of Mobility
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In a Q&A with PBS, filmmaker Perry Miller Adato talked about her documentary Paris: the Luminous Years (2010), which I recently learned about and—because I am hopeless when it comes to all things Parisian—I immediately watched. About the unprecedented gathering of artists in Paris during the early part of the 20thcentury, Adato said:
From the 17th Floor: Cuttings
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We know that they are coming, but we don’t know when. The glass is smeared with brown dust, and some have complained. We may have been among the complainers.
The first sign is the hand mop dropped down from a higher floor. Dangles there, on the other side of the window pane, like a body part. Next a bucket tilted with supplies—more cloths, squeegees—and a cluster of bottles filled with fluid heavily knocking each other.
From the Stone House: Blow Wind
A few minutes’ walk from our village—down one hill and up another—is an old convent that’s been converted into an albergo, a rustic inn. Its name is Giardino della Luna, or Garden of the Moon—an oblique reference to Lunigiana, this hill-and-dale region at the northern tip of Tuscany, which is studded with little medieval villages and their churches, convents, and castles.
Reading Place: Just Looking
Although I usually use this column to highlight exemplary writing about place, this month I’d like to bring attention to some of the many beautiful photo essays I’ve stumbled across in the past few months. With the popularity of slide shows on the web, it’s easy to take extraordinary photography for granted, but every once in a while, when I stop to think about what I am able witness on my laptop screen, I am blown away. An extreme example is Slate’s recent round-up of the year’s best images in astronomy. Here you’ll find photos from the Mars Reconnaissance Orbiter interspersed with earth-bound shots of the Northern Lights.
Best of Essays
During this holiday week, The Common is presenting highlights from the past year. Today’s highlights come from “Essays.”
Best of In House
In “A View from the Cheap Seats”, Elizabeth Byrne talks sports; in the aftermath of Hurricane Sandy, Hannah Gersen reflects on the transience of place, asking, “Is Geography Destiny?”
Photo from The Library of Congress