Interviews

This Way Back: An Interview with Joanna Eleftheriou

CAMERON FINCH interviews JOANNA ELEFTHERIOU

Headshot of Janna Eleftheriou

This Way Back (West Virginia University Press, 2020) is Joanna Eleftheriou’s first book. She is currently an assistant professor of English at Christopher Newport University and a faculty member of the Writing Workshops in Greece. Dividing her time between Greece and New York, Eleftheriou’s work can also be found in Apalachee Review and Arts and Letters. 

Most artists struggle with the role of responsibility and their art. Does art have a responsibility? In this insightful interview with Cameron Finch, Joanna Eleftheriou provides readers with a mini-manual on how to engage in the dialectic of identity, confront the privilege of choosing an identity, and how writers prioritize discovery. If you’re looking for advice on how to begin an essay, or a way to honor your wounds, this interview is an excellent starting point. Eleftheriou’s focus on freedom and all of its incarnations is a valuable canvas for artists who might find themselves at an impasse. “We deserve to see ourselves in art,” says Eleftheriou. Indeed, says The Common.

This Way Back: An Interview with Joanna Eleftheriou
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Writers on Writing: Tanya Coke

This interview is the seventh in a new series, Writers on Writing, which focuses on craft and process. The series is part of The Common’s 10th anniversary celebration.

Read Coke’s Issue 19 essay, “Brother Love.”

 

Headshot of Tanya Coke

 

Tanya Coke is a civil rights lawyer and writer. Her work has appeared in The Washington Post, The Root, and USA Today. She is currently working on a graphic novel about race and suburban motherhood.

 

 

 

 

Your essay “Brother Love” reads not only as a heartfelt meditation on how familial ties can be rekindled, but also as an intricate, personal account of your family history over time. How did you navigate weaving the personal with the historical? How did you determine which moments in your life to highlight in your narrative?

That’s a good question. I didn’t write an outline or give much thought to structure. For me, it was a little like reviewing the tape of a home movie and picking the most emotionally laden scenes in a story that traverses 40 years. Or maybe squinting at a landscape to make an impressionist painting and trying to capture the most vivid things in the frame. Like the moment when my father told my sisters and me that we had a nine-month-old brother. The moment when he first handed this scrawny baby to me. The way it made me feel both special and grown up when my father took me to jazz club with him, when I was 14. The look of grief on my brother’s face at 17, when he was a pallbearer at our dad’s funeral. Or the joy on his other dad’s face, when he danced to a brace of Indian drummers on Shawn’s wedding day. Those became the touchstones for the essay.

Writers on Writing: Tanya Coke
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Hold the Mirror up to Nature: An Interview with Matt Miller

KERRIN MCCADDEN interviews MATT W. MILLER

Matt Miller headshot

Selected by Major Jackson as the 2012 Vassar Miller Poetry Prize winner for his sophomore collection, Club Icarus, and a former Wallace Stegner Fellow, Matt Miller published Tender the River this year with Texas Review Press. He is the winner of the 2019 Nimrod International Review’s Pablo Neruda Prize and has published poems in the Harvard Review, The Rumpus, and SouthwestReview. Miller also wrote The Wounded for the Water and Cameo Diner: Poems. He currently teaches at Phillips Exeter Academy.

In this interview conducted by Kerrin McCadden, you’ll find a poet engaged in an exploration of rivers as national symbols of disparity, dispossession, hope, and boundaries. The meaning of “being from somewhere,” or “home” is thoroughly examined in Miller’s responses, as it is in his poetry. McCadden’s inquiry ignites the discussion until it becomes a lesson on craft, self-reflection, the history of a place, and the biography of a country as told by a poet who can make cobblestone and metal dance, who can teach us how to listen when memory tries to speak.
 


Hold the Mirror up to Nature: An Interview with Matt Miller
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11 Questions with Richard Ford

ALEXANDER BISLEY interviews RICHARD FORD

headshot of Richard Ford

Talking to Richard Ford, the 76-year-old author of The SportswriterIndependence Day, and Between Them, provides some hope, a feeling of being somewhat consoled. The great Southern writer is considered and insightful, with that courtly Mississippi inflection. Evoking his classic A Multitude of Sins, Ford’s latest short story collection Sorry for Your Trouble proves he still has gas in the tank.

Richard Ford is the author of the New York Times bestseller Canada. His story collections include the bestseller Let Me Be Frank with You, and Rock Springs. His novel Wildlife was adapted into a 2018 film of the same name. He is winner of the Pulitzer Prize, the Prix Femina in France, the 2019 Library of Congress Prize for American Fiction, and the Princess of Asturias Award in Spain. Born in Jackson, Mississippi, he now lives in Boothbay, Maine, with his wife, Kristina Ford. Sorry for Your Trouble is out now from Ecco.

During the days leading up to President Biden’s inauguration, Ford and Alexander Bisley discussed sport, place, process and America’s future.
 

11 Questions with Richard Ford
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Writers on Writing: Frances Richey

This interview is the sixth in a new series, Writers on Writing, which focuses on craft and process. The series is part of The Common’s 10th anniversary celebration.

Read Richey’s March 2020 Poetry Feature

 

Frances Richey headshotFrances Richey is the author of two poetry collections: The Warrior (Viking Penguin 2008), The Burning Point (White Pine Press 2004), and the chapbook, Voices of the Guard (Clackamas Community College 2010). She teaches an on-going poetry writing class at Himan Brown Senior Program at the 92nd Street Y in NYC, and she is the poetry editor for upstreet Literary Magazine. She was poetry editor for Bellevue Literary Review from 2004-2008. Her work has appeared in or is forthcoming from: The New York Times, The New York Times Magazine, O, The Oprah Magazine, Plume, Gulf Coast, Salmagundi, Salamander, Blackbird, River Styx, and Woman’s Day, and her poems have been featured on NPR, PBS NewsHour and Verse Daily. Most recently she was a finalist for The National Poetry Series for her manuscript, “On The Way Here.” She lives in New York City.

 

 

Writers on Writing: Frances Richey
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Writers on Writing: David Moloney

This interview is the fifth in a new series, Writers on Writing, which focuses on craft and process. The series is part of The Common’s 10th anniversary celebration.

Read Moloney’s Issue 19 story, “Counsel.”

David Moloney stands in front of a white door

David Moloney worked in the Hillsborough County Department of Corrections, New Hampshire, from 2007 to 2011. He received a BA in English and creative writing from the University of Massachusetts Lowell, where he now teaches. He lives north of Boston with his family.

 

 

Writers on Writing: David Moloney
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Pandemic Poets: A Conversation with Tess Taylor and Dana Levin

JENNIFER ACKER talks with TESS TAYLOR and DANA LEVIN

On October 21st, 2020, Editor in chief Jennifer Acker moderated a brief reading and conversation between acclaimed poets Tess Taylor and Dana Levin on the importance of place, resiliency, and writing during the pandemic. The virtual event, which served as a fundraiser to celebrate The Common’s 10th publishing year and launch the place-based magazine into its second decade, was streamed live via Left Bank Books in St. Louis. Below is a transcript of the discussion that followed the readings. 

Pandemic Poets: A Conversation with Tess Taylor and Dana Levin
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Writers on Writing: A. Kendra Greene

This interview is the fourth in a new series, Writers on Writing, which focuses on craft and process. The series is part of The Common’s 10th anniversary celebration.

Read Greene’s essay, “Upright Members in Good Standing.”

 

A. Kendra Greene began her museum career marrying text to the exhibition wall, painstakingly, character by character, each vinyl letter trembling at the point of a bonefolder. She became an essayist during a Fulbright fellowship in South Korea, finished her MFA at the University of Iowa as a Jacob K. Javits Fellow, and then convinced the Dallas Museum of Art they needed a writer-in-residence. She is a guest artist at the Nasher Sculpture Center and a Library Innovation Lab Fellow at Harvard University. Her first book,The Museum of Whales You Will Never See, will be published by Penguin Books.

 

Writers on Writing: A. Kendra Greene
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