Poetry

Zoraida Burgos: Poems

By ZORAIDA BURGOS
Translated by PETER BUSH

 

OUR VERY OWN EQUILIBRIUM 
Wearily, but firmly, we twisted 
our feeble trunks 
around a stump 
alone but not sad amid other trees, 
entangled roots 
clinging till the last 
to our rough stony ground. 
We grow two shoots 
bringing hope to our landscape  
when a ruddy wing on the bare 
mountain horizon 
heralds a threatening wind downstream.  
Thoughtfully, carefully,   
we’ve been turning our mud, 
our clay, bare-fingered, 
with the strength of truth, 
of harsh truth dead reborn,
our hands tightly clasped.
And nothing, no wind, no clouds, no rain, no threats 
will shake  
the stump, clay or mud, and these shoots, 
for wearily, 
but firmly, 
we’ve made them our own.  

Zoraida Burgos: Poems
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Letter to Archilochus

By MAURA STANTON

              The fox knows many things, but the hedgehog
                         knows one big thing.
                                     —Archilochus, 680–645 BCE

Well, Archilochus, I guess your lyre
might help me mock, and maybe mourn, this loss—
today I broke the frosted Elvis glass
I bought at Graceland when the symposium
of poets toured the mansion.

Letter to Archilochus
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Prelude

By KWAME OPOKU-DUKU

Was it all simply adornment,
watching the rain fall from the sun, 
or the mourning dove that carried
the wallet-sized photo in its beak?
Looking back, it was true—
I had stopped seeing the beauty in it all,
living from moment to moment, 
looking to be granted some small sense 
of pleasure, as if by respite or charity.

Prelude
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The Decline and Fall of the Roman Empire

By MATTHEW TUCKNER

                                          Rome, New York
                                          after Austin Araujo

In my favorite picture of you, the hair blown across
your face, obscuring your face, it’s easy to make out,
deep in the distance, the hangers of the air force base
classified as a superfund site, a sprawling huddle
of buildings expanding out into the extent of the valley.

The Decline and Fall of the Roman Empire
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In Montgomery County

By THEA MATTHEWS

                              Maryland, 2020

My partner wears the panopticon,
and I carry the rope. Hungry
for the rush, the chase, we locate
the missing black calf
about two-tenths of a mile
from East Silver Spring.
He’s wearing a long-sleeve
jersey T-shirt, navy blue jeans.
He’s three and a half feet tall,
and I can tell his age means
nothing to him. In his mind,
he treads with no care.
The report says he threw
a basketball, knocked over
a computer, and ran off
the school premises.
He looks at us, begins to wail.
My partner grabs him by the arm.
There is no crying! I taunt.
To lasso a calf, cowboys
must first use their weight
to hold the animal down
and then tie the legs together.
Does your mama spank you?
The boy shakes his head.
I tie the boy down with––
She’s gonna spank you today.
I’m gonna ask her to do it.
He wails even louder,
and screams, “No!”
He’s hyperventilating.
I command him to stop.
When the mother arrives,
I affirm point-blank,
We want you to beat him.
Beat him down to size,
the size he fits into a curb drain.
Beat him with your hands.
You can smack that butt, repeatedly.
My partner pulls out his handcuffs
to handcuff the boy,
the boy whose wrists are like
two thin stocks of red tulips.
My partner affirms,
These are for people
          who don’t want to listen
                  and don’t know how to act.
The boy feels the cold steel of erasure,
of his name replaced by numbers.
The boy needs to learn,
                              or else…
We warned him.

 

Thea Matthews is a poet, author, and editor of African and Indigenous Mexican descent. Originally from San Francisco, California, she lives in Brooklyn, New York. Read more at TheaMatthews.com.

[Purchase Issue 28 here.] 

In Montgomery County
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