Translated by DEAN THOMAS ELLIS
I wake up on a plane. The flight attendant asks me if I’d like to eat. She has a red mouth and looks like an out-of-focus Kate Winslet, which makes me think of my wife, or, should I say, “ex-wife.” What an odd title for such a serious, blissful woman. In the dream I am on the way to Brussels to ask the president of the European Union why Europe is collapsing. “Would you like anything else?” On my fourth attempt, I manage to break open the transparent wrapping, and bite into the snack cake. The flavor of plastic orchards beneath wide stagnant skies. I wake up on a plane.
Translation
The Church: an excerpt from History of a Disappearance
Translated by SEAN GASPER BYE
Decades of neglect and environmental degradation led to Miedzianka being declared uninhabitable, and the population was evacuated. At the center of the city, the church took the longest to disappear.
Embraceable
Translated by ILAN STAVANS
Abrazable
A Piedad Bonnett
Irremplazable tú,
voz tú vacía
de mi vacío en ti
inconsolable.
Mi tú irremediable
tu mí espejo
de tu reflejo
Living in the Past
From The Baghdad Eucharist
By SINAN ANTOON
Translated by MAIA TABET
1
“You’re just living in the past, Uncle!” Maha burst out as she ran from the living room after our argument. Luay, her husband, was upset and he called out after her, his face flushed.
“Hey, Maha, where are you going? Come back! Maha!” But she was already hurtling up the stairs that led to the second floor. He looked downcast as he apologized.
“Forgive her, Uncle. You know how much she loves and respects you.” In a voice speckled with shame, he added, “She’s a nervous wreck and can’t help herself.”
Excerpt from the Ninety-Ninth Floor
Translated by MICHELLE HARTMAN
New York, Spring 2000
When I first got together with Hilda, I used to enjoy contemplating her reflection in the mirror for hours. I would intentionally take her to cafés and other places filled with mirrors. I’d look at her features in the mirror more than I’d gaze at her directly, as if purposely creating a distance between the physical being that was ostensibly her and her reflection, because a person’s mirror image reveals more of who they really are; it reveals, in fact, the inner self, and to look upon that, as gratifying as it is, requires extraordinary courage.
Tum Ab’aj
Translated by LOREN GOODMAN
In my town there’s a big rock
called Tum Ab’aj.
The sun and the moon take care of it.
The Women
Translated by OSTAP KIN
—Tell me about your new girlfriend, about the one
you’re living with now. What’s between you two?
—The air is between us. I just live with her
the way small children live with their fear.
Thirty-Two Days Without Alcohol
Translated by OSTAP KIN
A good day is a day
without bad news.
Sometimes everything turns out fine—
no news,
no fiction.
Three thousand steps to the supermarket
frozen chickens
like dead stars
gleam after death.
All you need is
mineral water,
I only
need my mineral water.
Execs, like
frozen chickens,
are hatching
the eggs
of profit
in the twilight.
Three thousand steps back.
All I need to do is hold on
to my mineral water,
to hold on to
the countdown:
thirty-two days without alcohol
thirty-three days without alcohol
thirty-four days without alcohol.
Birds perch on each of my shoulders,
and the one on the left keeps repeating:
thirty-two days without alcohol
thirty-three days without alcohol
thirty-four days without alcohol.
And the one on the right responds:
twenty-eight days till a bender
twenty-seven days till a bender
twenty-six days till a bender.
And the one on the left is drinking the blood of Christ
from a silver chalice.
And the one on the right—the simpler one—
is drinking some crap,
some diet coke.
On top of that
they’re both drinking
on my tab.
Serhiy Zhadan, Ukrainian poet, fiction writer, essayist, and translator, was born in the Luhansk region in 1974 and has published over a dozen books. In 2014 he received the Ukrainian BBC’s Book of the Decade Award; he won the Ukrainian BBC’s Book of the Year Award in 2006 and in 2010. He’s the recipient of the Hubert Burda Prize for Young Poets (Austria, 2006) and the Jan Michalski Prize for Literature (Switzerland, 2014).
Ostap Kin has published work in St. Petersburg Review and Krytyka Magazine. He lives in New York City.
The Village Idiot
Translated by ALICE GUTHRIE
We awoke one morning to news of a death. The person we had lost was the one we used to call the Village Idiot—that buffoon who used to make us laugh and cry at the same time, that leaping, dancing ball of energy who would hurl himself around, wild with enthusiasm, stomping on our toes and crashing into us as he went gesticulating by.
Four Very Short Stories
On the very first night, one thousand years ago, or… wait, why do we always begin our stories with the first night? There is absolutely no difference between what happened in that distant time and what is happening now. The same columns of men march beneath the sun’s rays in the afternoon’s scorching heat, the same tear-soaked supplications and hymns: “O God, make his grave a green pasture in the gardens of Paradise—don’t cast him into a burning pit of hell.” “O God, grant him a better spouse than the one he has, a better home, and better children.” “O God, forgive his sins and those of your faithful worshippers.”