Diorama 1871 (say her name four times)

By CATIE ROSEMURGY

Jane loved her and often thought of her skin. 
Its misleading surface area always moved her, how it wrapped around 
and became infinite. 

While Jane never existed, 
her sudden sexual hungers and more frequent tenderness 
most likely did.

Oh, Jane. You aren’t a child anymore.
Here’s a pinewood doorway for you to stand in.

You started off as a tree,

one of the squat, 
twisted, reaching 
varieties that only 
grows in the center
of a field after
sundown. 

The sky is pink and internal behind you, 
and you are an outline of a thing, Jane, 

a thing that happened here. 
That’s why you can’t walk away.

 

Catie Rosemurgy is the author of two books of poems, My Favorite Apocalypse and The Stranger Manual. She is the recipient of fellowships from the Pew Charitable Trusts, the NEA, and the Rona Jaffe Foundation. She lives in Philadelphia and teaches at the College of New Jersey.

[Purchase Issue 28 here.]

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Diorama 1871 (say her name four times)

Related Posts

Map

By MARIN SORESCU trans. DANIEL CARDEN NEMO
If I see the ocean / I think that’s where / my soul should be, / otherwise the sheet of its marble / would make no waves.

A sculpture bunny leaning against a book

Three Poems by Mary Angelino

MARY ANGELINO
The woman comes back each week / to look at me, to look / at regret—that motor stuck in the living / room wall, ropes tied / to each object, spooling everything in. She / comes back to watch / what leaving does. Today, her portrait / splinters—last month, it was only / askew

Aleksandar Hemon and Stefan Bindley-Taylor's headshot

January Poetry Feature #2: Words and Music(ians)

STEFAN BINDLEY-TAYLOR
I am sure I will never get a name for the thing, the memory of which still sits at a peculiar tilt in my chest, in a way that feels different than when I think of my birthday, or my father coming home. It is the feeling that reminds you that there is unconditional love in the world, and it is all yours if you want.