Dispatches from Queens

By KC TROMMER

These poems appear in We Call Them Beautiful, out now from Diode Editions.

planeCleveland Hopkins International to LaGuardia, 2018

Queens, NY

 

Off the Roosie
After O’Hara

I get off the 7 and head home, past the Chase and the Jackson Heights penguin that,
          last week, someone dressed as a bunny, and I’m thinking
of Frankie’s I-do-this-I-do-that poems, and my phone is dead again and
          I can’t afford to replace it. All I want to hear is Spoon
got no regard for the things you don’t understand
          but maybe, as Lorna said, it’s a gift and there’s a poem across the street
waving Yoo hoo! Over here! and trying very hard to get
          my attention. I get onto 37th, near what’s left of the Brunson Building after
the fire on Easter Monday and I head past the Met (not that one)
          which they renamed Foodtown but which Honor and Joe and I will
always call the Met (not that one), and then a left onto 77th
          and past our coffee shop where Afsal stands outside, talking, but
for once does not say hello even though he looks
          straight at me, and it’s fine, I walk past the Berkeley and over 35th Ave., and
I guess I’m home, considering that my keys have opened
          the door even before I realized I had them in my hand, and everything is
where I left it, even in the bedroom where I keep waking alone quite
          suddenly to find—yes, I left you. You’ve never even been here.

 

7 to 46th Street/Bliss

          When the train picks up speed, it sounds like a woman screaming,
one woman all over the city, releasing her heat in a high, steady wail,

          smearing her red mouth along the tunnel walls. I make and unmake myself.
When the doors open, anyone can come in, anyone does. I circle back

          downtown, leave the book open on my lap, look over the map
that lays out the routes. The city is a muscle; we feed it. The woman across

          from me shrivels up her face, sticks a finger in each ear to kill the sound of
the train rounding into Queensboro Plaza. My hands are warm

          on my lap: they are for making and unmaking. I thumb the seam
of the sketchbook open while the city sits and waits, indifferent and unblinking

          like all gods. My mouth is a siren, my body mine to make.
Wherever I go, I am this woman. Whoever needs erasing, I erase.

 

 

KC Trommer is the author of We Call Them Beautiful (Diode Editions, 2019) and the chapbook The Hasp Tongue (dancing girl press, 2014). She is the founder of the online audio project QUEENSBOUND. She holds an MFA from the University of Michigan, Ann Arbor, where she was awarded an Academy of American Poets Prize. Her poem “Fear Not, Mary” was selected by Kevin Prufer as the winner of the 2015 Fugue Poetry Prize. Her work has appeared in AGNI, The Antioch Review, Blackbird, LitHub, Prairie Schooner, The Sycamore Review, VIDA, and in the anthologies Resist Much, Obey Little: Inaugural Poems to the Resistance (Spuyten Duyvil, 2017) and Who Will Speak for America? (Temple University Press, 2018). She is the Assistant Director of Communications at NYU Gallatin and lives in Jackson Heights, Queens, with her son.

Photo by David Rothenberg. It appears in his book Landing Lights Park, published by ROMAN NVMERALS in 2018. Find more of his work at davidmaxrothenberg.com.

Dispatches from Queens

Related Posts

Black and white image of a bird with a long neck

Dispatch from Marutha Nilam

SAKTHI ARULANANDHAM
With the swiftness and dexterity / of a hawk that pounces upon a chicken / and takes it by force, / the bird craves / snapping up a vast terrain / with its powerful, sharp beak / and flying away with it. // When that turns out to be impossible, / in the heat of its great big sigh, / all the rivers dry up.

Tripas Book Cover

Excerpt from Tripas

BRANDON SOM
One grandmother with Vicks, one with Tiger Balm, rubbed / fires of camphor & mint, old poultices, / into my chest: their palms kneading & wet with salve, / its menthols, to strip the chaff & rattle in a night wheeze. Can you / hear their lullabies?

Blue cover of There is Still Singing in the Afterlife

Four Poems by JinJin Xu

JINJIN XU
my mother, my father. / Her skinny blue wrists, his ear caressing a cigarette. In the beginning, / it is already too late, but there is hunger & no time / to waste. All they need are six hands, three mouths, a clockwork / yearning for locks of their own, windows square & fresh.