El cuerpo avisa

By LUPE MENDEZ

Todo mi maíz se llevó, ni pa’comer me dejó
El Barzón.
—Luis Pérez Meza

Esas tierras del rincón,
I look at them como un buey pando,
feeling the dry earth, crunch under
my boots.                     Es Julio, y si sigue asi,
dirán que es sequía.     I pray it is not.
For now, I will do
what we have always done. I will work
like my father él y sus mandados.
En las labores. We will fix a fence,
the barbed wire, cut, retwist, cut,
retwist until a new post is put in place.

Levantamos rostros al ver las nubes,
all gray, completamente llenos de agua,
but it isn’t meant for our hectares.

Quizás mañana mijo.

He looks at me.                       He says,
vente, algo rapidito.                   We go
into the fields. Rows of little milpitas
all around us. I know what we must do.
We must bend over, pull up the weeds,
all the milpitas that are growing wild,
arancalas viejo, my father says. I have canas.
And a belly. But my body remembers.
Esta tierra. This land,               these hileras.
48 hileras to traverse, mano over mano—
pull everything that does not follow the rows.

It takes us over an hour.        We laugh.
I remember the feel               dry earth
in my clutches. The clump of green
entre mis dedos,                    dusting
the roots on the thighs of my pants,
returning soil to soil.
This would have been done in 30 minutes
if I was a kid. I would have earned 5 pesos
                                                and a Pepsi.

Hey, I say, me duele la espalda.
My father laughs                       and says
something about his rodillas. But we do.
We pick the 2 hectáreas clean. We talk
about how much my aunt will make
from this cosecha de elote. Suficiente
para pagarle a alguien más joven
que puede arrancar esta jodida yerba.

Vámonos mijo
                         —que esta yunta ya ni anda.

 

Lupe Mendez is a writer, educator, and activist originally from Galveston, Texas. He is the author of Why I Am Like Tequila, winner of the 2019 Robertson Award from the Texas Institute of Letters. He is published across Texas and beyond. He teaches in Houston and was selected as Texas Poet Laureate for 2022–2023.

[Purchase Issue 26 here.]

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

El cuerpo avisa

Related Posts

Long wooden table with chairs. Plants in the background.

Four Ways of Setting the Table

CLARA CHIU
We are holding the edges of the fabric, / throwing the center into the air. / & even in dusk this cloth / billowing over our heads / makes a souvenir of home: / mother & child in snowglobe. / Yet we are warm here, beneath / this dome, & what light slips through / drapes the dining room white.

Contrail across blue sky

July 2025 Poetry Feature: New Poems by our Contributors

GEOFFREY BROCK
Sing, O furrow-browed youth, / of the contrails scoring the sky, / bright as lines of cocaine / until, as they age, the eye // loses them to the blue… / Sing of the thin-skinned plane / that made those ephemeral clouds, / and of all that each contains: // the countless faceless strangers

Fenway Park

Before They Traded Devers

AIDAN COOPER
I don’t know I’m not paying attention I’m crunching / peanut shells thinking Murakami began to write novels / because of baseball why don’t I / my dad’s grumpy / I’m vegetarian now & didn’t want a frank & yes it’s probably / a phase he’s probably right but it’s a good phase