Family of Origin Rewrite: 1982

By K. IVER

 

My father teaches ethics at a university. 
My mother teaches ethics at a university. 
They save. Their money. Buy 
a large bungalow in Connecticut. 
They continue. Saving. Enough 
to support the San Francisco AIDS
Foundation and their baby.
They read the news and wish kindness
into our laws. One of them will say
Sweden hasn’t been to war since 1812. 
The other says you can start a business
in Sweden and get free healthcare.
They’re excited. About my arrival. 
They remain. Calm. When 
midnight cries wake them. 
My father waits. For my mother to heal. 
Before asking for sex. She’s good. 
At saying no. She throws meditation
and exercise and intense therapy 
at her trauma. Still goes to AA. 
When wrong. She promptly admits it. 
Every night she arrives home from
the university. Her soft. Low voice. 
Builds a replica in my throat. She wears 
minimal. Makeup. Cuts her nails down 
because who needs the fuss. When I walk. 
Into a room. And see my father. 
I continue walking in. When my father
and I leave. The house. Lots of women
introduce themselves. When we get back
he tears. Their numbers over the trash. 
On weekends my father and I dig 
in the dirt. I watch him plant 
lilac bulbs around the spruce. He lets 
my small hand pack the ground. 
Affirms it as help. When my father puts.
me to bed with true stories of him 
sewing clothes for new mothers 
in Ukraine. I fall asleep fast.

 

 

K. Iver is a nonbinary poet from Mississippi. They have a PhD in poetry from Florida State University. Their work has appeared or is forthcoming in Boston Review, BOAAT, Gulf Coast, TriQuarterly, Salt Hill, and elsewhere. They are the 2021–2022 Ronald Wallace Poetry Fellow for the University of Wisconsin’s Institute for Creative Writing.

[Purchase Issue 22 here.]

Family of Origin Rewrite: 1982

Related Posts

Gray Davidson Carroll's headshot next to the cover of The Common Issue 28.

Podcast: Gray Davidson Carroll on “Silent Spring”

GRAY DAVIDSON CARROLL
Poet Gray Davidson Carroll speaks to managing editor Emily Everett about their poem “Silent Spring,” which appears in The Common’s fall issue. Gray talks about poetry as a way to witness and observe the world and how we experience it, and how it’s changing.

February 2025 Poetry Feature: New Poems by Our Contributors

MARC VINCENZ
Oh, you genius, you beehive, / you spark, you contiguous line— / all from the same place of origin // where there is no breeze. // All those questions posed … / take no notice, the image / is stamped on your brow, even // as you glare in the mirror, // as the others are orbiting

Excerpt from The Math of Saint Felix

DIANE EXAVIER
I turn thirty-two / the sky is mostly cloudy / over my apartment / facing Nostrand // and all my parents are dead // I am rolling my hips / toward death in a dying / city on a planet dying / just a touch slower than me // and one sister jokes we only need thirty more years