Matryoshka in Odessa

By DIANE THIEL 

When I started out, it was mostly about the adventure, 
following Ivan and the firebird, heading into history
across the Black Sea, climbing the Odessa steps
through the resistance, then the suppression
which fed yet another resistance, following 
Pushkin through the tangle of fairy tales 

and into the catacombs, thinking I knew 
something about where I was headed,
the mind that kind of puzzle box.
Inside any story is always a new 
layer waiting to be uncovered.

Once we open it, we find another inside.
As a child, I called them nesting dolls.
Sometimes they could all disappear 
one into another, like secrets, 

but they could also be opened, one 
by one, until I would get to
the story at the center, 

a seed so small it was 
easy to lose, the one 

that started it all.

 

Diane Thiel’twelfth book, Questions from Outer Space, appeared from Red Hen Press in 2022. Her work is anthologized widely, most recently in Best American Poetry 2023. A Regents’ Professor at UNM, she has received PEN, NEA, and Fulbright Awards. She has traveled the world with her young family. Visit DianeThiel.net.

[Purchase Issue 25 here.]

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Matryoshka in Odessa

Related Posts

Caribbean picture

Self-Portrait in The Caribbean

PAOLA ASSAD BARBARINO
Sometimes I am emboldened, / I decide to stand in the people’s balcony / I decide it is Maundy Thursday I decide to place a priest behind me that can speak to the people behind / my back / I decide to put out the fire and light my throat / scream

Feltspade

ELIAS SADAQ
I serve out my conscription / sleep in a bunk bed / for four cold months / in the engineer regiment at Skive Garrison / in a room with three other men / I fuck the colonel / the only sign that time is passing / is a pile of snow outside the window / that grows smaller

Book cover of Fifty Mothers

Mother is a Kind of Holding: Jenny Qi interviews Preeti Vangani

PREETI VANGANI
With vignettes, I could plumb its narrative arc to become a force propelling the book forward. It also felt haunting yet warm that the mothers kept reappearing throughout the life of this grief. That repetition created a chorus of voices that angers and despairs, yet cradles the speaker.