“The Hare” and “Inês” Win O. Henry Prize 2026

Book Cover of "The Best Short Stories 2026" edited by Tommy Orange

We are thrilled to announce that “The Hare,” written by Ismael Ramos and translated from the Galician by Jacob Rogers, and “Inês” by Joāo Pedro Vala have been selected for the O. Henry Prize for Short Fiction for 2026. Both stories were originally published in The Common Online in 2025. An anthology of the winning stories, edited by Tommy Orange, will be released this September from Vintage. 

In the prize announcement, series editor Jenny Minton Quigley writes, “Many of this year’s O. Henry Prize winners manifest a youthful, new way of seeing in their stories. If our world is to be saved it will be by the genius of the next generations.

View the full list of winners and read more about the prize at LitHub.

Congratulations to Ismael Ramos, Jacob Rogers, Joāo Pedro Vala, and all the winners! 

 

“The Hare” and “Inês” Win O. Henry Prize 2026
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The Constancy of Ocean Sounds

By JOHN T. HOWARDCoastal pool and a shadowNew Harbor, Maine

From the porch of the cabin, we can see the waters off Maine’s Midcoast region down below, the audible crash of waves constant. We can also hear the dunting of the bell buoy, and, through a wispy cover of fog, we can see the spectral presence of certain small islands and headlands in closer waters. The fog, further out, is thick enough to make the furthest remnants of land invisible. A second thought: the closer strips look as if they are cut from age-faded pieces of colored paper once the color of blue. Beyond these blanched scraps of an atomic hue, I look through the deep stretch of fog and think stone and wood, think bone and sinew. Far from here, there are wars raging. Bombs being dropped, civilians dead, dying. Government as we expect it to function is dismantling. Or being dismantled. I peer even further into that stretch of nothingness and contemplate the recent departure of my father, my mother, my brother the day before. All of these familial connections with their complicated histories, long arms of trauma stretching back decades, well before my first year in this cabin in Maine three years ago.

The Constancy of Ocean Sounds
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Searching for Meaning: Chukwuebuka Ibeh interviews David Emeka

DAVID EMEKA and CHUKWUEBUKA IBEH first connected in 2020, after Emeka read Ibeh’s Gerald Kraak-shortlisted story, The Ache of Longing. Emeka had raved about it to a mutual friend, who encouraged him to send Ibeh a DM. He did, and they continued messaging on Twitter about shared goals and interests. Later, Emeka was accepted into the Washington University MFA program in St. Louis, where Chukwuebuka was enrolled. Ibeh didn’t know then, but Emeka applied to the program with a story Ibeh had provided feedback on. They’ve continued to share work since, and enjoyed many adventures as well.

For this interview, Emeka and Ibeh spoke over two days when Ibeh visited St. Louis for Christmas. Their initial conversation unfolded in Ibeh’s wonderfully warm apartment, and they continued connecting over email after Ibeh’s return to Lewisburg, PA, where he currently teaches. 

David Emeka (left) and Chukwuebuka Ibeh (right)

David Emeka (left) and Chukwuebuka Ibeh (right)

Chukwuebuka Ibeh (CI): Congratulations on your Outpost residency! How did you feel coming out of it? What was your routine like?

David Emeka (DE): Thank you so much, Ebuka. Vermont was wonderful, and the Outpost residency even more so. I keep thinking about the meals, the warmth I felt from everyone there. The grounds—the trees, the cornfields, the mountains in the distance—were spectacular. I do some of my best thinking when walking, so I’d swaddle myself in a blanket and pace among the trees, just meditating. And then there was this hammock—that was my favorite spot. When my ideas had collected to supersaturation, I’d go into the hammock and cover myself with the blanket and write. I’m a morning person, but I love to write in the dark. Every day I woke up at dawn to write, had breakfast, paced and wrote and read, jogged around the neighborhood, then returned for dinner. Sometimes we cooked for each other—I would make sourdough bread, or D’mani Thomas, the other fellow, would make tacos. We took walks under the stunning sunsets. It was a splendid time.

CI: It truly sounds beautiful. How did this process translate when you returned home?

Searching for Meaning: Chukwuebuka Ibeh interviews David Emeka
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Podcast: Casey Walker on “Islands”

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Listen on Apple Podcasts.

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Listen on Spotify.

Transcript: Casey Walker

CASEY WALKER speaks to EMILY EVERETT about his story “Islands,” which appears in The Common’s fall issue. Set at an old lake house rife with unresolved family tensions, the story explores the dynamics between three orphaned brothers, and between the narrator and his pregnant wife. Casey discusses how the piece evolved over more than a decade, and how he always hopes a story will take on a life of its own during the writing process. Also discussed is his forthcoming novel Mexicali, set in the US-Mexico borderlands during the first half of the 20th century.

Portrait of Casey Walker in front of a bookshelf spliced next to the cover page of Issue 30

Podcast: Casey Walker on “Islands”
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April 2026 Poetry Feature #1: Carson Wolfe, Benjamin Paloff, and Jehanne Dubrow

April is poetry month! To kick it off, we have new poems by our contributors, CARSON WOLFE, BENJAMIN PALOFF, and JEHANNE DUBROW!

Jehanne Dubrow (left), Carson Wolfe (center), and Benjamin Paloff (right)

Table of Contents: 

—Jehanne Dubrow, “Encounter” and “Winter Rye”

—Benjamin Paloff, “Of the Art of Conferring”

—Carson Wolfe, “I Rank Places by How Much They Charge for Pringles”

April 2026 Poetry Feature #1: Carson Wolfe, Benjamin Paloff, and Jehanne Dubrow
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The Lost Box

By AIMEE LIU

1

He’s calling my name. About time. He’s been holed up in the bathroom for nearly an hour while my mother and I’ve busied ourselves elsewhere, pretending not to notice. Now as I wedge my way in, I find him seated on the rim of the tub like he’s waiting for an appointment.

Sickness has sallowed his skin and bruised the pouches around his eyes. His pale blue summer pajamas hang from his shrunken frame, and uncombed hair turbines around his head in a wild white corona. Yet my father sits up straight. He still manages to look irresistibly dashing in the way that Ray Milland might have, if he’d lived to ninety-five, had terminal cancer, and been half Chinese.

The Lost Box
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They Could Have

By CONSTANTINE P. CAVAFY
Translated from the Greek by CONSTANTINE CONTOGENIS

Poem appears in both English and Greek below.

 

Translator’s Note:
In translating Cavafy I was most absorbed and, at times, confused by his irony. People make ironic points—no confusion. But some of Cavafy’s irony does not come to a sharp point. I call this unresolved irony, which adds to but doesn’t settle the semantic and emotional atmosphere. The experience of reacting to the irony in the context of its poem can be frustrating. Instead of crystalizing our understanding, or, as a kind of compass, leading us to the author’s side, the irony works within a poem to help create an experience of widening awareness, giving us a touch of wisdom.
              — Constantine Contogenis

They Could Have
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LitFest 2026 in Review

Art and politics took center stage at our 11th annual LitFest! From February 26th to March 1st, the community flocked to Amherst College for talks by Jamaica Kincaid, Pete Buttigieg, and more. Students competed in the Spoken Word Slam, and filled seminar rooms for craft classes with Jamaica Kincaid, Lena Khalaf Tuffaha, Evie Shockley, and Dan Chiasson

Read on for a gallery of selected images and videos from LitFest 2025, and view all the event recordings here before they expire.

LitFest 2026 in Review
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