Freedom

By ZINZI CLEMMONS

Excerpted from the essay collection FREEDOM

I arrive in Johannesburg, South Africa, on December 2, 2013. My father will join me in two weeks, with my brother to follow a week later. In one month, we will unveil my mother’s headstone in the township where she grew up, one year after her death. Weeks before my arrival, a report detailing unlawful expenditure of taxpayer money in the form of $20 million of “security improvements” to President Jacob Zuma’s lavish compound, is leaked to the press. Nine years ago, the country’s first all-race elections were held and South Africa finally regained freedom from apartheid rule.

Freedom
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Mother is a Kind of Holding: Jenny Qi interviews Preeti Vangani

PREETI VANGANI and JENNY QI first met as inaugural Rooted and Written Fellows at the San Francisco Writers Grotto in 2019, the same year that Preeti published her debut poetry collection, Mother Tongue Apologize. Their shared experience of writing through grief after mother-loss as young women bonded them, and they became close friends. Both were subsequently awarded a Brown Handler Residency and a McCormack Writing Center Fellowship (formerly Tin House)

Mother is a Kind of Holding: Jenny Qi interviews Preeti Vangani
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Loons in Strandir

By JEFFREY WOLF

Hólmavík, Iceland, 2023

 

The Westfjords. Iceland’s necrotic hand. Gnarled fingers reaching for the icy water. This is my interlude. A day between artist residencies, a rental car from Hertz. Just a short detour off my route. I may never have the chance again.

The fjords sit back and cast their spell. They rise from the ocean like the backs of sleeping beasts. For eons, they’ve waited. Layer after layer, gray upon gray, so deep and infinite that I start to feel afraid. Surely this is where the darkness lives.

A short detour isn’t so short. The land wanders, the roads double back. Time warps in the hypnosis. I’ve driven for hours and made no progress. Suddenly I’ve crested a mountain, and I’m staring down like a king. Then I’m low along the beach, small and insignificant. Then the mist rolls in, and it’s anybody’s guess.

Loons in Strandir
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May 2026 Poetry Feature: Arielle Hebert, from Bottom Feeders

This month we bring you three poems selected from Bottom Feeders by ARIELLE HEBERT, forthcoming from Black Lawrence Press.

TOC:
—“Elegy for Florida” 
—“Red Tide” 
—“The Dead Layer” 

Arielle Hebert's headshot and the book cover of Bottom Feeders

 

Elegy for Florida

Almost everything they said about her was true.
Even the bad things.
Especially the bad things.

She began reaching for the water
and never stopped reaching
until she became
an extension of water itself,
her delicate arm just begging
to be snapped off from the panhandle.

May 2026 Poetry Feature: Arielle Hebert, from Bottom Feeders
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Review of Cécé by Emmelie Prophète

Review by SAM SPRATFORD

Book by EMMELIE PROPHÈTE 
Translated from the French by AIDAN ROONEY

Book cover of Cece

Uncle Frédo lies in the dark, water dripping through the sheet-metal roof. His American Dream crushed by the reality of existence as a non-white, non-citizen in the U.S., he returns to Haiti for the remainder of his life. He rarely speaks and is nearly always drunk. He spends his days in a dreamless twilight zone between sleep and wakefulness.

Cécé, his 20 year old niece and the inheritor of his psychic burden, is our real protagonist.

Cécé was born into a slum outside Port-au-Prince, a place fractured by violence. It is the recent past, in the heady early days of the digital age. Facebook was still the social platform of choice and capitalism had not yet made an industry of influencer marketing. Abandoned by a kleptocratic state, the Cité of Divine Power and its counterpart, Bethlehem, have seen gangs step in to provide structure for residents by claiming a monopoly on violence. Unlike the Hobbesian Leviathan, there is no law underwriting the circumstances under which violence can be applied. It is a lawless place—but not without an order of its own.

Review of Cécé by Emmelie Prophète
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Rocket City Rising

By BETHANY BRUNO

Huntsville, Alabama

The news came on a Tuesday: U.S. Space Command was moving to Huntsville. The headlines said Redstone Arsenal wins the bid, but that word wins sat strange in my mouth. In the breakroom, someone printed the article and pinned it to the bulletin board above the coffee pot. The photo showed the gates of Redstone shining in the morning sun, a soldier standing guard beside the sign.

Outside my office window, trucks rumbled past loaded with pallets of equipment. The air always smelled faintly of dust and jet fuel. I thought about how this patch of land in northern Alabama, once a cotton field, then a proving ground, then a missile test site, was about to become home to something even bigger.

Rocket City Rising
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The Sound the Sun Makes

By ELIZABETH BRUS

The village sits in the throat of the Maloti mountains, which hum pink with the setting sun. From east to west, the mountains resemble many fists, the knuckles as peaks, the fingers as slopes, the space between a deep emerald.

Tsepiso—fifteen, lover of algebraic maths, The Bold and the Beautiful, and the Greek-American singer Yanni—must walk to the village pump and return home before dark. Thabang, her neighbor, who saves sweets for her from the Chinese shop, intends to marry Tsepiso. This news drifted through the village like a Sunlight soap bubble, and so Tsepiso’s mother has warned her to be home early. Otherwise, Thabang will take her into the maize fields, lay her down, and make her a wife.

The Sound the Sun Makes
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What We’re Reading: May 2026

Curated by KEI LIM

With our spring issue hot off the press, check out these recommendations from three of the issue’s contributors: LIZ DEWOLF, ANDREW STEINER, and MARIA TERRONE.

 

Book cover of Beautiful Days by Zach Williams

Zach Williams’ Beautiful Days, recommended by Issue 31 contributor Liz DeWolf

I first came across Zach Williams’ work when I read his 2022 story “Wood Sorrel House” in The New Yorker. The story, in which a family arrives at a rental cabin and then forgets everything about their lives before, including how they got there, deeply unsettled me. Something about Williams’ careful, straightforward prose makes each disturbing revelation—The baby doesn’t age while the parents do! Food mysteriously appears in the freezer!—all the more destabilizing.

What We’re Reading: May 2026
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Conjuring Home: Talia Lakshmi Kolluri interviews Samina Najmi

Talia Lakshmi Kolluri (left) and Samina Najmi (right)

Talia Lakshmi Kolluri (left) and Samina Najmi (right)

SAMINA NAJMI and TALIA LAKSHMI KOLLURI first met in 2022 after Najmi read Kolluri’s short story collection What We Fed to the Manticore and conducted her own interview for The Normal School. In that conversation, they found that not only are they practically neighbors, but they share a tremendous amount of common ground. Thus, a friendship was born. This conversation unfolded over email during Najmi’s book tour for her electric memoir-in-essays, Sing Me a Circle: Love, Loss, and a Home in Time, which spans her childhood in Pakistan and England, her first foray into the US in Boston, her family and professorial life, and Fresno, the place she now calls home. In this conversation, Kolluri and Najmi explore memory, return, the meaning of home, and the way we tell our stories.

Conjuring Home: Talia Lakshmi Kolluri interviews Samina Najmi
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Podcast: A. J. Bermudez on “The Sixteenth Brother”

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Listen on Apple Podcasts.

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Listen on Spotify.

Transcript: A. J. Bermudez

A. J. BERMUDEZ speaks to EMILY EVERETT about her story “The Sixteenth Brother,” which appears in The Common’s fall issue. With a fable-like feel, the story explores the dynamics of family and gender roles in Morocco, as fifteen brothers scheme to convince their youngest sibling to allow the sale of the family’s ancient and opulent riyad. A. J. discusses the story’s framing device—a storyteller relaying it, almost like gossip—and how it creates both intimacy and distance. She also talks about her work in film, and the interplay between writing for the page and for the screen.

Podcast: A. J. Bermudez on “The Sixteenth Brother”
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