Liminality in Occupied Spaces

By NAGHAM ASAL

Nagham_Asal

 

At the Checkpoint, Palestine

There is a place I return to every day, though I never stay there long. It is not marked on any map, not officially named, and yet everyone knows it. It is the space between where I am allowed to be and where I need to go. A checkpoint, yes, but also something more. A waiting room without walls. A pause stretched into routine. A place where time doesn’t move forward so much as it thickens.

This is where the day often begins.

I stand in line with others; students, workers, women carrying bags heavier than they look. The line moves forward a few meters and then stops again. Cars stretch ahead of us, their engines humming in the hot air. I can smell exhaust through the open window, mixed with dust from the road and the faint smell of coffee from a driver’s paper cup. People check their phones, look toward the soldiers, then look back at the line, as if trying to measure how much longer the wait will be. The air inside the car feels warmer with every minute, and no one knows exactly when the line will move again.

Liminality in Occupied Spaces
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A New Female Gothic in Intan Paramaditha’s Night of a Thousand Hells

By INTAN PARAMADITHA
Reviewed by LAUREN YU-TING BOBook cover of Night of a Thousand Hells

In 1797, an anonymous essay titled “Terrorist Novel Writing,” in reference to the term used to describe gothic novels at that time, appeared in the British publication The Spirit of the Public Journals. The essay concluded with a “recipe” for creating a gothic novel in the style of author Ann Radcliffe, whose writing would largely be used to define what second-wave feminist literary scholars in the 1970s would call the “female gothic.” The recipe included a list of tropes: “Take – An old castle, half of it ruinous. / A long gallery, with a great many doors, some secret ones. / Three murdered bodies, quite fresh…” And so it goes.

A New Female Gothic in Intan Paramaditha’s Night of a Thousand Hells
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Hyena Boys

By SAMUEL KỌ́LÁWỌLÉ

1

The hyena boys came to Bonaventure, which was serendipitous, because he was used to avoiding the world before the world spurned him. For one, his white albino skin flecked with dark spots made him a regular target of mockery. When Bonaventure was younger and his father was around and could barely afford to send him to school, his peers often taunted him to come outside in the midday heat. They dared him to come to the playground without squinting, one palm raised to block stray sunlight. They likened him to a pillar of butter melting in the sun. They asked if he was a vampire banished to the shadows.

Hyena Boys
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Laila

By ALLYSON NOMAN

Things have taken a strange turn since my husband uprooted our family. First I quit my job. Then I stopped eating. And now I’ve begun to receive messages from the dead.

Four months ago, we moved from rural, pastoral Northern California, a place I loved, to southwest Virginia. Over the summer, smoke from the West Coast wildfires has followed us, traveling east across the country, shrouding the Blue Ridge Mountains in a haze made heavier by humidity. I like to look out the window, air purifiers humming behind me, and watch the microscopic remnants of home suspended in air, thinking they’ve been sent here just for me.

Laila
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Father, Land

By DANIELLE V. SCHOON

For Ana María Alonso 

It was late October, and my half-sister, Nikki, and I walked arm in arm with our stepmother through the streets of Caracas. The sweet metallic smell of gasoline, ever-present in the city, mixed with the acrid sourness of tropical flowers decaying at the end of the rainy season to create a pungent indolic scent. The sun had set behind Mount Ávila while we were at the party, so we walked under the glow of streetlights toward our car parked a few blocks away. Even though Nikki and I hadn’t anticipated needing nice clothes for this visit, we’d each thrown a dress into our suitcase at the last minute. The special occasion turned out to be our step-cousin’s son’s second birthday. The click of our high heels echoed through empty streets. Armed robberies, carjackings, gang activity, and police shoot-outs had contributed to a climate of fear and insecurity amongst residents, who no longer went out after dark unless necessary. But our stepmother, Inger, never bothered with such warnings—she entrusted her life (and ours) to fate.

Father, Land
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Trojan Horse

By M. B. MCLATCHEY

It was a gold-seal ruse. A double- 
dealing so sublime the gods ordained 
it. Settled into their stadium seats, 
they wagered on their favorites. Helen,  
the imposter bride, circling and circling  
the gifted horse. Her Central Casting  
lines to the shadows inside. The numbing  
non-reply. War-weary, she fastened her  
hair in gold and dressed for a city  
ablaze. Nothing to do but wait.  

Trojan Horse
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