Philadelphia, Pennsylvania
It’s a conundrum—where to put the baby in the grime—how to remove him from his blanket and place him on anything in this room. This room is what my husband and I get for $99 a night on Trip Advisor at .2 miles from the Philadelphia airport. The hotel sits in a strangled urban desert—a place bereft of tree, water, flow—a sprawl of light and concrete. This is a hopeless place for trapped people, meant to curb the anxiety about the most unnatural of journeys.
The Common brings you a special two-part series as a preview to Tesserae: Poetry of Community – A Reading & Celebration of Immigrants & New Americans, coming up on Sunday, April 22 3:30–5pm at The Parlor Room in Northampton, MA; free admission. You can view Part One of the series here.
Part Two – featuring poems by Tamiko Beyer, Leslie Marie Aguilar, and Oliver de la Paz.
The Common brings you a special two-part series as a preview to Tesserae: Poetry Of Community – A Reading & Celebration Of Immigrants & New Americans, coming up on Sunday, April 22 3:30–5pm at The Parlor Room in Northampton, MA; free admission.
Part One – featuring poems by Kirun Kapur, María Luisa Arroyo, and Ocean Vuong.
Finger Lakes Region, New York
I am a trespasser. It’s difficult not to be one when so much of the hills surrounding the Finger Lakes of New York are owned by so many, “somebody else’s.” Even the abandoned Tenny’s Farm, with its heaviness of barren barns and feral fields, is stitched with Posted signs. Nearly daily I hike, or ride my pony, along the top of Grimes Gully with its whispering waterfalls below, to the end of the the Old West Hollow Road: an echo of a carriage road overgrown and barely remembered. It’s not really the end though, it’s a path dismembered by a twelve-foot-high fence that surrounds hundreds of acres of private deer reserve. I press my face to the cold wire, longing for the wide trails that continue inside there. Just being here, though, I’ve passed numerous signs. I am trespassing.
We’ve got a very busy April ahead of us – can you join us at an event? We’ll be sharing our work, our expertise, and our brand new Issue 15 contributors with the world!
Juniper Literary Festival
April 7, 1:45-2:45pm, UMASS Amherst – The Common will be hosting a panel discussion at UMass’s Juniper Literary Festival alongside editors from renowned western Massachusetts literary magazines jubilat, Meridians, and The Massachusetts Review to discuss what they’re looking for, how to submit to literary magazines, and the behind-the-scenes editorial process. Bring your questions! Then swing by the Book Fair to buy discounted copies of The Common. Click here for more info on the event!
April 14, 12-5pm, Eastworks Building, Easthampton – The Common will be participating in the Easthampton Book Fest; come find us in the Literary Marketplace! We’ll be selling discounted issues, answering questions, and maybe giving out a few freebies, too. Check out the bookfest website here!
Tesserae: Poetry in Community
April 22, 3:30-5pm, The Parlor Room, Northampton – Northampton’s Poet Laureate, Amy Dryansky, will host a special event on behalf of several local agencies that work to welcome and support immigrants and new Americans in the community. The event, Tesserae: Poetry in Community, will feature readings by award-winning poets Leslie Marie Aguilar, Maria Luisa Arroyo, Tamiko Beyer, Kirun Kapur, Oliver de la Paz and Ocean Vuong. As a sponsor of Tesserae, The Common will be posting an online feature of these poets on our website, so stay tuned! For more information on the venue, click here, and for full details about the event, click here.
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Issue 15 NYC Launch Party
April 26, 6:30-8pm, Housing Works Bookstore Cafe, NYC – Join The Common to celebrate our Spring Issue 15 Launch, featuring readings by Liz Arnold, Emma Copley Eisenberg, and translator Lissie Jaquette, followed by a discussion with editor in chief Jennifer Acker. The event is free and open to the public, so make sure to stop by! Find all the event details here.
Join us in celebrating Issue 15 of The Common! The evening will feature readings from Liz Arnold, Emma Copley Eisenberg, and translator Lissie Jaquette, followed by a discussion with the magazine’s editor-in-chief Jennifer Acker. This event is free and open to the public.
The room was full, though not as jammed as the time I’d visited the summer before, when the space felt hot with the exhalation of hundreds of miserable souls. It was still full enough that I bumped into people and they bumped into me as we moved around with our heads bent uncomfortably backwards. A couple of women sat on the floor and leaned back to stare at the ceiling more comfortably, but an official, known unofficially as a shusher, indicated that they should rise. He and other shushers moved through the crowd of upturned faces whispering “shush” and “silenzio,” reminding us that the Sistine Chapel is a place of worship and not an art gallery.
Curated by SARAH WHELAN
Friday Reads is like a box of chocolates: there’s something for everyone, even the weirdos who read scripts! This month, sample an autobiographical novel, a collection of love poems, and a modernist play.
Recommendations: A Tale of Love and Darkness by Amos Oz, Oceanic by Aimee Nezhukumatathil, The Visit by Friedrich Dürrenmatt.
In March we welcome three poets new to our pages; all three have work forthcoming in the print journal, as well.
Zero Slave Teeth
On the radio I hear about George Washington’s teeth.
A guest says what do you think his teeth were and a host
says wood. I’ve read about Waterloo teeth, how we prowled
battlefields, plucked teeth from young French corpses,
wired them up to make fresh rich people mouths.
With KATIE CORTESE
Your Name: Katie Cortese
Current City or Town: Lubbock, Texas
How Long Have You Lived here: 5 years
Three Words to Describe the Climate: Sunny, windy, dusty
Best time of the year to visit: Every season in Lubbock has its challenges, but I like it best in either May or September when everything is green and flowering, the hottest days are still either in front of us or past, and the wind is slightly less intense (though it never really goes away).
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