Friday Reads: December 2014

This month’s recommendations from The Common’s contributors and staff deal with the intersection of old and new, ancient and modern, on every level—personal, religious, political, even supernatural. Perhaps in the spirit of the season, we seem preoccupied by stories of intergenerational strife, love, and ambition. In their urgent focus on belief and truth-seeking, these books represent a literature of searching, a catalogue of quests across time and around the world.

Recommended:

To the End of June by Cris Beam, The Harafish by Naguib Mahfouz, We Others by Steven Millhauser, Hum by Jamaal May, High as the Horses Bridles by Scott Cheshire.

Friday Reads: December 2014
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The Deal with Discomfort: Claire Messud on “Likeability,” the Subjective Self, and Choosing an Artist’s Life

MELODY NIXON interviews CLAIRE MESSUD

Claire Messud headshot

Claire Messud is the author of six novels, including The Emperor’s Children, a New York Times bestseller that was shortlisted for the 2006 Man Booker Prize. Her sixth novel, The Woman Upstairs, was released by Knopf in April 2013 to much critical acclaim and a long listing for the Canadian Scotiabank Giller Prize. As December temperatures plummeted Melody Nixon caught up with Claire Messud over the phone about fiction, philosophy, and that comment about the “likeability” of literary characters.

The Deal with Discomfort: Claire Messud on “Likeability,” the Subjective Self, and Choosing an Artist’s Life
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Review: Troy, Michigan & Don’t Go Back To Sleep

Books by WENDY S. WALTERS and TIMOTHY LIU
Reviewed by J. MAE BARIZO

Troy, MI

J. Mae Barizo reviews two poetry collections: Troy, Michigan by Wendy S. Walters and Dont Go Back to Sleep by Timothy Liu.

TROY, MICHIGAN

Wendy S. Walter’s Troy, Michigan chronicles municipal and personal history in this elliptically elegant collection of sonnets. This book swivels gracefully through eras in the city of the title, alluding to its mythic namesake while divulging the narrator’s observations on industry, race, and the tug of the natural world. Walters spent 15 years of her childhood in Troy, which is in close proximity of Lake Huron and Lake Erie; her father worked for General Motors. 

Review: Troy, Michigan & Don’t Go Back To Sleep
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Book Shopping in Lisbon

Bookstore

It’s Thanksgiving Day across the Atlantic in Massachusetts, where I live. There, among my American family and friends, it’s a quiet, contemplative day, but here in the Chiado, the heart of downtown Lisbon and the city’s oldest shopping district, everything is bustling, as if the Portuguese are scurrying to get a one-day head start on Black Friday. It’s a raw, drizzly day, a sign of winter’s approach, and the cobbled sidewalks are slippery. I’ve walked these hilly streets for 35-plus years, often darting from one bookstore to the next—new, used, rare—flipping through the pages of everything from current bestsellers, to obscure dime-store colonial-era comics, to rare folios of brightly-colored, highly inaccurate antique maps. That’s what I’m doing today, I’m book shopping.

Book Shopping in Lisbon
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Like Breath

By TALINE VOSKERITCHIAN

We are standing in front of Mark Rothko’s Black, Red Over Black on Red at the Centre Pompidou.

“I love Rothko,” says my companion. “I am not crazy about modern American art, but Rothko is different.” A painter himself, my companion is a talkative man behind whose frail body and white hair is an energetic, sometimes erratic mind. “Look,” he says, as he moves closer to the painting, the guard keeping a polite watch over us. “The way he has layered the painting—as if he were breathing it.”

Like Breath
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Often from Kansas: A Conversation with Sarah Smarsh on the Privilege of Rootedness in Midwestern America

MARNI BERGER interviews SARAH SMARSH

Sarah Smarsh

Sarah Smarsh has reported on social justice, the environment, culture, and class for Harper’s, The Huffington Post, Guernica, The Pitch, Aeon, and others. She holds an MFA in nonfiction from Columbia University, as well as degrees in journalism and English from the University of Kansas, and has taught at Washburn University, Columbia, and elsewhere. A fellow of the Center for Kansas Studies, earlier in her career she wrote about her home state for everything from airline magazines to pop-history paperback series. Her essay “Death of the Farm Family” appears in Issue 08 of The Common. Marni Berger and Smarsh discussed the privilege of rootedness in America and what it means to be “often from” a place.

Often from Kansas: A Conversation with Sarah Smarsh on the Privilege of Rootedness in Midwestern America
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Flying the Hump

airplane

In Cuyahoga Falls, Ohio, where I grew up, Rex Humbard was the first Pentecostal evangelist to have his own television program. Next to the Cathedral of Tomorrow, where he hosted his weekly broadcast, he also built an enormous tower—locally known as Rex’s Erection—with the intent of making one of those revolving restaurants like at Niagara Falls. But despite eventually officiating at Elvis’s funeral, Humbard ran out of money and, ever since, the tower has just stood there, tall and useless. Though my grandfather, who was a flight instructor at Kent State, once told me that pilots used the tower as a landmark when giving their coordinates over the radio.

Flying the Hump
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