A handmade dress passed down
from your mother finds space
in the cedar chest at the foot
of the bed. The chest, a relic
of your father’s, bore a new
ZINZI CLEMMONS interviews TERESE SVOBODA
Terese Svoboda is the author of several books of poetry and prose, most recently the novel Bohemian Girl, which Booklist named one of the ten best Westerns of 2012. Her fourth novel, Tin God, was re-issued this year. Zinzi Clemmons caught up with her during a mild August to discuss Sudan, life in foreign cultures, and multi-genre writing.
Zinzi Clemmons (ZC): Your story “High Heels,” in Issue 05 of The Common, is set on an unnamed island in the Indian Ocean where Swahili is spoken. Which country is this? Did you intend for the reader to gain a sense of a specific location through the story?
Terese Svoboda (TS): It’s Lamu, off the coast of Kenya. It should evoke the disorientation of an extreme change of location for the characters — and, of course, of an island in the Indian Ocean.
This week, as an end-of-summer treat, we present you three stories by The Common contributors originally published in our special Summer Fiction Issue. Enjoy!
Flood Control
This week, as an end-of-summer treat, we present you three stories by The Common contributors originally published in our special Summer Fiction Issue. Enjoy!
Here, The Weather Is Lovely
This week, as an end-of-summer treat, we present you three stories by The Commoncontributors originally published in our special Summer Fiction Issue. Enjoy!
The Servant
By BIPIN AURORA
It’s our pleasure to bring you new poems by four poets whose work will also appear in an upcoming print issue of The Common.
Excerpt from the forthcoming novel Mañana Means Heaven:
Wednesday, October 22, 1947
The workers couldn’t stop talking about it. Especially that whole first day after it happened. According to the paper, a “wetback” was found strung up in a sycamore tree near Raisin City. From his neck dangled a cardboard sign:
PARASITE
The Fresno County Coroner confirmed that because nowhere on the body were there bruises or scrapes the only logical explanation was suicide. A common occurrence among braceros. Naturally. They missed their families back home. Depression was inevitable. Fear was constant. The food too bland. A bottle of whiskey was found half emptied nearby. And for Xixto María Martínez, all the signs were there. On this very day his contract was up. As for the brief poem found on his person, the paper offered no explanation, except to say: Mr. Martínez had a way with words. It was imminent now. Xixto dying the way he died was only a suggestion.
1. Consider what damages
Yes, light, pests, dirt, but also the whole climate, and pets and people. Don’t forget the stress of storage or display. Whether to be “used and enjoyed” or “saved and preserved” – you must decide. There is no quick or simple answer. I was given this, but how should I make sure it is safe? That it does not begin to decay, then all but disappear. There are basic measures that anyone can take. Preserving fibers will prolong life.
Ultraviolet light from the sun and fluorescent lights cause permanent damage. Be alert to how the sunlight might be reflecting off a wall or mirror.
My mother walked toward the courthouse at her usual fast clip, and the smoke from her Marlboro hung over her head. My brother Bernard and I trailed her as we crossed Church Street, and the fall leaves, mostly auburn and pumpkin, crunched under our feet. Everything else around us was so still.
Three weeks before, Mom had called me in the middle of the night to tell me that Bernard had been arrested. After we got off the phone, I wasn’t sure what to do. Even though Bernard was eighteen years old, only six years younger than I was, I had taken care of him his whole life. I had enjoyed his victories––homeruns and high scores––as if they were my own. I was sure his mistakes were mine, too.
Artist: LAURI LYONS
Curated by Alicia Lubowski-Jahn
Although the photographer Lauri Lyons calls New York home, she is ever on the move through her creative projects. Her current body of work spans Africa, Australia, Brazil, Mexico, Europe, and the United States, and has connected the globe through African diaspora and identity formation themes. Often pictures and languages within her portrait photography evoke origins that are both ancestral and geographic. She is the Founder and Editor-in-Chief of the photojournalism magazine NOMADS, which is also dedicated to the peripatetic state.
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Celebrating 15 Years