Podcast: Gerardo Sámano Córdova on “Iceberg, Mine”

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Transcript: Gerardo Sámano Córdova Podcast

Gerardo Sámano Córdova speaks to managing editor Emily Everett about his story “Iceberg, Mine,” which appears in The Common’s fall 2022 issue. Gerardo talks about combining the real and the surreal in this story, and using both to show the power of a brief moment of connection. He also discusses the risks and rewards of writing about the fantastical, the process of finding balance through revision, and his debut novel Monstrilio, which is out now from Zando. The novel is about a boy who transforms into a monster, a monster who tries to be a man, and the people who love him in every form he takes.

Gerardo Sámano Córdova's headshot (man sitting on the floor in brown pants and striped shirt), plus The Common's issue 24 cover (buttons on white background).

Podcast: Gerardo Sámano Córdova on “Iceberg, Mine”
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Creativity as the Opposite of Violence: Makenna Goodman Interviews JoAnne McFarland

JoAnne McFarland's headshot: Black woman wearing a navy shirt with rows of white dots..         Makenna Goodman's headshot: White woman wearing a black shirt.

JOANNE McFARLAND is an artist, poet, and curator whose work centers on the intersection of language and visual representation. Her newest collection, Pullman (Grid Books, 2023), is a brilliant and singular exploration of form and artistic disciplines that examines themes of labor, creativity, eroticism, and love, engaging and interacting with events in the American past as they relate to the state of being human today. By exploring the history of the Pullman car porters of the late 19th-century railroads, McFarland’s poems and integrative collages explore historical sources, entries from the Black Almanac of 1972, lyrics created by McFarland’s own father—a songwriter for Aretha Franklin—and vintage French magazines. In this interview, MAKENNA GOODMAN connected with McFarland about Pullman and the broader scope of her artistic work. McFarland asks us to consider our relationship to the erotic, to our delight, to the sensual experience of being alive, to our drive to make music from a moan, to adhere ripped pages into re-imagined dresses, to reconsider the past as a way out of pain. 

Creativity as the Opposite of Violence: Makenna Goodman Interviews JoAnne McFarland
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Friday Reads: June 2023

Curated by SOFIA BELIMOVA

Welcome to the June round of Friday Reads! Are you hoping to read more this summer? Do you have a favorite shady spot in a backyard or park, but no book to share it with? Read on for exciting recommendations from our contributors. Find stories that reach beyond the scope of normative human experience, essays about writing and writers, and hybrid memoir on music and survival. 

 

Cover of Heinrich von Kleist's Michael Kohlhaas: a red to green gradient and the drawing of a man without a head.

Friday Reads: June 2023
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Welcome to the Department of Unanswered Prayers

Cover of Happy Stories, Mostly

By NORMAN ERIKSON PASARIBU
Translated from the Indonesian by TIFFANY TSAO

From Happy Stories, Mostly by Norman Erikson Pasaribu, translated by Tiffany Tsao. Excerpted with permission from the publisher, Feminist Press.

 

Welcome to the Department of Unanswered Prayers! Here’s your ID. When it’s time to go home, put your badge in your bag and leave the bag in your car. Rather than tossing it in some drawer, I mean, or chucking it somewhere inside your room. Don’t worry. No one will steal it. And don’t forget to bring it tomorrow and the day after and all the days after that. You’ll need it to get past security and to access the main entrance, the department, the sub-departments, the letter storage facility, and the archive. It happens every now and then—someone forgets their badge and has to go home to retrieve it. What a waste of time and money. Remember, every minute you’re late will incur a corresponding reduction in your heavenly salary. Each minute you’re late also incurs a 0.33-point penalty, to be subtracted from your end-of-year point total. Don’t let it get so dire that you can’t redeem them for the leave you’re entitled to every fourth year, because if you’re short even a fraction of a point, you’re still short a fraction of a point.

Welcome to the Department of Unanswered Prayers
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Memory’s Underworld

By LOUIS-PHILIPPE DALEMBERT 

Translated from the French by NANCY NAOMI CARLSON and CATHERINE MAIGRET KELLOGG 

Introduction

Although author Louis-Philippe Dalembert was born and raised in Haiti, this story takes place in French Guiana, a French territory located on South America’s northern Atlantic coast. Sharing borders with Brazil to the east and south, and with Suriname to the west, the region is also known for the Kourou Space Center, where the European Space Agency conducts satellite and spacecraft launches.

Some of the language used throughout the text reflects diverse historical and geographical influences, drawing from French, Guianese and Caribbean French Creole, Portuguese, and Spanish. Métro is an informal French term to describe someone from metropolitan France. Hexagone refers to mainland France, because of its shape. Carbet, a term used in the French Caribbean, refers to an open shelter where community members may gather. Domien refers to people from the French Overseas Departments. Hideputa is Spanish for “son of a bitch.” Tapouille is a sailboat or schooner. Garimpeiro is a Portuguese term referring to a gold miner. Clandestinos is a Portuguese term referring to illegal immigrants. Jinetero is a male prostitute. Tarlouze is a pejorative term used to refer to a gay man.

Memory’s Underworld
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Slaughterhouse-Vibe

By LISA ROSENBERG

 

an image of a woman among old artifacts. the woman's back is to the photographer and she is facing the open door

 

Hydra, Greece

There are no streetlights between the old slaughterhouse and the edge of town. The road that links them feels longer than its few hundred barren meters, proceeding above a rocky slope that ends in channel water—the former landing place of blood and entrails, arriving by chute while dogfish gathered. Six nights per week, a young woman makes her way along this route, tiny phone-light in hand, walking toward the main village on the Greek island of Hydra. Her name is Marina. I’ve known her since she was a child.

Slaughterhouse-Vibe
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Review of “I Will Not Fold These Maps”

By MONA KAREEM

Translated from the Arabic by SARA ELKAMEL

Reviewed by SUMMER FARAH

Cover of Mona Kareem's I Will Not Fold These Maps, orange cover with white writing.

My first encounter with Mona Kareem’s work was not her poetry, but her essay in Poetry Birmingham on the trend of Western poets “translating” from languages they are not literate in. Kareem brings attention to what she calls the “colonial phenomenon of rendition as translation,” in which a poet effectively workshops a rough translation done by a native speaker or someone who is otherwise literate in the original language. Often, this is the only way acclaimed writers reach Western audiences. I was excited, then, to see that I Will Not Fold These Maps, Kareem’s first collection translated to English, defies this trend. Presented with the original Arabic alongside the English translated by Egyptian poet and journalist Sara Elkamel—for whom this work is a debut full-length translation—this book is a mixture of Kareem’s previously collected work alongside brand new poems, presenting a great overview of her work. I Will Not Fold These Maps’s execution as a collaboration between Arab poet-translators only strengthens the experience of reading it, filled with poems that vividly explore exile, grief, and writing and its relationship to resistance.

Review of “I Will Not Fold These Maps”
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Podcast: Robin Lee Carlson on “Reading the Ashes”

 

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Transcript: Robin Lee Carlson Podcast

Robin Lee Carlson speaks to managing editor Emily Everett about her essay “Reading the Ashes,” which appears in The Common’s fall 2022 issue. Robin talks about the many-year process of observation, illustration, and writing that went into the essay, which explores the cycle of fire and rebirth in Cold Canyon. She also discusses how her work balances the poetic and artistic with the scientific, how sketching and watercolors help her understand the natural world, and how she hopes her book will encourage readers to observe and question ecological change in their local areas.

Robin Lee Carlson headshot next to cover of Issue 24 of the common

Podcast: Robin Lee Carlson on “Reading the Ashes”
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May 2023 Poetry Feature: New Poems by Our Contributors

New poems by TIMOTHY DONNELLY, JANUARY GILL O’NEIL, and NGUYEN BINH

Table of Contents:
—Timothy Donnelly, “Eglantine” and “Mill”
—January Gill O’Neil, “Us”
—Nguyen Binh, “Two of the Graves by the Highway” and “Uncle” 

 

Eglantine
By Timothy Donnelly

            after Marceline Desbordes-Valmore

Thorn-blossom! Tender thing, prone to solitude
     like yours truly, don’t get it twisted if I reach out my hand—
it isn’t to pluck you, who are my beacon down this path, but a gesture
    of acknowledgment common among my kind.

May 2023 Poetry Feature: New Poems by Our Contributors
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