Offering

By TARA SKURTU

It was the first time I’d lived
with a man, and I wanted him

to translate the name of our street.
He was holding my cold fist

in his own, and we were on
Ofrandei, in the middle of unpaved

Bragadiru, Romania, on our way
home. It’s something you give

to get something—like a sacrifice.
Like what you do for a god.

                        *

I clawed at the cracked clay
with bare hands, planted blood-

brown calla lilies, daffodils.
Irises, pink peonies, white hyacinths.

I transplanted a living wall
of evergreens, lined the walk

with lavender. I watered
what I’d buried and waited.

                        *

After the rains, Ofrandei became
a lake. I’d climb along the unknown

neighbor’s fence, his silent dog
following me, pausing when I paused

to estimate the depth of the mud,
length of my jump, until one day

I was there and she wasn’t, and that was
the fall I left Offering Street

with some soil-caked pots, my raincoat,
patio set for two. In the front yard,

under the hood of the gas grill, I left
my keys—the man loved

to grill, so I’d bought him one and
rolled it into the garden I’d sown.

 

Tara Skurtu is a two-time U.S. Fulbright grantee and recipient of two Academy of American Poets Prizes, a Marcia Keach Memorial Poetry Prize, and a Robert Pinsky Global Fellowship. She is the author of The Amoeba Game.

[Purchase Issue 19 here.]

From the beginning, The Common has brought you transportive writing and exciting new voices. We are committed to supporting writers and maintaining free, unrestricted access to our website, but we can’t do it without you. Become an integral part of our global community of readers and writers by donating today. No amount is too small. Thank you!

Offering

Related Posts

Hitting a Wall and Making a Door: A Conversation between Phillis Levin and Diane Mehta

DIANE MEHTA and PHILLIS LEVIN
This conversation took place over the course of weeks—over daily phone calls and long emails, meals when they were in the same place, and a weekend in the Connecticut countryside. The poets share what they draw from each other’s work, and the work of others, exploring the pleasures of language, geometric movement, and formal constraint.

Lily Lloyd Burkhalter's headshot and Issue 29 cover

Lily Lloyd Burkhalter on “Raffia Memory”

LILY LLOYD BURKHALTER
Lily Lloyd Burkhalter speaks to managing editor Emily Everett about her essay “Raffia Memory,” which appears in The Common’s spring issue. Lily talks about traveling to the Cameroon Grassfields to research the rituals and production of ndop, a traditional dyed cloth with an important role in both spiritual life and, increasingly, economic life as well.

Anna Malihot and Olena Jenning's headshots

August 2025 Poetry Feature: Anna Malihon, translated by Olena Jennings

ANNA MALIHON
The girl with a bullet in her stomach / runs across the highway to the forest / runs without saying goodbye / through the news, the noble mold of lofty speeches / through history, geography, / curfew, a day, a century / She is so young that the wind carries / her over the long boulevard between bridges