Song of Almería

By JOHN POCH

Our bus downshifts cresting a hill,
and a partridge covey flushes into
the lit mist of the autumn noon, clouds
spilling over higher hills slow and white
like soft glaciers cut by massive stones
the size of fortresses, and just as cold.

But here, a goatherd in a great orange sweater
appears like a camouflaged god and staggers
through a rain-soft field while his lithe goats
leap to yet another terrace, headed to the hills,
and he sings. A horizontal pillar of smoke
tries to engulf him in its trash fire haze,
and he might sing a tragic song of the sea
as he climbs away from the brilliant sea.
He makes believe the mountains lift him.
He goes to prepare a kingdom for me.

 

 

John Poch‘s most recent book is Dolls (Orchises Press 2009).  He teaches literature and creative writing at Texas Tech University in Lubbock.  His poems have appeared recently in Yale Review, Poetry, Agni, and Cincinnati Review, among other journals. 

[Click here to purchase your copy of Issue 08]

Song of Almería

Related Posts

Caroline M. Mar Headshot

Waters of Reclamation: Raychelle Heath Interviews Caroline M. Mar

CAROLINE M. MAR
That's a reconciliation that I'm often grappling with, which is about positionality. What am I responsible for? What's coming up for me; who am I in all of this? How can I be my authentic self and also how do I maybe take some responsibility?

October 2024 Poetry Feature: New Poems By Our Contributors

NATHANIEL PERRY
Words can contain their opposite, / pleasure at once a freedom and a ploy— / a garden something bound and original / where anything, but certain things, should thrive; / the difference between loving-kindness and loving / like the vowel shift from olive to alive.

Image of laundry hanging on a line.

Real Estate for the Blended Family (or What I Learned from Zillow)

ELIZABETH HAZEN
Sometimes I dream of gardens— // that same dirt they kick from their cleats could feed us, / grow something to sustain us. But it’s winter. // The ground is cold, and I dare not leave this room; / I want to want to fix this—to love them // after all—but in here I am safe.